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Art Education and Art History
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Reviewing American Quilts: A Record of Women's Political Engagement
Hubert Howe Bancroft: Behind the Façade of Professional Historian
Honey, Ain’t You Glad We’re Texan: The Mythic Narrative of Texas in the Texas Centennial
Undergraduate Scholar Articles in Art History: An Introduction
Undergraduate Research in Art History and Art: Within, Across and Between Disciplines
Introduction to Special Section on Art History
Introduction to the Special Section on Art History
Style and Emulation in the Renaissance of New Spain
Negative Attitudes Toward “Molly” Subculture in Eighteenth Century London: An Analysis of Textual Agencies Regarding the Emerging Gay Community
Introduction to Special Section in Art History: The Significance of Place: Emotional Geography, Collective Memory and Heritage
Candy Jernigan’s Rejectamenta: Collage, Photography, and (Discarded) Body Memory
Avalokiteśvara: Bodhisattvas and Signs of Change
Women and Printmaking: An Approach Informed by Gender and Technology Studies
Dis/Appearance, In/Visibility and the Transitioning Body on Social Media: A Post-Qualitative and Multimodal Inquiry
Museum Dilemma: Nazi-era Art Restitution
Goya's Los Caprichos: An Enlightened Bestiary
Francisco de Goya and the Mirror's Reflection [Presentation]
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere, Rome
The Decapitation of Kings [Presentation]
Goya's Los Caprichos: An Enlightened Bestiary [Presentation]
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance
Enlightening Industry: Goya, Allegory and Women at Work [Presentation]
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment [Presentation]
Goya's Fantastic Vision of Madness [Presentation]
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