This paper reports on the author's research, which is fundamentally an exploration into the dynamics of what has been conceptualized as the "New Soviet Man."

This thesis addresses the possible sources of melancholy evident in Eighteenth Century writing. Possibilities include nature, mental state, attitudes, sentimentalism, and significant works of fiction.

The Old English Apollonius of Tyre survives as only a fragment of a popular medieval romance which is recorded in numerous Latin manuscripts. Approximately half the story is missing; therefore, studies of this prose romance are usually restricted to linguistic and stylistic analyses. Hence this study focuses on the word order of phrases and clauses and on features of style apparent in the Old English version, with comparison to the Latin source where significant divergences occur.

Article on YouTube and how YouTube videos have become an influential source of argumentation, suggesting that they often serve a highly rhetorical function.

Article on Elizabeth Cady Stanton's 1854 "Address to the Legislature of New York."

This article discusses considerations in articulation and accreditation in rhetoric and composition's history.

Article on rethinking composition's precedence in normal schools.

Article on the problem of publics and the curious case of Texas.

This article discusses a plea for reviving the politics of historiography.

Paper discusses the shift in the poetic style of Anne Bradstreet’s poetry after The Tenth Muse, framed in the context of how language was viewed by American Puritans in the seventeenth century.

Undergraduate thesis expanding exploring the 1836 captivity narrative "An Authentic Narrative of the Seminole War; and the Miraculous Escape of Mrs. Mary Godfrey, and Her Four Female Children." Unlike Mary Rowlandson's "The Sovereignty and Goodness of God," the anonymously-authored "An Authentic Narrative" is almost certainly fabricated. There are no records of a Mrs. Mary Godfrey being captured and redeemed, or even existing at all. However, like Rowlandson's captivity narrative, it attempts to use a woman's experience of captivity to defend and stabilize a national male identity. "An Authentic Narrative" is a variation on the captivity genre that indicates a shift toward the white fraternal national identity described by Dana E. Nelson, even as the female captive's rescue by an escaped slave and the deaths of the white, male rescuers point to the fundamental incoherence of this national identity.

An understanding of the influence of Shakespeare on the structure and language of Moby-Dick is important because the plays of Shakespeare gave Melville a sudden insight into the significance of form and because his absorption of Shakespearean rhetoric enabled him to solve a serious artistic problem. In Moby-Dick Melville wished to write a work of symbolic fiction which would have both epic scope and tragic depth, but his difficulty lay in finding a structural and stylistic method which would provide the amplitude necessary to epic and at the same time could achieve the compression and verbal economy necessary to tragedy. He solved this problem by learning from Shakespeare to create a multi-layered dramatic structure and to use a dramatic language which becomes one layer of that structure. In Shakespeare's greatest plays there is a virtual fusion of form and meaning, and it is this fusion which, in its greatest moments, the language of Moby-Dick achieves.

This paper examines the effect of Queen Elizabeth I's sovereignty as a monarch on English literature in the 17th century England, especially the work of John Milton, 'Paradise Lost'.

Presentation for the 2010 University Scholars Day at the University of North Texas discussing research on the effect of Queen Elizabeth I's sovereignty as a monarch on English literature in the 17th century England, especially the work of John Milton's 'Paradise Lost'.

Paper discusses the ways in which the play Hamlet frames homosocial relationships, arguing that the homosocial relationship of Rosencrantz and Guildenstern serves as a counterpoint to the Neo-Platonic friendship represented by Horatio.

Paper discusses how changing gender roles in the 1920s, particularly for mothers, are depicted in the novels of F. Scott Fitzgerald, and how mother figures influence the development of his leading male characters.

The purpose of this study is to demonstrate that the concept of a godless universe governed by a consciousless and conscienceless Immanent Will in Hardy's poetry is an ineluctable outcome, given the expanded scientific knowledge of the nineteenth century, of the pantheistic views of the English Romantic poets. The purpose is accomplished by tracing characteristically Romantic attitudes through the representative poetry of the early Victorian period and in Hardy's poetry. The first chapter is a brief introduction. Chapter II surveys major Romantic themes, illustrating them in Wordsworth's poetry. Chapter III treats the decline of the Romantic vision in the poetry of Tennyson and Arnold. Hardy's views and the Victorian poets' influence are the subject of Chapter IV. Chapter V demonstrates Wordsworth's influence on Hardy in several areas.

Over 13-weeks a control group (n=7) had all errors corrected, while an experimental group (n=9) had only article and sentence construction (run-on sentences, fragments, comma splices) errors corrected. Separating the two types of errors is essential, since the latter (representing grammar) are subject to theories of acquisition and the former (representing usage) are not. One-way analyses of variance ran on pretest versus posttest found no significant difference in either groups' article errors; however, the experimental group had significantly fewer sentence construction errors, implying that teachers should be sensitive to both the correction technique and error type; researchers should not combine the two error types in gathering data.

Paper discusses eugenics policies brought against Native Americans as explored in the young adult novel Hidden Roots.

Introduction to the special section on English Literature for the 2014 edition of The Eagle Feather, written by Kelly Wisecup.

This thesis examines some selective cases of morphophonemic alternation in Mandarin Chinese. It presents analyses of the function -of the retroflex suffix -r and describes several conditions for tone sandhi. The suffix -r functions not simply as a noun formative. Some of the suffixed forms have consistently different meanings from the roots on which they are based. The suffix -r also plays a role in poetry as a time-filler to make each line of a poem fulfill the requirements of the strict number of characters and rhyme. This thesis also explains what causes the tone pattern of words such as xiaojie and jiejie to be pronounced differently. These tonal changes are found to be related to the way in which a word is formed. Compounding, reduplication and suffixation differ with respect to how they effect tone sandhi. Tone alternations in actual speech are explored to determine how tone sandhi produces each pronunciation and how grammatical structure and other factors are relevant.

Undergraduate thesis examining representations of media and technology in two contemporary American novels, "White Noise" by Don DeLillo (1985) and "Super Sad True Love Story" by Gary Shteyngart (2010), with the goal of elucidating the attributes and significance of the technological contexts in fiction as well as contributing to a broader discussion of its operations on consciousness, society, and the cultural imagination.

Paper explores sophism and it's effect on modern democracy in the United States.