The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.

Thesis written by a student in the UNT Honors College discussing the future of United States naval deterrence and its viability.

Thesis written by a student in the UNT Honors College discussing the projected growth of the North Atlantic Treaty Organization, its desired expansion into eastern Europe, and Russia's response.

A comparative content analysis was conducted to determine whether the Russian (ITAR-TASS) and the American (UPI) wire service coverage of President Boris Yeltsin in the April 25, 1993, referendum was balanced and unbiased. Also, the amount of space dedicated to this topic was measured. Study results indicate that ITAR-TASS was more critical of Yeltsin prior to the referendum than UPI, and that there was no statistically important difference between the two wire services in their post referendum coverage. UPI articles were almost 30% longer than the ITAR-TASS articles. Each UPI article was on an average more than 220 words longer than were the ITAR-TASS articles.

This paper presents a brief history of the alto flute and discusses its use in the orchestral literature of European, Russian and American composers. Analysis of selected passage from various works determine its use as either a solo instrument, doubling or reinforcing voice, or as part of an accompanying line.

This thesis discusses the roles of the United States and Russia in world diplomacy since 1933, with a focus on the conferences held between the nations during that time period.