Syllable Tapping Experiment with speaker Dina Sankhil Lamkang and Melissa Robinson as the experimental lead. The experiment was intended to determine speaker intuition about syllable structure in words with multiple prefixes.

Melissa Robinson eliciting minimal pairs with Rengshing Dilbung, Koko at Hyderabad.

Melissa Robinson eliciting compound words with William Shilshi. Recorded at the Indian Institute of Information Technology, Hyderabad, India.

A conversation about directional words and various other constructions in Lamkang at IIIT-Hyderabad.

Syllable Tapping Experiment with speaker Jessie Sankhil Lamkang and Melissa Robinson as the experimental lead. The experiment was intended to determine speaker intuition about syllable structure in words with multiple prefixes.

Recording of William Shilshi telling his version of The Squirrel Story. Theipaa parkhaa ksel paomin.

Recording of a short, impromptu dancing lesson of Lamkang traditional dance.

This is an elicitation and discussion of tone and assimilation with Steney Leivon Lamkang. The experimental lead is Melissa Robinson.

Melissa Robinson eliciting minimal pairs with William Shilshi at Hyderabad.

A performance of a hymn in Lamkang Inn Laa by Lamkang students studying in Hyderabad.

Three hymns sung during social events and celebrations called "Hangrip Nikdon Kapaa Intha Hungtlung Nikdon", "I will arise and go to my father", "Oh, Akngen Chaak Ka Pthla Kthii", "Kurlo Karman Da Ka'am Dultipaam Thungi", and Vangbak No"

A discussion with Leivon Steney Lamkang, a young woman living in Hyderabad, about the Lamkang community and language in Diaspora.

Melissa Robinson eliciting minimal pairs with Angnam Shankhil in Hyderabad.

Roman Transcription of interview with Mohinisana Ningthemcha. In Manipuri. Romanization system: Mobile Manipuri

Interview with Jotika and Memthoi.

An interview with Thoidingjam Lakshmipriya Devi and Huidrom Anuradha Devi. daughters of Maharaj Kumari Angousana Devi, of the Shree Shree Govinda Jiu Jalakeli Pala of Manipur. On getting their education, the establishment of Dhanamanjuri University in Manipur by their grandmother Maharani Dhanamanjuri Devi; their education and teachers at Tamphasana Girls High School founded by their aunt Maharaj Kumari Tamphasana Devi; and the founding of Tombisana Boys High School by their second aunt Maharaj Kumari Tombisana Devi.

Thoidingjam Lakshmipriya Devi talks about the Jalakeli. She is the President of the Shree Shree Govinda Jiu Jalakeli Pala. The interview is in Manipuri and in 8 parts: 1) How I came to the Jalakeli 2) My mother Maharaj Kumari Angousana Devi 3) My grandmother Maharani Dhanamanjuri Devi: How she started the Choir of the Daughters-in-Law 4) The Songs of the Choir of the Daughters: The Patronage of the Maharajas 5) How I organize the Jalakeli 6) My aunt Maharaj Kumari Binodini Devi: Why she never joined the Jalakeli 7) Where and When the Jalakeli is Offered 8) Remembering their Names: The Invisibility of Women in Manipur's Recorded History The Jalakeli is a HIndu Vaishnav women's performance ritual offered by the two choirs of the Shree Shree Govinda Jiu Jalakeli Pala. The main summer ritual is held every year on Buddha Purnima, the full moon of Kalen (9 May 2017) at the Shree Shree Govindajee Temple of the Royal Palace of Manipur. It is a cycle of songs sung in classical Manipuri sankirtana style by the royal women descendants of Maharaja Narasingh of Manipur (1792-1850). The songs praise Lord Krishna and Lady Radha as they come out to play with …

Interview with Thoibisana Ningthemcha

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The Jalakeli of the Ningol Pala, the Choir of the Royal Daughters, comprises of 6 compositions. Their lyrics are published here in the order in which they are sung. They date to the 19th century royal court of Manipur; the sixth is from the first part of the 20th century. The first four lyrics are called padavali, songs of praise to Lord Krishna and his consort the Lady Radha. They were composed during the reign of Maharaja Narasingh (regent 1834-1844; r.1844-1850) but gathered in a collection during the reign of his nephew Maharaja Chandrakirti (1834-44; 1850-1886). The first lyric is attributed to Ghanashyamara Das, and the second to Basu Ghosh; the fourth is by Kabi Karnapur. All were Bhakti poets of Bengali origin. The lyricist of the third padavali is unknown. All four are in Bangla, the language of worship and ritual in Manipur of the time. The fifth and sixth lyrics are called rachna, a lyrical form response of appreciation upon listenging to the Jalakeli. The fifth lyric (and the first rachna) also in Bangla, is attributed to Maharaja Narasingh himself and is in Sanskrit. It is reputed to have been composed upon the funeral services of his guru, …

Mohinisana Ningthemcha Elangbam Ongbi, renowned in her day as "The Whistler" talks about social values and their impact on marriage and performance. On growing up in a traditional elite family, restrictions on socialising, her arranged marriage, rules of exogamy, worship, and interaction with the royal court.

The House of Narasingh belongs to the Ningthouja Dynasty that has ruled Manipur continuously since its establishment in the 1st century AD according to its Court Chronicle, to the present day. Both the House of Narasingh and the House of Karta descend from Maharaja Garib Niwaz (1709-1748), also known as Pamheiba) and under whose rule Manipur adopted Vaishnavism and became a Hindu kingdom.

Sundari Ngangbam, a member of the Choir of the Royal Daughters, reminisces about her father, singer Ngangbam Nimai, Manipur's first recording artist, and her family, the House of Ngangbam to which Maharani Dhanamanjuri Devi belonged.

This version of the Asangba Nongjabi (Crimson Rainclouds) is in Manipuri using the Roman script.