Presentation for a workshop on OpenRefine for the Music OCLC Users Group meeting in Norfolk, VA held on February 25-26, 2020.

Presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

Notes accompanying a presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

This document holds supplemental images/figures for David Huff's article, "Preservation Strategies for Sound Recordings."

Conference paper classical music figure, Nadia Boulanger. It explores her theoretical work and pedagogical methods, with special focus on America. It examines in particular the nature of her interactions with her students, in which the authors were assisted by an American woman composer and theorist whose outlook was revolutionized by her encounter with this great teacher.

Presentation script for a talk given at the Texas Chapter of the Music Library Association's (TMLA) annual fall meeting held in 2022. The presentation focuses on the speaker's exhaustive research into Serge Jaroff's Choir of Don Cossack Refugees and how it has helped her serve her patrons better.

Paper highlighting the lives and careers of two octavists from Serge Jaroff’s Don Cossack Choir: Glib Chandrowsky (1886-1975) and Paul Myhalik (1911-1988).

Presentation on the Crazy Water radio broadcasts in the UNT Music Library. This presentation was selected for the 2020 Best of Chapters presentations at the Music Library Association conference in Norfolk, VA held on February 26-March 1, 2020.

Notes accompanying a presentation on the Crazy Water radio broadcasts in the UNT Music Library. This presentation was selected for the 2020 Best of Chapters presentations at the Music Library Association conference in Norfolk, VA held on February 26-March 1, 2020.

Presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

Notes for a presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

This article concerns the artistry and career of Basile Bolotine, 1895-1981, a beloved countertenor soloist in Serge Jaroff's Don Cossack Choir. It was a world-famous a cappella Russian emigre ensemble that toured extensively all over the non-Soviet world for nearly sixty years. Bolotine had a long tenure with them, and through his recorded legacy, his music is still cherished. However, his name has remained largely unknown. This essay introduces him by name to those who have and have not yet experienced his music.