Photograph of Lynn County Courthouse in Tahoka, TX. A red brick road fills the bottom half of the photo, in the right corner of which is the edge of a car, extending towards the background until meeting the curbed edges of a grassy median with a streetlamp set into a base with "Welcome" written on it. Beyond this median, the courthouse sits on a green lawn planted with bushes and trees, and faces the left side of the photo, a small set of stairs leading from the ground to its entrance. The building is made of red bricks, orange concrete, and white stone. Four white columns rise in front of the courthouse's entrance while two stand on the right side of the building, which faces the right edge of the photo. The building has four rows of windows across each of its walls: one at the bottom of the building. two across the middle, and one along the top. Above and below the uppermost row of windows runs a line of orange concrete. Sitting above both the lines and the top row of windows on each side of the building is a circular design made of white stone.

Photograph of the title page of Idylls of the King. The page reads "Idylls of the King. by Alfred Tennyson, D.C.L., Poet Laureate./'Flos Regum Arhurus.' Joseph of Exeter./London: Edward Moxon & Co., Dover Street. 1859." The inner portion of the cover is visible around the pages and the book is propped open on a clear book cradle against a white background.

Photograph of the first page introduction to the Pickwick Abroad serial compiled in a book. The page numbers from the Table of Contents on the opposite page are visible. The book is propped open on a white background.

Photograph of the front end-paper of the book Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be. The cover is bordered with gold-stamped details and the pages are red, blue, green, and yellow marbling. There is also an illustration of a study with the name "Nicholas Frederic Brady" underneath it. There is also a place sticker at the top that reads "Cabinet IV, Shelf I". The book is resting on a clear book cradle.

Photograph of the beginning of Chapter 1 in the Posthumous Papers of The Pickwick Club. A list of corrections ison the opposite page and is titled "Errata". The cover is decorated with a red, blue, white, and orange marbled print. The book is propped open on a clear book cradle and a clear band is holding down the left-hand pages.

Photograph of the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." Anne Thackeray's signature is at the top and there is a blue stamp underneath. It is propped up with a clear book stand and is against a white background.

Photograph of the front pages of the book Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be. The gold-stamped border details are visible around the pages and there is also an illustration of a city scene with people crowded in the streets. The book is resting on a clear book cradle and there is a clear band holding down the page with the illustration.

Photograph of Anne Thackeray's signature on the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." A portion of a blue stamp is at the bottom beneath the text.

Photograph of the beginning of Chapter 1 in the Posthumous Papers of The Pickwick Club. The book is propped open on a book cradle and there is a white background.

Photograph of the spines of the three volumes of One of Our Conquerors by George Meredith. The spines are frayed at the top and bottom and there are smudges on the blue cover material. The title, author, and volume number are listed down the spine and the publisher is named at the bottom as "Chapman & Hall". The three volumes are standing up together and are in front of a white background.

Photograph of the title page of Idylls of the King. The page reads "Idylls of the King. by Alfred Tennyson, D.C.L., Poet Laureate./'Flos Regum Arhurus.' Joseph of Exeter./London: Edward Moxon & Co., Dover Street. 1859." The inner portion of the cover is visible around the pages and the book is propped open on a book cradle against a white background.

Photograph of the covers of Little Dorrit and Nicholas Nickleby in their Lloyd's Sixpenny Dickens versions. Both have small pictures in the center, Little Dorrit has an illustration of Mr. Blandois in a coat and a hat standing on a cliff, and Nicholas Nickleby has two men, one who is Sir Mulberry, in evening suits carrying walking canes and a woman is standing between them. Both the books are resting in book stands in front of a white background.

Photograph of an illustration in the Posthumous Papers of The Pickwick Club. The image, which is illustrated by Robert Seymour, depicts Samuel Pickwick standing on a chair to address the club members who are sitting around a dining table. A note beneath the image reads "Mr. Pickwick addresses the club. / London, Chapman & Hall, 186 Strand." The book is propped open on a book cradle and there is a white background. A portion of the cover is visible and is printed with orange, red, blue, grey, and white marbling with brown corners. There are water stains at the top of the page as well.

Photograph of the cover and spine of Idylls of the King. The cover is green cloth and has a frame detail and vine scroll-work on the front. The spine is brown and has five compartments and the title is applied in gold-stamp in the second compartment. The top and bottom of the spine is fraying. The book is resting on a clear book stand.

Photograph of the illustrated portrait of Charles Dickens from the book The Life of Charles Dickens. The book was written by John Forster with the approval of Dickens and was originally printed from 1872-1874 as a series of volumes. Underneath the portrait is a note that reads "Portrait of Charles Dickens. AET. 27." The book is propped open using book stands and is placed on a white background.

Photograph of cover of the book Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be. The cover is green with gold stripe borders and gold-stamp flowers in the four corners. The spine has seven compartments with the title in the second, the name "Dickens" in the fourth, and the date 1836 in the seventh. There are gold-stamped flowers in the other spaces. The book is resting on a clear book cradle.

Photograph of the pine and cover the Posthumous Papers of The Pickwick Club. The cover is a marbled pattern with red, orange, blue, green, grey, and white colors. There are also leather corners and the spine is covered in leather. There are six compartments on the spine, the second has the "Pickwick Papers" gold-stamped on a red backing and "Dickens" is stamped in gold in the third compartment. The book is in a clear book stand against a white background.

Photograph of the cover and spine of the Pickwick Abroad serial compiled in a book. The spine has six individual compartments and the title is in the second. There are gold-stamped details in each of the spine compartments. The front cover is marbled and there are scuff marks on the front and around the edges. The book is standing up against a white background.

Photograph of the front end-paper of the book Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be. The cover is bordered with gold-stamped details and the pages are red, blue, green, and yellow marbling. There is also an illustration of a study with the name "Nicholas Frederic Brady" underneath it. There is also a place sticker at the top that reads "Cabinet IV, Shelf I". The book is resting on a clear book cradle.

Photograph of the cover of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The book is bound in marbled paper and leather. On the spine, which is divided into six compartments, are the initials A. I. T. for Anne Thackeray and the title in gold-stamped letters. In the bottom four compartments are gold designs.

Photograph of the spines and covers of the three volumes of One of Our Conquerors by George Meredith. The spines are frayed at the top and bottom and there are smudges on the blue cover material. The title, author, and volume number are listed down the spine and the publisher is named at the bottom as "Chapman & Hall". The three volumes are stair-stepped and standing up together and are in front of a white background.

Photograph of the beginning of A Tale of Two Cities in Volume I of the compiled version of Charles Dickens' magazine All the Year Round. At the top of the page is a quote that reads "'The Story of our Lives from Year to Year.' - Shakespeare". On the bottom edge of the book pages is a stamp that reads "NTSU Library".

Photograph of the covers of the 19 issues of the novel Our Mutual Friend. The books are fanned out with the covers visible in two rows. Each one has the same illustration of scenes from the stories on the front.

Photograph of the spines and covers of eight volumes of the All the Year Round collection. Five are stacked so that their spines face out, one is beneath another so that it can rest with its pages open, and another is standing up so that the cover can be seen. The spines are in a brown cloth and the front and back are in green. There is an embossed design around the border with curved corners and a circular title design in the middle. The title, volume and author name are all gold-stamped onto the spine.