Colombian composer Jaime León (1921-2015) is known for his art songs. Most of the current scholarly literature about León defines him as a nationalist composer even though a majority of his songs do not appear to have nationalist traits. This document examines a representative selection of León's songs divided into three categories: songs influenced by the bambuco (the Colombian genre most present in his songs); songs whose text refers to Colombian culture; and songs without Colombian elements present in their text or music. After examination of these songs, my conclusion is that León, rather than being nationalist, was a cosmopolitan composer who used national elements as rhetorical tools in an isolated and experimental way.

Ten species of anoles at Bajo Calima within the Choco of Western Colombia separate into two principal microhabitat groups: forest species, and those inhabiting openings and edges. The ten anoles further separate according to ground and vegetation dwellers. There is a relation at Bajo Calima between the number of anole species and vegetational structural diversity. Anole diversity within a given macrohabitat is by perch microsite/microclimate heterogeneity. These are the two major ecological dimensions along which similarity is limited or resources are partitioned.