This thesis examines the symbolism of thirty-five slave songs that existed in the pre-Civil War South in the United States in order to gain a more profound insight into the values of the slaves. The songs chosen were representative of the 300 songs reviewed. The methodology used in the analysis was adapted from Ralph K. White's "Value Analysis: The Nature and Use of the Method." The slave songs provided the slaves with an opportunity to express their feelings on matters they deemed important, often by using Biblical symbols to "mask" the true meanings of their songs from whites. The major values of the slaves as found in their songs were independence, justice, determination, religion, hope, family love, and group unity.

Chapter I includes a description of the Chartist Movement and discusses the criteria found in John W. Bowers and Donovan J. Och's Rhetoric of Agitation and Control that were used to analyze the agitation and control groups of the movement. Chapter II describes the ideologies of both groups. Chapter III analyzes the rhetorical strategies of the agitation group: petition, solidification, promulgation, polarization, non-violent resistance, and confrontation-escalation, and the strategies of the control group: avoidance and suppression. Chapter IV concludes that Chartist agitators effectively used rhetorical strategies; however, the control strategy of suppression was stronger and brought about the demise of Chartism.

This oral interpretation thesis analyzes the impact that three poets from Black Mountain College had on contemporary American poetry. The study concentrates on the lives, works, poetic theories of Charles Olson, Robert Creeley, and Robert Duncan and culminates in a lecture recital compiled from historical data relating to Black Mountain College and to the three prominent poets.