Interview with Arhtur B. Clark, a Texas National Guard WWII veteran and POW from Abilene, Texas, who was captured with the 2nd Battalion, 131st Field Artillery. Clark discusses joining the National Guard, training and maneuvers, deployment to the Pacific, the fall of Java and surrender to the Japanese, experiences in internment at Tanjong Priok in Batavia, internment at Changi Camp in Singapore, labor on the Burma "Death" Railway, and liberation. The interview includes an appendix with a reference page and a written flight log by Col. Tom Sledge.

Photocopy of a script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story.

This is a talk on the purpose of a formal meeting and contains a background of teachers' training workshop by Bathou Educational Foundation.

This is an address by the chairperson in the beginning of a formal meeting. It gives participants an idea what the meeting is about.

Formal speech concluding a teachers' workshop expressing gratitude to the participants and organizers.

This is a performance of a traditional song by the title ‘Dulahē tērī ãkhiā̃’ (Eng. O bridegroom, your eyes) sung on the occasion of marriage. It praises the beauty of the bridegroom and his costume. Such songs are of great significance to the community; however, until recently, their popularity and importance have started dwindling because of the penetration of urban culture into rural society.

This is a performance of a traditional song by the title ‘Dulahē kī ammā’ (Eng. O the mother of the bridegroom). In this song, the bridegroom’s mother is asked to bless her son on this auspicious marriage occasion. Such folksongs are of great significance to the community; however, until recently, their popularity and importance have started dwindling because of the penetration of urban culture into rural society. This folksong is in the Eastern dialect of Urdu.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances. In this song, a woman calls out the verses and the rest of the group responds.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the group having informal conversation after a group performance by the Mizos of Tezpur in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song".

This is a photograph of Toofani Kaka with Maaz Shaikh.

This is a talk on the various activities of Bathou Educational Foundation. He discusses textbooks, cultural calendar and value education for Bathou Ashram schools.

Dhian describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the crow’s perspective. The recording was made at his home in Reckong Peo (Chhitkul Bhawan, at the back of his shop, Negi Electronics).

This is a photograph of Shahida Bano reciting a folk song which is being recorded by a recorder in Sonwara village of Azamgarh.

This is a photograph of Toofani Kaka.

This is a retelling of the story of Raja Janmejai and of the King and Queen of Mehnagar narrated by Toofani Kaka

Recording of the Mizos of Tezpur singing in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

This is a demonstration about how to teach mathematics in the beginner class.

This is a performance of a traditional song by the title ‘Dulahē kī ammā’ (Eng. O the mother of the bridegroom). In this song, the bridegroom’s mother is asked to bless her son on this auspicious marriage occasion. Such folksongs are of great significance to the community; however, until recently, their popularity and importance have started dwindling because of the penetration of urban culture into rural society. This folksong is in the Eastern dialect of Urdu.

This is a performance of a traditional song by the title ‘Dulahē tērī ãkhiā̃’ (Eng. O bridegroom, your eyes) sung on the occasion of marriage. It praises the beauty of the bridegroom and his costume. Such songs are of great significance to the community; however, until recently, their popularity and importance have started dwindling because of the penetration of urban culture into rural society.

Letter from Robert E. Haran to Harris Kempner discussing the Seasons Navigation Corporation's cargo ship abilities and the possibility of creating a contract for shipping cotton.