Interview with accountant and Army veteran William Barsanti. The interview includes Barsanti's personal experiences about the European Theater during World War II, his youth in an Italian immigrant family, graduating from high school and enrolling in college, then in the Enlisted Reserve Corps, being inducted into the U.S. Army, basic training, being selected for the Army Specialized Training Program, transferring to the 106th Infantry Division, and his assignment to Cannon Company as a supply sergeant. Barsanti also talks about the living conditions at Stalag XII-A and Stalag II-D, Stargard, Germany, evacuating to Bremervorde, Germany, liberation, and his postwar business career in Europe.

Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of his concept of harmony that also traces the history of tonal relationships. Larisa P. Jackson describes and examines Rimsky-Korsakov’s distinctive harmonic theory using his Practical Manual of Harmony as a basis, and places it in historical context of nineteenth-century music theory. She explores in great detail a concept of tonal relationships, fundamental to Rimsky-Korsakov’s view of harmony, and relates this to ideas by German theorists of the period and the Russian theoretical tradition. Jackson examines the concept of modulation and of the relationship of keys and presents a model of his tonal space/map extrapolated from his harmonic system. She identifies specific treatises that help to trace ties between German theoretical ideas and Rimsky-Korsakov’s work.