Letter from Pedro J. Gonzalez to Antonio Hernandez. Two handwritten words sit above a seal and a wide column of paragraphed text that have been printed in blue. Additional blue text appears on the back of the paper and on a second paper that has two seals on its front. Another seal appears on the back of the second paper, below lines of blue text and beside a black signature.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A column of paragraphed text extends across the front and back of a page, filling the available space. The text on the front of the page is printed close to the paper's right edge while the text on the page's back is centered.

Letter to Pedro J. Gonzalez from Bob Kaufman. A dark strip of tape extends across the paper, partially covering the letter's title and message. Green radio tower icons and lines of small text are printed on either side of the letter's title and subheading. Handwritten words appear near the page's top right and bottom left corners and below the letter's message.

Letter from Pedro J. Gonzalez to Junta Federal Permanente de Conciliacion Numero Uno. Multiple short lines of text and a column of paragraphs are printed above a stamped mark and a signature.

Information Sheet for "Ballad of an Unsung Hero," in Spanish. A "TV15" icon is printed in the top right corner of the page while the title "information" occupies the top left corner. Below the title is a date, contact information for Paul Espinosa and Isaac Artenstein, and a written list of dates. Two lines of text followed by six paragraphs occupy the rest of the page.

Letter to Pedro J. Gonzalez from Juan Vega Herdez. Two icons are printed in the page's top corners, on either side of two lines of text and above a date. Below the left icon is a narrow column of text printed to the left of a wider text column that extends to the bottom of the page where a signature has been marked.

A San Diego Union-Tribune article titled "Pedro Gonzalez, radio pioneer and martyr, dies at 99." The name of the newspaper and the article's date are printed above the article title. The article itself is formatted into four columns of text at the bottom of the clipping.

Letter from Roberto Fierro Villalobos to Pedro J. Gonzalez. Two illustrations of men and a title are printed above two short lists of names and one long list, which extends towards the bottom of the page. The rest of the page is occupied by a wide column of paragraphed text positioned below an eagle icon and an address. Below the paragraphs is a signature.

Photograph of a vase from the Nazca Culture. The vase displays numerous andromorphic figures with most having their tongues sticking out. The vase is on a stand and likely located inside a museum.

Photograph of two guards guarding an entrance to the Government Palace (Palacio de Gobierno) in Lima, Peru. The guards are wearing red uniforms with gold helmets. The entrance had two columns on each side and intricate bas-reliefs above the entrance.

Photograph of the courtyard of the Convent of Santo Domingo (Convento de Santo Domingo) in Lima, Peru. The cloister of the church is visible in the background, beyond the courtyard's greenery. A water fountain is present in the center of the courtyard.

Photograph of a street in Lima, Peru. The buildings along the left side of the road are visible with most having small balconies. Automobiles are driving down the road towards the photographer. The road has "despacio" painted in large white letters.

Photograph of people gathered in a street in Lima, Peru. There appears to be some street vendors selling various good including clothing which is laid out in the street. An affordable supermarket can be seen on the left side of the street.

Photograph of a view at the Pontifical Catholic University of Peru (Pontificia Universidad Católica del Perú) in Lima, Peru. Students are walking along a sidewalk on the university's campus. The sidewalk is lined with blooming flower plants in various colors. The university's campus buildings are visible in the background.

Photograph of parrots on a wooden structure at Parque de las Leyendas, a zoo in Lima, Peru. Four parrots can be seen perching on a wooden structure above a river. A swan is visible swimming in the river, in the background.

Photograph of Lorena Parlee standing among the ruins at the Archaeological Sanctuary of Pachacamac (Santuario Arqueologico de Pachacamac) near Lima, Peru. Lorena is standing in the distance and smiling at the camera. A ruins structure can be seen right behind her.

Photograph of Lorena Parlee at the Archaeological Sanctuary of Pachacamac (Santuario Arqueologico de Pachacamac) near Lima, Peru. She is standing, facing the camera and smiling. Lorena is wearing wide-leg jeans, a button-up shirt, a jacket around her waist, a hat, and holding a striped bag.

Photograph of the Government Palace (Palacio de Gobierno) in Lima, Peru. The government building is also known as the "House of Pizarro." The photograph was taken from the Plaza De Armas De Lima and the water fountain located in its center is visible in the foreground. People can be seen sitting and standing among the plaza.

Photograph of a street in Lima, Peru. Building line both sides of the street with the majority having small balconies. A government building appears to be present at the end of the street.

Photograph of a street in Lima, Peru. Buildings along one side of the street are shown and one appears to be a government building. People can be seen walking down the side of the road.

Photograph of the façade of the San Agustin Church (Iglesia de San Agustín) in Lima, Peru. The façade is in the churrigueresque or "ultra baroque" style of architecture which includes ornamental details. An ornamental fence surrounds the church in the foreground.

Photograph of Miraflores Beach in Lima, Peru. A few agave plants are present in the foreground. The beach and ocean water can be seen along with a mountain in the background.

Photograph of a llama in an enclosure at the Parque de las Leyendas, a zoo in Lima, Peru. The llama is laying down within the enclosure. The enclosure has a small barn and fencing surrounding it.

Photograph of ruins at the Archaeological Sanctuary of Pachacamac (Santuario Arqueologico de Pachacamac) near Lima, Peru. The structure is composed of stone and brick. Portions of the structure are deteriorating.