Transcription of the recording of Laila Khan, a Hunza Burushaski speaker, reciting the story of "Shari Shaskulum Shari bano" ('Shari Bano of Fairyland'), a popular story, with translations in English.

Nand and Sunder discuss the overall economic situation in India and compare the current situation with that of 5-10 years earlier (2000s). The recording was made in Vinod Kumar Negi's garden in Rakchham village.

Bijender and Tikam discuss the practice of transhumance, which is when animal flocks are moved to higher pastures at the start of a new season. They are asked whether this practice is still necessary, in light of climate change. The recording was made at Tikam's house (and shop) in Rakchham village.

Nand and Sunder discuss the history of Rakchham village. The recording was made in Vinod Kumar's garden in Rakchham village.

A recording of Laila Khan reciting the story “Shari Bano from Fairyland,” in the Hunza dialect of Burushaski. In this popular story, a prince is born the seventh son. He finds a set of beautiful dressed one day on a clothesline, and decides to wait for the wearers to return, and see their beauty. The owners are actually fairies whom he follows, but they scorn him for his human ugliness.

Chorten Tshering and Koncho Tshering discuss their concerns about how the annual feast offerings will be carried out by the upcoming generation. They say that, with much hardship, their parents were able to start the community feast offering. In the past, local customary taxes were levied upon the households to conduct feasts, and used as seed money for the following years. Still today, these feasts are funded by this seed money.

Chorten Tshering and Koncho Tshering discuss their concerns about how the annual feast offerings will be carried out by the upcoming generation. Chorten Tshering says that, in his view, those children born in villages are more likely to continue than children born in towns. He thinks that children born in villages have a strong connection with the village's customs, are easier to mingle with, and will more easily adapt to difficult situations. He is worried that, in the future, future generations may not carry forward the local customs and traditions.

Conversation about the annual feast offering, started around 50 years ago. They discuss how the community shares the work responsibly, applies tax, lends money, calculates the interest, and returns utensils after the feast offering is completed. They keep track of the funds generated through the lending of money. They discuss how much cash was used for the current feast offering, and what amount was paid as remuneration to each monk.

Conversation about the annual feast offering, started around 50 years ago. They discuss how the community shares the duties of organizing, preparing, and funding the annual feast. They describe how the practice of Zhakchang, where people gather to finish the leftover wine from ritual ceremonies, was a common feature of any ritual. Zhakchang also gives an opportunity to those households who couldn’t come to the ritual. It is an avenue where a missed opportunity for one neighbor to take part in a neighbor's ritual ceremonies. In this recording, each sponsor discusses who is going to be the leader in the next feast offering, and how cash and extra rations should be used.

Conversation among the feast sponsors about the annual feast offering, recorded after the feast. They describe the practice of Zhakchang where people gather to finish the leftover wine and food from ritual ceremonies. While having tea, they discuss the feature course of the feast. Mr. Cheten expresses his concern that future generations will not know how buckwheat is traditionally cultivated.

Conversation among the feast sponsors about the annual feast offering, recorded after the feast. They describe the practice of Zhakchang where people gather to finish the leftover wine and food from ritual ceremonies. The sponsors of the feast offering clean utensils and the Tshokhang (temple). Later they return all the utensils to their rightful owners if they have borrowed them.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after being deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after being deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after Tshong Tshongma was deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after Tshong Tshongma was deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Recording of Gul Nasreen discussing “The Song of Barguun” in the Hunza dialect of Burushaski. The is the story of a mother and baby ibex.