Recording of Farman Khan and a group singing the traditional song "Hashki," in the Yasin dialect of Burushaski.

Recording of Farman Khan and a Group reciting "Bor Bor," a popular folk song in the Yasin dialect of Burushaski.

Recording of Ali Murad Khan discussing the history of local music. In this recording, which is in the Yasin dialect of Burushaski, Khan talks about the life of musicians.

Recording of Farman Khan and group singing the traditional song "Gulchumuca Tum Nazur," in the Yasin dialect of Burushaski.

Recording of Imam Yar Baig reciting the story "Nuusheerwaane Us" (Wife of Nausherwan King) in the Yasin dialect of Burushaski.

Recording of a farmer named Imam Yar Baig reciting "Aqalin-e-Hagur," in the Yasin dialect of Burushaski. In this popular story, a girl is told to search for silk in her father’s beard, but finds a flea. She is told to keep the flea in a bag, and watches as the flea grows.

Recording of Farman Khan and a group singing the traditional song "Hashki" in the Yasin dialect of Burushaski.

Recording of Farman Khan singing "Gulchumaca tum Nazer," a popular folk song in the Yasin dialect of Burushaski.

Recording of Imam Yar Baig reciting the story "Aqalin-e-Hagur," (An Intelligent Horse) in the Yasin dialect of Burushaski. In this popular story, a princes is married to a demonic being but is rescued by her intelligent horse.

Akha songs and narratives. Death Rituals II. 0-7 end of oq xhɛ̀ goq doq thó ə; 7-26 bjòn dɛq jà dɛq thó ə; 26-41 djɔ́ la tshɛ̀ thó ə; 41-[end] tshà àŋ tshà zə thó ə

Akha songs and narratives. Continued from Side A. Death Rituals II. 0-5 tshà àŋ tshà zə thó ə; 5-25 abö́ bö́ ní thó ə; 25-[end] ö́zá thó ə

Mr. Karma Wangdi demonstrates the Bon ritual ceremonies used to appease Nêpo, a local ghost or spirit who steals the life force of humans. The name Nêpo is Dakpa for 'guest'. He can be appeased by raising prayer flags using mugwort and offering wine. Also present were Gajay and Wangdi's grandchildren.

Mr. Karma Wangdi demonstrates the Bon ritual ceremonies used to appease Nêpo, a local ghost or spirit who steals the life force of humans. The name Nêpo is Dakpa for 'guest'. He can be appeased by raising prayer flags using mugwort and offering wine. Also present were Gajay and Wangdi's grandchildren.

After a casual conversation, Mr. Karma Wangdi demonstrates the Bon ritual ceremonies used to appease Nêpo, a local ghost or spirit who steals the life force of humans. He appeases Nêpo, asking him to divert life's obstacles.

After a casual conversation, Mr. Karma Wangdi demonstrates the Bon ritual ceremonies used to appease Nêpo, a local ghost or spirit who steals the life force of humans. He appeases Nêpo, asking him to divert life's obstacles.

Mr. Karma Wangdi describes the Bon ritual ceremonies used to appease Tshong Tshongma, the most sacred mountain in Eastern Bhutan. It is accessible only for four months per year due to local customs and myths. At over 4000m, Tshong Tshongma is a very important deity, especially to the people in its vicinity. They appease Tshong Tshongma before making offerings to the other local deities by raising three flags, burning three units of incense, and offering wine. When someone is seriously ill near Tshong Tshongma, they may offer an ox.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is concluding the dance with praise to the father, mother, son, and daughter, as well as the feast, the auspicious day, and to the people gathered for the dance ritual.

Mr. Karma Wangdi describes the Bon ritual ceremonies used to appease Tshong Tshongma, the most sacred mountain in Eastern Bhutan. It is accessible only for four months per year due to local customs and myths. At over 4000m, Tshong Tshongma is a very important deity, especially to the people in its vicinity. They appease Tshong Tshongma before making offerings to the other local deities by raising three flags, burning three units of incense, and offering wine. When someone is seriously ill near Tshong Tshongma, they may offer an ox.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is concluding the dance with praise to the father, mother, son, and daughter, as well as the feast, the auspicious day, and to the people gathered for the dance ritual.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is sings about the mythical king Ling, known as Gäser Gyelpo. Ling is travelling eastward to Hör, a mythical demonic kingdom.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is sings about the mythical king Ling, known as Gäser Gyelpo. Ling is travelling eastward to Hör, a mythical demonic kingdom.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is asking the divine being again to fulfill his wishes: "May I have the best of everything?" The stanza is repeated before and after the sword dance.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is asking the divine being again to fulfill his wishes: "May I have the best of everything?" The stanza is repeated before and after the sword dance.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is asking the divine being to fulfill his wishes: "May I have the best of everything?"