This song is about a boy, Kaihui, who appeals his village girls to not marry outside his village. The song was sang by the late Charakungliu of Nkou village. The recording was done at Nkou village (also called Takou village).

This song is about the composer's (Wijinthui) life, his love for his village, and his love life.

This is an agricultural folk song sung at the end of the day’s farm work calling co-farm workers to return home. The singer of the song is from Maguilong village.

The folk song is about a personal experience on war and village life of Charachuang.The singer is from Maguilong village. The legendary composer of the song is Charachuang of Makhianglong village.

This folk song is about the composer’s (Rengsunnang of Katang village) glorious life and praise for his village. The singer of the song is the late Kulaibou of Maguilong village.

This folk song is a message to a girl who wants to marry outside her village from her lover, sung by late Namrihabou of Rienta village.

This is a traditional story about the origin of the division into Bey subclans. Bey Ki’ik and Bey Ke’et have a falling out over changing marriage plans as a result of the grandmother’s advice. As a result, a taboo exists such that descendants of Bey Ki’ik and those of Bey Ke’et are not allowed to marry each other. Another result is that members of the Bey Ronghang clan are not allowed to grind rice for rice beer, because in mythological times, the Bey Ronghang women kept grinding rice for rice beer without doing anything else--even forgetting to breast-feed their children, who then died from starvation.