(Dis) Agreements Section of L'Atalante: Revista de Estudios Cinematográficos Issue 28. This section includes assessments of the topic of censorship and cinematic classicism that serve to correct and update numerous aspects in relation to the real scope and impact of the Hays Code on Hollywood films.

This chapter critiques the use of student labor on digital humanities projects in and out of the classroom.

This dataset contains survey results from librarians regarding their stance on American Library Association values and social justice in relation to LGBTQ issues.

This doctoral dissertation applies user experience and complex systems theory, combining eye-tracking data with verbal and observational data from user test instances, to study the effectiveness of metadata records that accompany digital primary source objects available on The Portal to Texas History.

This article examines an outpouring of printed poems and biographical publications in the 1780s and 1790s that sought to shape the public image of the celebrated prison reformer John Howard

Paper discusses the content and implications of three previously uncollected letters written by minister William Ellery Channing, a progressive nineteenth century thinker.

This article discusses a plea for reviving the politics of historiography.

Presentation for the first Open Data Hackathon at UNT, organized as part of International Open Data Day. This presentation discusses The Humanities and Technology (THAT) Camp.

Undergraduate thesis examining representations of media and technology in two contemporary American novels, "White Noise" by Don DeLillo (1985) and "Super Sad True Love Story" by Gary Shteyngart (2010), with the goal of elucidating the attributes and significance of the technological contexts in fiction as well as contributing to a broader discussion of its operations on consciousness, society, and the cultural imagination.

Undergraduate thesis expanding exploring the 1836 captivity narrative "An Authentic Narrative of the Seminole War; and the Miraculous Escape of Mrs. Mary Godfrey, and Her Four Female Children." Unlike Mary Rowlandson's "The Sovereignty and Goodness of God," the anonymously-authored "An Authentic Narrative" is almost certainly fabricated. There are no records of a Mrs. Mary Godfrey being captured and redeemed, or even existing at all. However, like Rowlandson's captivity narrative, it attempts to use a woman's experience of captivity to defend and stabilize a national male identity. "An Authentic Narrative" is a variation on the captivity genre that indicates a shift toward the white fraternal national identity described by Dana E. Nelson, even as the female captive's rescue by an escaped slave and the deaths of the white, male rescuers point to the fundamental incoherence of this national identity.

Article on strengthening graduate student preparation for the Writing Program Administration (WPA) work.

This article discusses considerations in articulation and accreditation in rhetoric and composition's history.

Paper explores the difference in the portrayal of Native Americans in captivity narratives that did result in acculturation and those that did not.

Paper discusses eugenics policies brought against Native Americans as explored in the young adult novel Hidden Roots.

Introduction to the special section on English Literature for the 2014 edition of The Eagle Feather, written by Kelly Wisecup.

Paper discusses the shift in the poetic style of Anne Bradstreet’s poetry after The Tenth Muse, framed in the context of how language was viewed by American Puritans in the seventeenth century.

Paper closely examines the thematic and linguistic content of Percy Shelley's poem "Ode to Liberty".

A collection of poems by Caleb Braun following his experiences with spirituality.

Paper explores sophism and it's effect on modern democracy in the United States.

This creative thesis collects five fictional stories, as well as a critical preface entitled “Fractals and the Gestalt: the Hybridization of Genre.” The critical preface discusses genre as a literary element and explores techniques for effective genre hybridization. The stories range from psychological fiction to science fiction and fantasy fiction. Each story also employs elements from other genres as well. These stories collectively explore the concept of the other and themes of connection and ostracization.

Undergraduate thesis exploring criticisms of patriarchy in women's captivity narratives by examining Mary Rowlandson's The Sovereignty and Goodness of God (1862) and Sarah Wakefield's Six Weeks in the Sioux Tepees: A Narrative of Indian Captivity (1862). Both used their socially acceptable roles in order to assert their own ideas regarding the patriarchy. The author concludes that both narratives therefore assert that patriarchal societies did not necessarily produce justice for English or American women who were a part of these societies, or for the Dakota Indians who lived in close contact with a patriarchal society.

Paper analyzes Mary Rowlandson's The Sovereignty and Goodness of God, arguing that she Rowlandson resists patriarchy by working within her socially accepted roles.

Article on rethinking composition's precedence in normal schools.

Paper argues that Janie, the protagonist of Their Eyes Were Watching God, achieves agency and identity through the act of storytelling rather than through the actions she takes within the story itself.