This is a monologue by Khurshaid Bibi (a 50-year old female) about a woman who lives with her two daughters. One day two men come to the said woman's home at night and try to kidnap her. She kills the kidnappers and gets a prize the next day.

This is a monologue by Khurshaid Bibi (a 50-year old female) about a woman who lives with her two daughters. One day two men come to the said woman's home at night and try to kidnap her. She kills the kidnappers and gets a prize the next day.

Recording of an elicitation of words with closed long syllables (CVVC) in different positions. The purpose is to determine the relative weight of closed long syllables for primary word stress placement. The contributor is Gohar-Ur Rehman (a 38-year old male shop owner).

This is an address by the chairperson in the beginning of a formal meeting. It gives participants an idea what the meeting is about.

This is a demonstration about how to teach mathematics in the beginner class.

This is a talk on the various activities of Bathou Educational Foundation. He discusses textbooks, cultural calendar and value education for Bathou Ashram schools.

This is a talk on the purpose of a formal meeting and contains a background of teachers' training workshop by Bathou Educational Foundation.

Formal speech concluding a teachers' workshop expressing gratitude to the participants and organizers.

Recording of the group having informal conversation after a group performance by the Mizos of Tezpur in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song".

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances. In this song, a woman calls out the verses and the rest of the group responds.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing Christmas songs in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Recording of the Mizos of Tezpur singing in Tezpur, Assam. These songs are in the zaikhawm hla style, which is a group singing style. zai means "to sing", khawm means "together," hla means "song". This type of music is often sung after a big meal or event, such as funerals or Christmas celebrations. People often get up and dance during these performances.

Handwritten notes and transcriptions of narratives about spirits and the natural world.

Handwritten notes and transcriptions of Akha songs and ritual recitations with partial English glossing.

Handwritten notes and transcriptions of Akha songs and narratives about widows, illness, sacrifices, termites, and spirits with partial English glossing.

Akha narratives. 0-30 àú djala; 30-43 Mì-jàq: about herself 29/11-77; 43-[end] Riddles III

Akha songs and narratives. Continued from Side A. Mì-jàq: màŋ xhö̀ ə qà-kɔq

Akha songs and narratives. Continued from Tape 52. 0-8 Mì-jàq: màŋ xhö̀ ə qà-kɔq. qɔ: nà gaq thjaŋ, qɔ. 11/5-78

Dhian describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the crow’s perspective. The recording was made at his home in Reckong Peo (Chhitkul Bhawan, at the back of his shop, Negi Electronics).

Recording of Laila Khanum discussing the names of the months in the Hunza dialect of Burushaski.

A recording of Pari Nimo reciting a Historical narrative and poem about the Misgar valley in the Hunza dialect. “Misgar Valley” explains a little bit about who came to Misgar from Baltit.