Most readers of the Wild West know Wyatt Earp, Virgil Earp, and Morgan Earp for the famous shootout on the streets of Tombstone, Arizona. But few know the later years of the close-knit Earp family, which revolved around patriarch Nicholas Earp, and their last push at a major monetary coup in Los Angeles. By 1900 a newly established Old Soldiers’ Home was in place at Sawtelle (between Santa Monica and Los Angeles), with thousands of veterans earning monthly pensions, but in an environment where alcohol was prohibited. Enter the Earps and their “blind pig” (illicit alcohol sales) scheme. Two of the Earps, Nicholas and son Newton, were enrolled in the Soldiers’ Home, and Newton’s far more famous half-brothers Wyatt and Virgil showed up from time to time, but the star of the operation was older brother James. Booze would flow, the pension money would be “dispersed about,” and jails were sometimes filled, as the Earps and several other men on the make competed for the veterans’ money. We are also reintroduced to Old West figures such as “Gunfighter Surgeon” Dr. George Goodfellow, “Silver Tongued Orator” Thomas Fitch, millionaire George Hearst, detective J.V. Brighton, Lucky Baldwin, and many other well-known westerners …

With poems that combine the self-scrutiny of Philip Larkin with the measure of Elizabeth Bishop, Amy M. Clark burnishes her first collection, Stray Home, with exquisite understatement and formal control. Sweeter than Larkin and more intimate than Bishop, these poems address the suppressed pain and shame of living as a childless woman in a world of mothers, the dissociation attendant on depression and fraught family relationships, and the search for a sense of belonging in the face of dislocation. Stray Home cuts deeply to discover the buried emotions and insights universal to all suffering and compassionate human beings. “Clark is able to imbue our small, usually overlooked moments with unexpected grandeur. A quiet humor is employed in service of her twin gifts, imagination and metaphor. This is an accomplished, deft, and important debut.”—Beth Ann Fennelly, author of Tender Hooks and judge

Birthing a Better Way: 12 Secrets for Natural Childbirth presents a fresh, proactive, and positive approach to why you may want to consider the safest and most satisfying kind of birth—natural childbirth—especially in these times of overused medical interventions. Kalena Cook, a mother who experienced natural childbirth, and Margaret Christensen, M.D., a board certified obstetrician-gynecologist, have written this much-needed book for expectant mothers and their caregivers, imparting proven safe or “evidence-based” information with compelling narratives. Think of What to Expect in Natural Childbirth meets Chicken Soup for the Natural Birthing Soul! Unlike other books that overwhelm with data, Birthing a Better Way simplifies the best key points. Going beyond actual birth accounts, the authors reveal 12 Secrets which bring confidence in the normal process of birth and inspire you to believe in what your body is beautifully designed to do—a far cry from what is portrayed in the media or from some fear-based conventional medical practices. More than fifty powerful testimonials include healthy mainstream women who answer why they chose natural birth (instead of Pitocin, inductions, epidurals and C-sections), what it was like, and even how it compared to a medicated birth. Six physicians share why they birthed their own …

In 1982, a toxic waste facility opened in the Piney Woods in Winona, Texas. The residents were told that the company would plant fruit trees on the land left over from its ostensible salt-water injection well. Soon after the plant opened, however, residents started noticing huge orange clouds rising from the facility and an increase in rates of cancer and birth defects in both humans and animals. The company dismissed their concerns, and confusion about what chemicals it accepted made investigations difficult. Outraged by what she saw, Phyllis Glazer founded Mothers Organized to Stop Environmental Sins (MOSES) and worked tirelessly to publicize the problems in Winona. The story was featured in People , the Houston Chronicle magazine, and The Dallas Observer . The plant finally closed in 1998, citing the negative publicity generated by the group. This book originated in 1994 when Cromer-Campbell was asked by Phyllis Glazer to produce a photograph for a poster about the campaign. She was so touched by the people in the town that she set out to document their stories. Using a plastic Holga camera, she created hauntingly distorted images that are both works of art and testaments to the damage inflicted on the …

From the author of Through Animals’ Eyes come more true stories from the rare perspective of someone who not only cares for the animals she treats, but also has never wanted nor tried to tame or change them. Lynn Cuny founded Wildlife Rescue and Rehabilitation (WRR) in 1977 in her backyard in San Antonio. It has since grown to 187 acres and now rescues more than 7,000 animals annually and maintains an emergency hotline 365 days a year. Native animals are released back into the wild, and those non-native or severely injured animals that cannot be released become permanent Sanctuary residents. Through her stories, Lynn hopes to dispel the belief that animals do not reason, have emotions, or show compassion for each other. Lynn’s stories cover the humorous and the tragic, the surprising and the inevitable. The animals she describes range from the orphaned baby Rhesus monkey who found a new mother in an old monkey rescued from a lab, to the brave red-tailed hawk who was illegally shot, but healed to soar again. The stories will touch your heart and help you see “through animals’ eyes.” “These true accounts, as amazing as some of them are with their unlikely …

“Heartwarming tales of rescued creatures are presented in this collection of vignettes from a large wildlife rehabilitation center.”—Booklist. “Her brief stories are often touching, such as when she describes a young raccoon, rescued from a fire, self-medicating its burned paws with aloe vera plants; or two crab-eating macaques, confined inside a research facility for eighteen years, experiencing the outdoors for the first time.”—Natural History. “This book deserves a spot on every library shelf along with such nonfiction animal story classics as Adamson’s Born Free, North’s Rascal, and the work of Jane Goodall.”—Appraisal: Science Books for Young People

What happens when an expert on grief is faced with the slow decline of her beloved mother? Like A Grief Observed by C. S. Lewis, Singing Mother Home offers an inside look at the struggles of an “expert” in coping with loss. Donna S. Davenport was forced to rethink the traditional academic approach to the process, which implied that the goal of grief resolution was to end the attachment to the loved one. Instead, she embarked on a personal exploration of her own anticipatory grief. This intimate narrative forms the core of her book. It is emotionally wrenching, but it also provides hope for those going through similar experiences. Just as Davenport used her family's tradition of singing to comfort her mother, readers will be encouraged to find their own sources of comfort in family and legacy. The book concludes by describing psychological approaches to grief and recommending further reading. “This is a unique book by a professional who understands the field of loss and grief. . . . Poignantly heartbreaking.”--Melba Vasquez, President, American Psychology Association's Division on Counseling Psychology

James M. Davis is a retired businessman who lives in Midland, Texas, with his wife of over six decades, Jean. He served on active duty in the U.S. Army Air Forces for more than two and a half years during World War II, and then in the Air Force reserves until 1961. David L. Snead, the editor, is an associate professor of history at Liberty University in Lynchburg, Virginia. He received his Ph.D. in history from the University of Virginia and is the author of The Gaither Committee, Eisenhower, and the Cold War and George E. Browne: An American Doughboy in World War I.

Voudou (an older spelling of voodoo)—a pantheistic belief system developed in West Africa and transported to the Americas during the diaspora of the slave trade—is the generic term for a number of similar African religions which mutated in the Americas, including santeria, candomble, macumbe, obeah, Shango Baptist, etc. Since its violent introduction in the Caribbean islands, it has been the least understood and most feared religion of the New World—suppressed, out-lawed or ridiculed from Haiti to Hattiesburg. Yet with the exception of Zora Neale Hurston's accounts more than a half-century ago and a smattering of lurid, often racist paperbacks, studies of this potent West African theology have focused almost exclusively on Haiti, Cuba and the Caribbean basin. American Voudou turns our gaze back to American shores, principally towards the South, the most important and enduring stronghold of the voudou faith in America and site of its historic yet rarely recounted war with Christianity. This chronicle of Davis' determined search for the true legacy of voudou in America reveals a spirit-world from New Orleans to Miami which will shatter long-held stereotypes about the religion and its role in our culture. The real-life dramas of the practitioners, true believers and skeptics of …

Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play …

From their founding in the 1820s up to the modern age, the Texas Rangers have shown the ability to adapt and survive. Part of that survival depended on their use of firearms. The evolving technology of these weapons often determined the effectiveness of these early day Rangers. John Coffee “Jack” Hays and Samuel Walker would leave their mark on the Rangers by incorporating new technology which allowed them to alter tactics when confronting their adversaries. The Frontier Battalion was created at about the same time as the Colt Peacemaker and the Winchester 73—these were the guns that “won the West.” Firearms of the Texas Rangers, with more than 180 photographs, tells the history of the Texas Rangers primarily through the use of their firearms. Author Doug Dukes narrates famous episodes in Ranger history, including Jack Hays and the Paterson, the Walker Colt, the McCulloch Colt Revolver (smuggled through the Union blockade during the Civil War), and the Frontier Battalion and their use of the Colt Peacemaker and Winchester and Sharps carbines. Readers will delight in learning of Frank Hamer’s marksmanship with his Colt Single Action Army and his Remington, along with Captain J.W. McCormick and his two .45 Colt pistols, …

The Hayden Controversy was one of the most bitter feuds in Baptist history. In the nineteenth century, Protestant denominations in Texas endured difficult transitions from a loosely organized frontier people to a more cooperative and organized body capable of meeting the needs of growing denominations. The Methodists, Churches of Christ, and Baptists all endured major splits before their survival was certain. Of all the Protestant bodies, however, the Hayden Controversy was the fiercest and most widespread, with repercussions that continue to affect current Baptist life. Joseph E. Early, Jr., tells the story of how one man, Samuel Augustus Hayden, almost destroyed the newly organized Baptist General Convention of Texas (BGCT) before it could take root. In the final decades of the nineteenth century, Hayden caused such unrest among Texas Baptists that after a failed attempt to take over the BGCT, he was expelled from the state body. In turn, he created a rival organization, the Baptist Missionary Association (BMA), which continued to fight perceived oppression by the BGCT. While trying to take over the BGCT, Hayden, through his newspaper, accused his enemies of embezzlement, heresy, arson, and strong-arm tactics. Haydens high-profile opponents included some of the most powerful and well-known …

From the days of Z. N. Morrell and James Huckins to Bill Pinson and Charles Wade, Baptists have played and continue to play an important role in the religious, secular, and political life of Texas. Over the previous one hundred and fifty years several Texas Baptist histories have been written, but not until now have the documents used in the development of these texts been made available in one resource. In A Texas Baptist History Sourcebook, Joseph E. Early, Jr., has provided the most complete collection of Texas Baptist sources ever issued in one volume. This work consists of church minutes, state and association convention records, denominational newspaper articles, records of Baptist universities, and myriads of other resources. Included in this work are George Washington Truett's sermon Baptists and Religious Liberty delivered on the steps of the Capitol building in Washington, D.C., James Milton Carroll's Trail of Blood, J. Frank Norriss railings against the Baptist General Convention of Texas, and countless other sources depicting the many years of Texas Baptist history. This book is designed as a complementary work to Harry Leon McBeth's Texas Baptists: A Sesquicentennial History. Students can follow McBeth's chapter divisions, headings, and subheadings for greater ease …

As an intelligence officer during the Vietnam War, Fred L. Edwards, Jr., was instructed to visit every major ground unit in the country to search for intelligence sources—long range patrols, boats, electronic surveillance, and agent operations. “Edwards found time to keep a journal, an extremely well-written, sharply observed report of his adventures. Along with contemporary postscripts and a helpful historical chronology, that journal is a significant improvement on most Vietnam memoirs. It is the record of a Marine’s on-the-job education.”—Proceedings

“The American cowboy is a mythical character who refuses to die,” says author John R. Erickson. On the one hand he is a common man: a laborer, a hired hand who works for wages. Yet in his lonely struggle against nature and animal cunning, he becomes larger than life. Who is this cowboy? Where did he come from and where is he today? Erickson addresses these questions based on firsthand observation and experience in Texas and Oklahoma. And in the process of describing and defining the modern working cowboy—his work, his tools and equipment, his horse, his roping technique, his style of dress, his relationships with his wife and his employer—Erickson gives a thorough description of modern ranching, the economic milieu in which the cowboy operates. The first edition of this book was published in 1981. For this second edition Erickson has thoroughly revised and expanded the book to discuss recent developments in cowboy culture, making The Modern Cowboy the most up-to-date source on cowboy and ranch life today. “We meet the modern cowboy (his dress depends on weather, chores, and vanity) and follow him through the year: spring roundup, branding and ‘working’ the calves; spotting problem animals and cutting …

Prairie Gothic is rich in Texas history. It is the story of Erickson s family, ordinary people who, through strength of character, found dignity in the challenges presented by nature and human nature. It is also the story of the place instrumental in shaping their lives the flatland prairie of northwestern Texas that has gone by various names (High Plains, South Plains, Staked Plains, and Llano Estacado), as well as the rugged country on its eastern boundary, often referred to as the caprock canyonlands. One branch of Erickson’s family arrived in Texas in 1858, settling in Parker County, west of Weatherford. Another helped establish the first community on the South Plains, the Quaker colony of Estacado. They crossed paths with numerous prominent people in Texas history: Sam Houston, Sul Ross, Charles Goodnight, Cynthia Ann and Quanah Parker, Jim Loving, and a famous outlaw, Tom Ross. Erickson’s research took him into the homes of well-known Texas authors, such as J. Evetts Haley and John Graves. Graves had written about the death of Erickson s great-great grandmother, Martha Sherman. The theme that runs throughout the book is that of family, of four generations’ efforts to nurture the values of civilized people: reverence …

The isolated Canadian River in the Texas Panhandle stretched before John Erickson and Bill Ellzey as they began a journey through time and what the locals call “the valley.” They went on horseback, as they might have traveled it a century before. Everywhere they went they talked, worked, and swapped stories with the people of the valley, piecing together a picture of what life has been like there for a hundred years. Through Time and the Valley is their story of the river—its history, its lore, its colorful characters, the comedies and tragedies that valley people have spun yarns about for generations. Outlaws, frontier wives, Indian warriors, cowboys, craftsmen, dance-hall girls, moonshiners, inventors, ranchers—all are part of the Canadian River country heritage that gives this book its vitality. “Through Time and the Valley is the finest non-scholarly account of the history, culture, and people of this region. . . . What I did notice was humor, pathos, strong characterization, crisp dialogue, and such a sense of place as to bring a lump to my throat.” — Roundup Magazine

A fifteen-year-old high school cheerleader is killed while driving on a dangerous curve one afternoon. By that night, her classmates have erected a roadside cross decorated with silk flowers, not as a grim warning, but as a loving memorial. In this study of roadside crosses, the first of its kind, Holly Everett presents the history of these unique commemoratives and their relationship to contemporary memorial culture. The meaning of these markers is presented in the words of grieving parents, high school students, public officials, and private individuals whom the author interviewed during her fieldwork in Texas. Everett documents over thirty-five memorial sites with twenty-five photographs representing the wide range of creativity. Examining the complex interplay of politics, culture, and belief, she emphasizes the importance of religious expression in everyday life and analyzes responses to death that this tradition. Roadside crosses are a meeting place for communication, remembrance, and reflection, embodying on-going relationships between the living and the dead. They are a bridge between personal and communal pain–and one of the oldest forms of memorial culture. Scholars in folklore, American studies, cultural geography, cultural/social history, and material culture studies will be especially interested in this study.

This debut collection includes love songs and prayers, palinodes and pleas, short histories and tragic tales as well as a series of ventriloquist poems that track the epiphanies and consequences of speaking in a voice other than one’s own. Other poems speak to a Beloved and the highs and lows of parenthood and personhood—all with music and verve, with formal dexterity, with sadness and humor, with an intimate voice that can both whisper in our ears and grab us by the collar and implore us to listen. “What drives the poems in this wonderfully animated debut volume and prompts the reader’s pleasure in them is the patent honesty of the poet’s voice. In the ‘ventriloquist’ series itself, Fay-LeBlanc creates a remarkable refracted self-portrait, bristling with moments of unabashed illumination.”—Eamon Grennan, author of Out of Sight

Robert Flynn has gathered twenty-three stories that have hope, faith, and love as their common denominator. They are funny, political, and more than a bit prophetic as well as being superbly crafted. Included in the collection are “The Rest of the Story,” wherein the author retells select Biblical stories and parables supplying heretofore expurgated details with an exquisitely agonizing truth; “Ten Mistakes God Made,” which treats with candor religious politics, elitism, and the unexplained nature of what makes us believe; “The Trouble with Eve” and “Redemption,” which are at heart stories of how one grapples with, avoids, questions, and finally resigns to—love; and “Chicken Soup for the Damned,” a fable corporate biography retelling of the Savior’s story. “Flynn’s prose cuts like St. Michael’s sword slicing through the smug heart of a believer too comfortable in his faith. He is to southern Baptists what Flannery O’Conner is to southern Catholics. He is raw, woolly, and wild-eyed, and very necessary.”—Jill A. Essbaum, Concordia University, author of Heaven

From book jacket: “Mr. Guitar” Chet Atkins called Lenny Breau (1941-1984) “the greatest guitarist who ever walked the face of the earth.” Breau began playing the instrument at age seven, and went on to master many styles, especially jazz. Between 1968 and 1983 he made a series of recordings that are among the most influential guitar albums of the century. Breau’s astonishing virtuosity influenced countless performers, but unfortunately it came at the expense of his personal relationships. Despite Breau’s fascinating life story and his musical importance, no full-length biography has been published until now. Forbes-Roberts has interviewed more than 175 people and closely analyzed Breau’s recordings to reveal an enormously gifted man and the inner workings of his music. “Lenny Breau was, and will always be, a great treasure. We need him today more than ever.” —Mundell Lowe

The British horn player Dennis Brain (1921–1957) is commonly described by such statements as “the greatest horn player of the 20th Century,” “a genius,” and “a legend.” He was both a prodigy and popularizer, famously performing a concerto on a garden hose in perfect pitch. On his usual concert instrument his tone was of unsurpassed beauty and clarity, complemented by a flawless technique. The recordings he made with Herbert von Karajan of Mozart’s horn concerti are considered the definitive interpretations. Brain enlisted in the English armed forces during World War II for seven years, joining the National Symphony Orchestra in wartime in 1942. After the war he filled the principal horn positions in both the Philharmonia and Royal Philharmonic Orchestras. He later formed his own wind quintet and began conducting. Composers including Benjamin Britten and Paul Hindemith lined up to write music for him. Even fifty years after his tragic death at the age of 36 in an auto accident in 1957, Peter Maxwell Davies was commissioned to write a piece in his honor. Stephen Gamble and William Lynch have conducted numerous interviews with family, friends, and colleagues and uncovered information in the BBC archives and other lesser known sources …

Perhaps no other industrial technology changed the course of Mexican history in the United States—and Mexico—than did the coming of the railroads. Tens of thousands of Mexicans worked for the railroads in the United States, especially in the Southwest and Midwest. Extensive Mexican American settlements appeared throughout the lower and upper Midwest as the result of the railroad. Only agricultural work surpassed railroad work in terms of employment of Mexicans. In Traqueros, Jeffrey Marcos Garcílazo mined numerous archives and other sources to provide the first and only comprehensive history of Mexican railroad workers across the United States, with particular attention to the Midwest. He first explores the origins and process of Mexican labor recruitment and immigration and then describes the areas of work performed. He reconstructs the workers’ daily lives and explores not only what the workers did on the job but also what they did at home and how they accommodated and/or resisted Americanization. Boxcar communities, strike organizations, and “traquero culture” finally receive historical acknowledgment. Integral to his study is the importance of family settlement in shaping working class communities and consciousness throughout the Midwest.

In 1968 James T. Gillam was a poorly focused college student at Ohio University who was dismissed and then drafted into the Army. Unlike most African Americans who entered the Army then, he became a Sergeant and an instructor at the Fort McClellan Alabama School of Infantry. In September 1968 he joined the First Battalion, 22nd Regiment of the 4th Infantry Division in Vietnam. Within a month he transformed from an uncertain sergeant—who tried to avoid combat—to an aggressive soldier, killing his first enemy and planning and executing successful ambushes in the jungle. Gillam was a regular point man and occasional tunnel rat who fought below ground, an arena that few people knew about until after the war ended. By January 1970 he had earned a Combat Infantry Badge and been promoted to Staff Sergeant. Then Washington’s politics and military strategy took his battalion to the border of Cambodia. Search-and-destroy missions became longer and deadlier. From January to May his unit hunted and killed the enemy in a series of intense firefights, some of them in close combat. In those months Gillam was shot twice and struck by shrapnel twice. He became a savage, strangling a soldier in hand-to-hand combat …