A guest artist recital performed at the Meyerson Performance Hall.

The National Museum of the Pacific War presents an oral interview with Roger Moore. Moore joined the Navy in 1943. Shortly after basic training, he was given the opportunity to train as a US Navy photographer taking classes in Pensacola, Florida and Washington DC. While in Washington DC, he volunteered for the Sino-American Cooperative Organization (SACO). He was shipped to Chongqing, China and trained Chinese guerilla troops in the use of photography. In 1945, Moore was sent to Shanghai to take photos of the Japanese and other subjects that would interest the Navy. While there, he also took photos of the Chinese for his own pleasure. He later displayed the photos at the National Museum of the Pacific War in 2010.

The National Museum of the Pacific War presents an interview with Alfred Lehmann. Lehmann was drafted in the US Army in 1943. He completed 6 weeks of boot camp in Little Rock, Arkansas, then was deployed overseas as an infantryman. He served with the 148th Infantry Regiment, 37th Infantry Division. Lehmann served in the Philippine Islands, and shares his experiences in the Bougainville Campaign, the Battle of Luzon and freeing prisoners in Manila. Lehmann returned to the US in December of 1945 and received his discharge.

The National Museum of the pacific War presents an interview with Roy McIlvain. McIlvain describes his experiences growing up in Kansas during the Great Depression. McIlvain joined the Army in January 1943. Instead of training, he joined a searchlight outfit in Washington DC. He was eventually attached to the 76th Infantry Division and traveled to England with them. He shares several anecdotes from his time in the infantry in France, Belgium and Germany. McIlvain carried a Browning Automatic Rifle (BAR) and was wounded in February 1945. McIlvain shares several anecdotes about his experiences in WWII.

A recording of Laila Khan reciting the story “Shari Bano from Fairyland,” in the Hunza dialect of Burushaski. In this popular story, a prince is born the seventh son. He finds a set of beautiful dressed one day on a clothesline, and decides to wait for the wearers to return, and see their beauty. The owners are actually fairies whom he follows, but they scorn him for his human ugliness.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) degree.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Beethoven's Coriolanus Overture and Smetana's The Moldau, and features an interview with Edward Block, member of the Robert Shaw Chorale.

Conversation about the annual feast offering, started around 50 years ago. They discuss how the community shares the work responsibly, applies tax, lends money, calculates the interest, and returns utensils after the feast offering is completed. They keep track of the funds generated through the lending of money. They discuss how much cash was used for the current feast offering, and what amount was paid as remuneration to each monk.

Conversation about the annual feast offering, started around 50 years ago. They discuss how the community shares the duties of organizing, preparing, and funding the annual feast. They describe how the practice of Zhakchang, where people gather to finish the leftover wine from ritual ceremonies, was a common feature of any ritual. Zhakchang also gives an opportunity to those households who couldn’t come to the ritual. It is an avenue where a missed opportunity for one neighbor to take part in a neighbor's ritual ceremonies. In this recording, each sponsor discusses who is going to be the leader in the next feast offering, and how cash and extra rations should be used.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after being deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. Mr. Lama Tshering describes how Tshong Tshongma got its current palace after Tshong Tshongma was deceived by Samye Paygi Gyelpo when Guru Rinpoche called all the deities to the allocated respective palace.

Recording of Gul Nasreen discussing “The Song of Barguun” in the Hunza dialect of Burushaski. The is the story of a mother and baby ibex.