Presentation on the history of the Star Spangled Banner for the Denton (Benjamin Lyon) chapter of the Daughters of the American Revolution on September 6, 2019.

Notes to accompany a presentation on the history of the Star Spangled Banner for the Denton (Benjamin Lyon) chapter of the Daughters of the American Revolution on September 6, 2019.

Data management plan for the grant, "Binders Volumes Research Initiative."

This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.

Presentation given as part of the session "Cataloging, Preservation, and Discovery of Radio Content in Music Libraries and Archives" at the 2018 Music Library Association conference in Portland, Oregon.

Presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Notes to accompany a presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

This report documents the Don't Fence Me In: Engaging Local Music Communities to Preserve Texas Music project funded by the Dean's Innovation Grant for the Local/Independent Music Initiative of Texas (LIMIT). The final report briefly describes the project scope, activities, budget, outcomes, best practices, and project continuity.

Presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Notes to accompany a presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.

Notes to accompany a presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.

This report documents the "Enriching Access through Partnership: Expanding Audio/Visual Equipment Holdings at the Music Library and The Spark" project funded by the Dean's Innovation Grant. The final report briefly documents the project activities, budget, outcomes and best practices, and program continuity.

A guest lecture given in the Sandborn Music Reading Room at the UNT Music Library.

Presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

Notes accompanying a presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

Video describing how to set up UNT Music Library's Accessibility Station. The video also demonstrates how to create Braille music using technologies and software available at the Accessibility Station.

This report documents the "Increasing Music Accessibility for Patrons With Print Disabilities" project funded through the Dean's Innovation Grant. The final report describes the project activities, budget, outcomes and other relevant results/information, best practices, and future program continuity.

Presentation on the legacy of Voice of America broadcaster Willis Conover's interaction with and propagation of Hungarian jazz.

This book chapter presents the Charles Lloyd Quartet’s performance at the 1967 Tallinn Jazz Festival, which broke the “stagecraft” of prior jazz diplomacy with the Soviet Union, and proceeded despite numerous official attempts to derail it, as a case study in the effectiveness of Willis Conover’s approach over the twelve years since his Voice of America program began in 1955.

This report documents the "Making Music Accessible in the UNT Digital Libraries" project funded by the Dean's Innovation Grant. The final report briefly describes the project purpose, activities, budget, outcomes, best practices, and program continuity.

This report documents the "MEI at UNT: Towards a Semantic Presentation of Music Scores" project funded through the Dean's Innovation Grant. The final report describes the project activities, budget, outcomes and other results/information, best practices, and future program continuity.

Presentation on Voice of America broadcaster Willis Conover's long association with Polish jazz, given at the meeting of the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held in Kraków, Poland July 14-19, 2019.

Notes accompanying a presentation on Voice of America broadcaster Willis Conover's long association with Polish jazz, given at the meeting of the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held in Kraków, Poland July 14-19, 2019.