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Senior Recital: 1973-11-08 – Peter Collora, piano

Access: Use of this item is restricted to the UNT Community
A senior recital presented at the NTSU School of Music Recital Hall.
Date: November 8, 1973
Creator: Collora, Peter
Object Type: Sound
System: The UNT Digital Library
The New Classicism: Alfredo Casella's Sinfonia, Arioso and Toccata, Op. 59, a Lecture Recital, Together with Three Recitals of Selected Works of Chopin, Mozart, Bartók, Bach, Schumann, Arensky, Bruch and Others (open access)

The New Classicism: Alfredo Casella's Sinfonia, Arioso and Toccata, Op. 59, a Lecture Recital, Together with Three Recitals of Selected Works of Chopin, Mozart, Bartók, Bach, Schumann, Arensky, Bruch and Others

The neo-classic movement in Italy, which gained momentum in the early 1920's, was rooted in an instrumental style patterned after that of the Baroque era. The term "new classicism," proposed by Ferruccio Busoni in 1920, represented a reaction against the extreme chromaticism and large performance forces of the late nineteenth century. The pianistcomposer Alfredo Casella, after earlier periods in which he was influenced by such diverse composers as Mahler, Debussy, and Schoenberg, soon became the chief spokesman for the neoclassic movement in Italy. Casella considered the Sinfonia, Arioso and Toccata his most important work for the piano, because of its size and musical content. It is notable for its usage of thematic transformation, much of which is based on the interval of a fourth or fifth. This study includes a formal outline of each movement, showing sectional divisions and tonal regions, as well as illustrations of thematic transformation and intervallic patterns. Also discussed are the work's neoclassic style characteristics, including counterpoint, pandiatonicism, modality, and linear cadential treatment.
Date: May 1981
Creator: Copeland, Nancy M.
Object Type: Thesis or Dissertation
System: The UNT Digital Library

Doctoral Recital: 1986-11-10 – Mary Mosher Humm, piano

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: November 10, 1986
Creator: Humm, Mary Mosher
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1986-11-17 – Starla Dawn Hibler, piano

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: November 17, 1986
Creator: Hibler, Starla Dawn
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1986-12-01 - Carol Leone, piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: December 1, 1986
Creator: Leone, Carol
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-03-23 – Greg Morris, piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: March 23, 1987
Creator: Morris, Greg
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-04-20 – Joel Ahn, piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: April 20, 1987
Creator: Ahn, Joel
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-04-27 – Yeou-Huey Luo, piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: April 27, 1987
Creator: Luo, Yeou-Huey
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-07-06 – Shu-Mei Yang, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: July 6, 1987
Creator: Yang, Shu-Mei
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-10-26 – Starla Hibler, Piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: October 26, 1987
Creator: Hibler, Starla
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-11-02 – Grace Stewart, piano

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: November 2, 1987
Creator: Stewart, Grace
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1987-11-30 – Chong-Pil Lim, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: November 30, 1987
Creator: Lim, Chong-Pil
Object Type: Sound
System: The UNT Digital Library
A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder (open access)

A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder

This investigation sought to compare the transcription techniques of two pianist-composers, Godowsky and Liszt, using three Schubert lieder as examples. The lieder were "Das Wandern" from Die Schöne Müllerin, "Gute Nacht" from Winterreise, and "Liebesbotschaft" from Schwanengesang. They were compared using four criteria: tonality, counterpoint, timbral effects, and harmony. Liszt, following a practice common in the nineteenth century, was primarily concerned with bringing new music into the home of the domestic pianist. The piano transcription was the most widely used and successful medium for accomplishing this. Liszt also frequently transcribed pieces of a particular composer in order to promulgate them by featuring them in his recitals. The Schubert lieder fall into this category. Liszt did not drastically alter the original in these compositions. Indeed, in the cases of "Liebesbotschaft" and "Das Wandern," very little alteration beyond the incorporation of the melody into the piano accompaniment, occurs.Godowsky, in contrast, viewed the transcription as a vehicle for composing a new piece. He intended to improve upon the original by adding his own inspiration to it. Godowsky was particularly ingenious in adding counterpoint, often chromatic, to the original. Examples of Godowsky's use of counterpoint can be found in "Das Wandern" and "Gute Nacht." …
Date: December 1987
Creator: Cloutier, David, 1948-
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Doctoral Lecture Recital: 1988-02-15 – Shu-Mei Yang, piano transcript

Doctoral Lecture Recital: 1988-02-15 – Shu-Mei Yang, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: February 15, 1988
Creator: Yang, Shu-Mei
Object Type: Sound
System: The UNT Digital Library
Doctoral Lecture Recital: 1988-02-15 – Yeou-Huey Luo, piano transcript

Doctoral Lecture Recital: 1988-02-15 – Yeou-Huey Luo, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: February 15, 1988
Creator: Luo, Yeou-Huey
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1988-02-29 – Joel Ahn, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: February 29, 1988
Creator: Ahn, Joel
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1988-03-07 – Octavia Brandenburg, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: March 7, 1988
Creator: Brandenburg, Octavia
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1988-04-18 – Grace Fan, piano

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: April 18, 1988
Creator: Fan, Grace
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1988-04-18 – Grace Stewart, piano and Christine Delbeau, piano

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: April 18, 1988
Creator: Stewart, Grace & Delbeau, Christine
Object Type: Sound
System: The UNT Digital Library
Doctoral Lecture Recital: 1988-04-25 – Joel Ahn, piano transcript

Doctoral Lecture Recital: 1988-04-25 – Joel Ahn, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: April 25, 1988
Creator: Ahn, Joel
Object Type: Sound
System: The UNT Digital Library

Doctoral Recital: 1988-06-06 – Greg Morris, piano

Recital presented at the NTSU School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: June 6, 1988
Creator: Morris, Greg
Object Type: Sound
System: The UNT Digital Library
Doctoral Recital: 1988-09-12 – Mark Hansen, piano transcript

Doctoral Recital: 1988-09-12 – Mark Hansen, piano

Recital presented at the UNT School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: September 12, 1988
Creator: Hansen, Mark
Object Type: Sound
System: The UNT Digital Library
Doctoral Lecture Recital: 1988-10-10 – Mark Hansen, piano transcript

Doctoral Lecture Recital: 1988-10-10 – Mark Hansen, piano

Recital presented at the UNT School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: October 10, 1988
Creator: Hansen, Mark R. (Mark Russell)
Object Type: Sound
System: The UNT Digital Library
Doctoral Lecture Recital: 1988-11-14 – Starla Hibler, piano transcript

Doctoral Lecture Recital: 1988-11-14 – Starla Hibler, piano

Recital presented at the UNT School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: November 14, 1988
Creator: Hibler, Starla Dawn
Object Type: Sound
System: The UNT Digital Library