Rengtong Tholung tells the story of "Frog Where Are You?" at Thamlakhuren village. This narrative was collected as part of the Firebird Foundation for Anthropological Research project collection work by Sumshot Khular.

Recording of Thamringngam Jangvei singing nee "Ee shin shin lam moh U leh Nao" a folk song during the Lamkang folk song competition at Thamlapokpi village. The video is taken by Sumshot and Tony Khular as part of the Firebird Foundation for Anthropological Research Project.

Angshel Khular of M.Seljol village singing the 'Khungpaar Laa.' Angshel is known for his expert trumpet plays amongst the Lamkangs. He is also a known laapuu and also a dancer. This recording was made in M.Seljol village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Movom Jangvei of Sektaikarong village singing 'Tharon thooe tharon napii napaa o'. This recording was made as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Belun Sankhil sharing his family origin and forefathers and their family lineage at Phaaidaam village. This recording was made in Phaaidam village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Reverend Renghong Khular singing a line of paam laa called 'Akhuu yuksuu Tamu ee, Tamu Phaaiyo santing kthxaa chenglim lam me.' This recording was made in Paraolon village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Recording of a music played by Maria and Dimitry during the first death anniversary celebration of late Behon Shilshi at Deering Khu village.

Sankhil Shetphong of Thamlapokpi sings and explains the meaning of the folk song Reite Penang and “Khuungpaar Laa”. The song translates as follows: Flower bloom but we don’t know when they disappear. After they bloom as they disappear from the whole mountain range. [areiyo paar re, reite penang paar ee]. This recording was made as part of Firebird Foundation for Anthropological Research project collection by Sumshot Khular.

Angshel Khular of M.Seljol singing Likhaa Laa. The song was sung during the festival organized by him in Suulaam area as he was a rich person in the local area. This is video is taken in the new village after they were displaced due to the burning down of the village and killing of 5 villagers from Betuk, during the Kuki and Naga conflict. This recording is part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Recording of Lamkang Lamloon laa sung by Kephaar Sankhil and Shangpor Shilshi during the Lamkang folk song competition at Thamlapokpi under the supervisor of Shetphong Sankhil. The first time kids were taught to sing the cultural folk songs and dances. Taught by Shetphong Sankhil. The video is taken by Sumshot and Tony Khular as part of the Firebird Foundation for Anthropological Research Project.

Reverend Renghong Khular, founder of Lamkang Naga Baptist Association (LNBA) and president of Lamkang Literature Society sharing how he was instrumental for building the Paraolon village, establishing a school, and the work of the present Lamkang literature society. This recording was made in Paraolon village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Rev. Nungpanlon Kumar Khular tells how the Nungkangching village embraced Christianity and how the village came about to be known as Nungkangching. The video was taken at the Lamkang Naga Baptist Association Centre at Thamlakhuren, Chandel. This is part of the Firebird Foundation for Anthropological Research project collection of Sumshot Khular.

A discussion with Suungnem Bunghon of Leingangching, Tholung Beshot and Shekarnong Sankhil of Thamlapokpi about the names of villages which the Lamkangs abandoned and Kukis resettled there using the same names (Charangching Khullen-Khunkha). This was recorded at the seminar on culture and origin of the Lamkangs at Charangching village.

Discussion of reduplication with positive and negative connotations in Lamkang. Discussant are Beshot Khullar, Rengpu Rex Khullar and Shobhana Chelliah.

Recording of Grace Sankhil telling her experiences to Rengpu Rex Khullar.

Theipaa leh rumnu paomin [The Story of Squirrel and Rumnu] as narrated by Sankhil Thampol Khularnu. Squirrel [Theipa] pretended that he fell down and hurt his scrotum and so could not walk. He therefore asked Rumnu to carry him in her basket which was full of fig-like fruit [didit]. When she carried him in her basket, he ate up all the figlike fruit and jumped out of her basket and ran off. She was so angry that she cursed him so that he would be trapped in the traps set by people in olden times. Then while he was running, an insect [Uisoom] caught him. So Rumnu asked Uisoon to please keep catching Theipa the squirrel. Rumnu said, “I will weave for you these kinds of cloth, a diphun, a vausen, a diir, a pundum, a kniksen, a yeb, a kniktxil. While Theipa was still in the grip so Uisoon, Rumnu then caught hold of him and beat him to her heart's content. So the story ends, but it is believed that this is how the weaving of different patterns and design of the present day attire came about.

Shangchrek Tholung narrated the Raalngam story, Arthluk and Raangchal. The second story of Raapaa by Shetphong Sankhil. The third story by Swamy Tholung Ksen the story Arthluk and Raangchal.

Sumshot Khular singing Vau Sen, a song about nature, mountains, hills, trees. wind, water, stars, moon, clouds and all the wonderful creation of the creator God. Calling youths of today, let us rise up to save the environment. Composed by Tony Khular of Thamlakhuren village, Chandel district, Manipur.

Retelling of Pear Story in Lamkang by Robert Leivon in New Delhi 2009

Recording of Beshot Khullar and Rengpu Rex Khullar discussing about preparing for the Totlang Kam festival. There are three tracks. The first is the voice of Harimohon Thounaojam encouraging the speakers to pick a topic of conversation. The back and forth is clearly produced for the sake of the recorder and often resembles an interview rather than conversation.

The Thamptlum paomin [the Story of Thamptlum] as told by Sankhil Thamnung Tholungnu of Thamlakhuren. The story tells of how a snake married a woman. Translated into English and input in SayMore by Sumshot Khular.

Recording of a speech by Joy Tholung at the LNBA Fellowship at Thamlapokpi Village in Chandel District.

Raapa Paomin [The Story of Raapa] as narrated by Sankhil Thampol Khularnu. This is a story about a young handsome man called Raapa. He was the son of a widow. He was known for his good deeds and for that people got jealous and tried to kill him in several ways. One time they hung him up in the middle of the sea to die, but to his great luck a bird called Chinraang came along wearing beautiful ornament called vori kangkool. This ornament is worn by Lamkangs today. When Raapa saw the bird he started to swing back and forth and sing. On seeing this, the bird came under his spell and wanted to ride the swing. The bird then requested Raapa to let him swing. Raapa allowed the bird to do that and in return the bird allowed Raapa to wear the vori kangkool. Raapa returned home wearing the beautiful ornament. The people there liked the ornament and when they asked him about it he responded that he got it from the sea and all the people rushed to the sea and died in search of a similar ornament. An old lady later came to ask Raapa why …

A traditional folktale of Raapaa as told by Shetphong Sankhil at Thamlapokpi village in Chandel district, Manipur, India. Raapaa is a poor honest boy who killed the tiger. The best shooters tried killing the tiger but the poor Raapaa who shot the tiger with his grandmothers payaai and kling Khuu, which is a weaving implement, not an arrow, as he cannot afford to own an arrow and bow.