Article analyzing the 2020 Texas Public Library Statistics and a portion of the 2019 and 2018 data. It examined various services from libraries located in the areas with a population of less than 5,000. This is the Accepted Manuscript version of a published article.

Elicitation on verb stem alternation in transitive, intransitive, imperative, and causative forms. Recorded in Old Bagbahar.

This is an interview about traditional health practices in the Lai community. The interviewee, born in 1980, is originally from Tluangram and speaks Hakha, Zophei, Kawl, Mizo, and English. Interviews were collected as part of the Linguistically Underserved Communities and Health (LUCAH) project, which aims to make health information more accessible and culturally relevant for the Chin refugee community in order to ensure that they are getting clear and accurate information.

This folk song is about love by Giansang of Njeng village. The recording was done at Makhan village.

This is a conversation between Tauqeer Ahmad and the children of Bindawal village in the Northern Azamgarhi dialect as they were warming themselves in front of a fire. The children seeing the researcher and Mr. Tauqeer, try to escape but Mr. Tauqeer asks them to stay at their places. He then starts questioning an incident that took place the previous night wherein police arrived at the village and fined someone who was fishing illegally.

Article providing a review of the recent research literature on personalized learning as technology is changing how learning can be effectively personalized. The emphasis is on the terms used to characterize learning as those can suggest a framework for personalized and will eventually be used in meta-analyses of research on personalized learning.

This is a Liangmai traditional song by the legendary composer Hungennang. The current song was sang by Mr. Wikendinnang, Makhen village, Kangpokpi District, Manipur.

Consent and speaker background of Lalawmpuii including education, languages spoken, and places lived. Recorded in Old Bagbahar.

Tashi Dorji describes how residents of Dukti village appease the local deities for taking care of their crops when the mountain roads are closed for four months every year. During this time, they offer feasts and fermented wine to the local deities once a month. He explans that the wine for the appeasement and Tshok for the deity is collected as a community tax. Recorded at Dukti Gup Sonam's house in Dukti village.

Tashi Dorji describes a pilgrimage to Tshong Tshongma and the surrounding area. Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. He states that Tshong Tshongma is king amongst the worldly deities, wrathful in nature. He describes landmarks seen on the way to Tshong Tshongma, including a rock symbolizing the riding horse of Tshong Tshongma Lopen, Buddhist scriptures, a stupa, a treasured hole, a golden table, a door to the sky, a monastery of monks, and a meditation place of Guru Rinpoche. Travelers offer libations twice per day to have nice weather during pilgrimages.

Tashi Dorji describes a pilgrimage to Tshong Tshongma and the surrounding area. He discusses a biography of Tshong Tshongma Ney (the religious site) which was taken by the people of Bonglang village (Tawang District, Arunachal Pradesh, India) for reception purposes but never returned. It says there is a garden of Tshong Tshongma at the base of Dukti village with fruits, betel leaves, betel nuts, and other plants which only those who are about to die can reach. He explains that the deity behind the Jomo is Tshong Tshongma. If someone has lost one’s life force, it can be retrieved from the devil with the help of Jomo.

Joya Medok Doley demonstrates the process of extracting silk threads from a silkworm cocoon bundle called takuri kénam. The silkworms are fed green leaves and kept in a dark room to mature. Once they have formed cocoons, the cocoons are grouped and rolled in a bamboo roller called takpín. From the takpín, silk threads are extracted into a second roller which is thinner, called poːpi.