Chongkholun Haokip recites the ritual called Leitamlangte. He is a male speaker from Manipur, currently living in Sallbung village, around 95 years old at the time of recording.

Chongkholun Haokip recites a ritual called Tuilangvei, a ritual for healing sickness caused by the spirits of bodies of water. He is a male Thadou speaker from Manipur, currently living in Salbung village, around 95 years old at the time of recording.

Chongkholun Haokip, a male speaker from Manipur, currently living in Sallbung recites the ritual called Khaolangvei.

Chongkholun Haokip recites the ritual called Leitamlangte. He is a male speaker from Manipur, currently living in Sallbung village, around 95 years old at the time of recording.

Chongkholun Haokip recites the ritual called Gamlahlen used for healing the sudden, severe sickness believed to be inflicted by the spirits of the forests. He is a male speaker from Manipur, currently living in Sallbung village, around 95 years old at the time of recording.

Chongkholun Haokip recites the ritual called Gujongmatna used for catching a thief. He is a male Thadou speaker from Manipur, currently living in Salbung village, around 95 years old at the time of recording.

Chongkholun Haokip recites a ritual called Tuilangvei used for healing sickness caused by the spirits of bodies of water. He is a male Thadou speaker from Manipur, currently living in Salbung village, around 95 years old at the time of recording.

Chongkholun Haokip recites the ritual called Gamlahlen which is done for healing the sickness believed to have been inflicted by the spirits of the forests. He is a male speaker from Manipur, currently living in Sallbung village, around 95 years old at the time of recording.

Chongkholun Haokip narrates the different types of healing rituals in Thadou. He is a male Thadou speaker from Manipur, (currently living in Sallbung village), around 90 years old at the time of recording.

Madan describes the weighing system formerly used in Chhitkul and Rakchham villages which is no longer commonly used. Dhian Singh Negi later made corrections to Madan's description, indicated in the transcription. The recording was made at Amar Guest House in Chhitkul village.

Madan describes the peaks that surround Chhitkul village, including their names. The recording was made in Amar Guest House.

Radha Devi and Yashpal Singh complete set-up 2 of the Family Story Task, a picture-based stimulus task. They sit back to back in the first instance: Yashpal describes the content of pictures 5, 7, 9, 12 & 15, and Radha, based on his description, tells him how to arrange the five pictures so as to make a story. Afterwards, they tell the story. This set-up turned out to be more manageable for both participants than the initial 16-picture task. The recording was made in Radha's second home in Dhangdhangshi, located further down Rakchham village.

Madan Singh Negi describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the jackal’s perspective. The recording was made at Amar Guest House in Chhitkul village.

Jagdish Chander describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the fox’s perspective. Before being recorded, Jagdish mentioned that he was already familiar with the story. The recording was made at Jagdish's home in Chhitkul village, with a splendid view of Thola peak.

Ram describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the fox’s perspective. The recording was made at Amar Guest House in Chhitkul village.

This traditional story is about a man who got leprosy and was left by his wife.

Interview with Preetha Ravindranath, a Bharatanatyam dancer from the Nilgiris District of Tamil Nadu, India. Ravindranath discusses her childhood, family background, learning dance, her education, the different schools of traditional dance, effects of the digital age, changes in dance over the years and its teaching, starting a family and its impact on her, and thoughts on Indian identity. Included is a glossary of terms, and in appendix a photo of Ravindranath.

Transcription of a retelling of Talu ki yoong rek thul a ktrpeek? (Why are monkeys' bottoms flat?), as written by Khumwar Suungnem during a writing workshop sponsored by the Summer Institute of Linguistics. A fable explaining how monkeys' bottoms came to be flat. Long ago an old married couple had a monkey troop living next to them. The monkeys would eat all the seed they sowed, so the couple planted yams, which they would not eat. When the yams were slow to grow, one of the monkeys told them they ought to boil the yam seeds first. While the couple were in the field to boil water, the monkeys entered their house. They chased away the monkeys, and one that got stuck had its bottom beaten flat by the old man.

Photograph of member of the India Venture Fund Group Jane Lorenzen, with fellow members Levi Acord and Janette Klein.

Recording of Dilbung Bembem recorded in Imphal recollecting her time during the conflict. The story of the attack and burning down of her village Paraolon, the killing of her brother Dilbung Angpheng, and Simon and his father Darshel, Sankhil Kochai, and injuring her father Dilbung Rengtarnon by the Kuki. They buried the death family members at Challong and they escaped to Chandel as they were displaced due to the conflict.

Swamy Tholung (Ksen) reviews a carefully constructed list of minimal pairs contrasting [tl] and [tlh].

Recording of Rengshing Dilbung and William Shilshi's version of The Pear Story, recorded at Hyderabad.

Melissa Robinson eliciting minimal pairs with Rengshing Dilbung, Koko at Hyderabad.

Melissa Robinson eliciting compound words with William Shilshi. Recorded at the Indian Institute of Information Technology, Hyderabad, India.