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Mujeres Sumisas, Mujeres Transgresoras en el Siglo XIX Español: una Aproximación a la Obra de Francisca Navarro y Joaquina García Balmaseda (open access)

Mujeres Sumisas, Mujeres Transgresoras en el Siglo XIX Español: una Aproximación a la Obra de Francisca Navarro y Joaquina García Balmaseda

This research discusses the changing role of women in Spanish society during the nineteenth century through the works of Francisca Navarro and Joaquina Garcia Balmaseda. The thesis shows the break with the traditional image of the "angel del hogar" and the gradual incorporation of the social changes affecting women which were reflected in the female protagonists of the comedies written by such playwrights. By reading theoretical texts of the emerging feminist theory and through analysis of the main female characters, this study examines the changes regarding the established canon and its own evolution within the nineteenth century, from the works of a pioneer like Francisca Navarro in the first third of the century to those of Joaquina Gracia Balmaseda towards the end of it.
Date: May 2016
Creator: Zaera, Isabel María
System: The UNT Digital Library
El Cine De Terror Español Como Espejo De La Cultura Española (open access)

El Cine De Terror Español Como Espejo De La Cultura Española

This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
Date: May 2014
Creator: Donahue, Tyler
System: The UNT Digital Library