While technology has made producing copies of digital content almost entirely free, there is no escaping that publishing, according to most definitions of the term, still requires time and money. Any publishing service offered by a library must find a way to achieve financial sustainability—that is, operate without losing money. However, even "losing money" is a tricky concept, especially when taking into account varying definitions of operating expenses (overhead costs) under different models for auxiliary services. Libraries are by their very nature cost centers, providing services without the expectation of recovering revenue, and are usually part of larger organizations that similarly provide services under partial or full subsidies. While libraries are often comfortable with charging for convenience services and for services to those outside their designed community of users, careful thought should be given to which costs a publishing service-or any new service-should be expected to recover.

Video recording of a presentation from the 2016 Library Publishing Forum. This presentation discusses experiential learning opportunities through student internships with Oregon State University Libraries Publishing.

This poster describes a study of e-book usage using the Unified Theory of Acceptance and Use of Technology (UTAUT) and Technology Acceptances Model (TAM).

This presentation discusses a study of undergraduate students at the University of North Texas to understand factors related to students' intent to use and actual use of e-books.

This article discusses results from an online survey of 119 libraries to explore collection development, cataloguing, processing, and circulation practices for tabletop game collections in libraries.

Presentation for the 2016 Digital Frontiers Annual Conference. In this presentation, xtine burrough and Sabrina Starnaman discuss their participatory installation, a creative recovery effort focusing on the 1861 short story Life in the Iron Mills.

Presentation for the 2016 Digital Frontiers Annual Conference. This presentation consists of a panel on a collaboration between MIT Press, Leonardo/ISAST and UT Dallas to create ARTECA, a digital scholarly aggregator. ARTECA serves as an online portal that supports the creation and dissemination of digital scholarly materials that explore the intersection of arts, science and technology.

This poster describes how assessment can be incorporated into a professional development program for academic librarians by using measures of need, participation, satisfaction, and impact.

This presentation discusses the increase of URLS within electronic theses and dissertations at UNT, and a comparison of queries through metadata and full-text discovery.

This overview of the grant-funded project was given as a lightning-round presentation during the panel "Giving New Life to Old Books: The NEH/Mellon Humanities Open Book Program" at the 2016 annual meeting of the Association of American University Presses.

This report is the final output of an in-depth evaluation using the Campus Pride Index (CPI) and includes answers to the specific questions in the CPI survey, the full list of call numbers relevant to LGBT subjects, lists of links to LGBT-specific queries of the UNT Libraries catalog, and a list of subjects for which additional resources will be sought.

This presentation discusses Project Meerkat, a project aimed “to develop guidelines and standards for digital scholarly monograph usage data and to construct a neutral organizational apparatus for the ongoing collection and aggregation of data about these scholarly publications,” and the resulting cooperative to be developed out of that project, the Publishing Analytics Data Alliance.

This paper presents a case study of the work carried out by the University of North Texas (UNT) Libraries and the intersection of metadata modeling, metadata input rules and documentation, metadata quality assessments, and technology to empower metadata editors to create high-quality metadata.

Notes accompanying a presentation for the 2016 Southwest Popular/American Culture Association Conference. The notes and presentation discusses the evolution of live album recordings of The Grateful Dead, from composite recordings taken from multiple shows to one show releases, the motivations behind this transition, and its influence on the live albums of other artists

This presentation discusses the evolution of live album recordings of The Grateful Dead, from composite recordings taken from multiple shows to one show releases, the motivations behind this transition, and its influence on the live albums of other artists

Presentation given at the Cross Timbers Library Collaborative (CTLC) Conference on July 22, 2016. This presentation describes the components and creation of the Collection Map, a collection assessment tool developed by the University of North Texas.

This poster describes the process for deciphering professor signatures for improved discoverability of ETDs.

Notes accompanying a presentation for the 2016 Midwest Popular/American Culture Association Annual Conference. The notes and presentation focus on the classification of live music recordings, the theory behind current cataloging standards, and why these recordings and their organization are important to libraries.

Presentation for the 2016 Midwest Popular Culture Association/American Culture Association. This presentation focuses on the classification of live music recordings, the theory behind current cataloging standards, and why these recordings and their organization are important to libraries.

Notes accompanying a presentation for the 2016 Digital Frontiers Conference. The notes and presentation focus on the classification of live music recordings, and positions it in the scope of digital humanities, explaining how it came to be and what the academy can learn from it.

Presentation for the 2016 Digital Frontiers Annual Conference.This presentation focuses on the classification of live music recordings, and positions it in the scope of digital humanities, explaining how it came to be and what the academy can learn from it.

Presentation for the 2016 Digital Frontiers Annual Conference. In this presentation, Jeremy Berg discusses the classification of live music recordings, and positions it in the scope of digital humanities, explaining how it came to be and what the academy can learn from it.

Presentation for the Fall 2016 Depository Library Conference. This presentation summarizes the Digital Preservation of Federal Information Summit and discusses on-going digital preservation efforts.

Video recording of a panel presentation for the 2016 Library Publishing Forum. In this panel, presenters discuss the Oberlin Group consortium and their development of the Lever Press. This video also includes Welcome Remarks and a link to an evaluation survey for the conference.