Necklace. Torc-style necklace of silver, twisted and with wire wrapping at ends. Rigid hook at front to connect ends, and with a single Indian 25 Paise coin mounted near each side of clasp, with pendant silver beads. Suspended from the ends, near the clasp, are two large triangular ornaments of silver openwork, from which are suspended short lengths of silver chain terminating in silver spheres. Coins date from 1982 and 1988.

Recording of Biaki updating their family members on what has happened in the family while they've been traveling, and how the cousins are doing.

Photograph used for a story in the Daily Oklahoman newspaper.

This is a natural conversation between two girls at the Manipur University girl’s hostel. They are talking about what to bring back to the dorm after going home for vacation.

This is a diagram of the layout of a traditional Meithei house adapted from Chaki-Sircar's 1981 work. This diagram describes traditional customs and includes the Manipuri words for areas of the house.

This is a photograph of a Manipuri woman standing on a balcony of an apartment building.

This is a photograph of the front view of a traditional Meitei house. The house has a thatched roof and a garden outside.

Photograph of Gurachandra, a Manipuri language consultant, sitting on a stool looking directly at the camera, and telling a traditional Manipuri folk tale called 'Mayba'.

This is a photograph of Mangla Ningomba, one of the Manipuri language consultants who helped Shobhana Chelliah and other researchers translate Manipuri stories. This photograph was taken at the Manipur University guest house staff quarters in 1986.

This is a photograph of Manipuri linguists including Saratchandra Singh, one of the Manipuri language consultants who worked on translating Manipuri stories. Saratchandra Singh is standing with two women outside the Manipur University's Humanities Block in 1985.

This is a retelling of Hanuba Hanubi Pungawari, a traditional narrative about an old man who is tricked by a monkey to plant paan after it is cooked. It is part of the modern Manipuri canon of folk tales.

This is a retelling of Kerkuhanjaba, a traditional Manipuri story about a man as black as the kekru berry.

This is a retelling of a traditional narrative about a farmer who puts a spell on an unknown person who was stealing his vegetables.

This is a retelling of My Friend the Oil Lamp, a modern Manipuri traditional narrative, narrated by Radhe Sham Singh.

The Pear Story is a video stimulus commonly utilized in language documentation where speakers are shown the silent six minute video and then asked to describe it. In the video, a young boy steals a basket of pears from a farmer, then shares the stolen pears with three boys. This is a recording of Gopendro’s retelling of the Pear Story.

This is a retelling of the traditional narrative about Tǝpta, the boogeyman.

Discussion and comparison of two Mizo dialects: the northern and southern dialect. For example, "in the north we say X, and in the south we say Y." The male speaker is from the south, and the female speaker is from the north.

Recording of the group having informal conversation after a group performance by the Mizos of Tezpur in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song".

Recording of informal conversation in a family home.

Recording of informal conversation in a family home.

Recording of a conversation with an unknown child.

Recording of a personal letter to a family member who is traveling, updating them on the children at home.

Recording of a personal letter to a family member who is traveling. Teenage cousins are having informal conversation and joking.

Recording of a personal letter to a family member who is traveling.