A compelling letter from an applicant vying for approval into the Marcus Fellows Program's doctoral program. The document outlines the candidate's diverse interests, highlights of published papers, and references, providing a comprehensive perspective on the individual's qualifications and enthusiasm for the prestigious fellowship.

A compelling letter submitted by a prospective Marcus Fellow Program applicant. The document provides insights into the applicant's academic and professional interests, highlights published papers, and presents references, offering a comprehensive view of their qualifications and aspirations for the fellowship.

A snapshot of a reminder email nudging discussions on curriculum guidelines and reiterating the proposal for a meeting to delve deeper into the subject matter.

A letter where a dedicated applicant joyfully accepts the prestigious Marcus Fellowship for the academic year 1999-2000. This letter radiates gratitude, excitement, and a profound commitment to commence the transformative Marcus Fellows Program at the School of Visual Arts, University of North Texas (UNT).

A letter from the Administrative Office of the University of North Texas (UNT) extending a warm invitation to an applicant for an in-person interview. This letter follows a thorough review of the applicant's submission for the Marcus Fellows Program, emphasizing the importance of the upcoming interview in the selection process and providing relevant details for the meeting.

An official letter extending an invitation to a promising applicant of the Marcus Fellows Program for an in-person interview. This step follows the comprehensive review of the application, aiming to delve deeper into the candidate's qualifications, aspirations, and potential contributions to the School of Visual Arts at the University of North Texas (UNT).

A memorandum from Margie Desiderato, grants clerk of North Texas Institute for Educators on the Visual Arts to Deborah Dobbins, coordinator, arts education services. In regards to the financial institute budget for the fiscal year 2000, FY00, which totals to $456,958.00. Their funding has come from the Getty Center for Education in the Arts, the Annenberg Foundation, the Marcus Foundation and the University of North Texas. cc'd on the memo is Jack Davis.

A comprehensive letter, strategically addressing NTIEVA in the context of the Arts assessment.

A documented letter from NTIEVA, accompanied by an attached copy of the contract with Barrett Kendall Publishing Ltd. This correspondence highlights specific issues within the contract and proposes a constructive avenue for further discussions and resolution.

A letter to Jack Davis, Dean of Unversity of North Texas' School of Visual Arts, from Marilyn Martin, Manager of Grant Contracts and Evaluations at the Texas Commission on the Arts, in regards to an attached contract that must be signed by Phillip C. Diebel or the expenses for the project will not be incurred until it has been signed by both parties. The contract goes into the terms and conditions of the agreement between both parties.

Photocopy of a memo from Lori Weisgerber, Getty Center, to Jack Davis, Harriet Laney and Bill McCarter, North Texas Institute for Educators on the Visual Arts, with information regarding the Advisory Committee and outlines of information needed to updated in the committee notebook.

A comprehensive email conversation documenting the strategic preparations for an upcoming Round Table discussion.

A report for the National Specialty Program grant via the National Center for Art Museum/School Collaborations. Attached documents include news article clippings, a survey on NCAMSC, conference evaluations and more.

A letter from Leilani Lattin Duke to Lee Hanson about informing Hanson that the upcoming curriculum development meeting has been postpone due to overarching ideas with consultants.

Photocopies of evaluations and comments for the National Museum of American Art, Smithsonian Institution: An Introduction to Latino Art and Culture, dated June 26 - 28, 1996. The evaluations are rating the quality of the workshop by answering the questions of material, information, topics and other objectives that the exhibit provided. In a letter to Carol Wyrick, July 15, 1996, Bill McCarter apologies for withholding the evaluations but NTIEVA wanted to record the general comments made about the Institute. Some of the comments read as written, "I enjoyed the workshop and learned a lot." "Those of us who teach the younger students found the drawing studies to be of little relevance to the level of production appreciated [by] our students." Other comments continue with the enthusiasm of the quality of materials and the presentations, as well as offer suggestions or provide concerns about the related subject.

A letter from Kathy Walsh-Piper to D. Jack Davis about attaching a letter from the MacArthur Foundation that declines the joint funding proposal between the Dallas Museum of Art and the North Texas Institute for Educators on the Visual Arts. Attached is the letter from the MacArthur Foundation.

Photocopy of a letter from Douglas W. Otto, Superintendent Plano ISD, to Bill McCarter and Jack Davis, co-directors of North Texas Institute for Educators on the Visual Arts. In regards to Plano's commitment as a full partner in the North Texas Institute for Educators on the Visual Arts and their implementation of full two-week summer institute in the summer of 1996. Attached to the letter are stipend worksheets for the current income of the faculty to be involved with the program.

A letter from Kathy Walsh-Piper to D. Jack Davis about inclosing a copy of grant proposal, between the North Texas Institute for Educators on the Visual Arts and Dallas Museum of Art, to the MacArthur Foundation. Attached documents includes a letter from Jay Gates to Nicholas Rabkin and a copy of the proposal.

Photocopy of a letter from Jack Davis and Bill McCarter, co-directors of North Texas Institute for Educators on the Visual Arts, to Marla Price, Director of the Modern Art Museum. The letter describes the work done by Davis and McCarter, through the use of the Edward and Betty Marcus Foundation grant, to produce portfolios using images from the five museums that are apart of the North Texas Institute for Educators on the Visual Arts consortium. The grant allowed them to produce 500 copies of the portfolio, which were given at no cost to the schools in the consortium for educational purposes, however, because of the popularity of the portfolio and the limited number of the original publication they have been contacted by vendors who have interest in producing the portfolio commercially. Davis and McCarter write about what a great opportunity this could mean when it comes to resources for the continued work of the Institute, yet one issues is that the Museum has to give them written consent to reproduce the images and content.

An official and documented letter of recommendation advocating for the qualifications and suitability of an applicant for the prestigious Marcus Fellow Program. This comprehensive recommendation sheds light on the applicant's strengths, achievements, and potential contributions, highlighting why they are an ideal candidate for the program.

Photocopy of a letter from John W. Crain, associate of the Summerlee Foundation to Jack Davis, co-director of North Texas Institute for Educators on the Visual Arts. The letter is in regards to Crain correspondence with Ron Tyler and secure his commitment to meet with North Texas Institute for Educators on the Visual Arts to discuss a future working relationship.

Photocopy of a letter e-mail from Jack Davis, co-director of North Texas Institute for Educators on the Visual Arts to his colleague to Bill McCarter, that Davis received prior. The email is to the "Houston Group" from Jack and Jeff, reminding the group about the press announcement of Transforming Education Through the Arts in Los Angeles, set by Harold Williams and Vartan Gregorian for October 11, 1995. Davis asks of the group who can go to LA and to let Vicki Rosenberg know by September 25th and to let her know how many directors and funders are able to make the trip as well.

A letter from John Paul Batiste to D. Jack Davis about a small grant to help in the 1996 Fiscal Year and included is the application overview, a checklist for the application to be complete, and an evaluation report.

An official letter from the Marcus Fellow Program Assistant, notifying the applicant of their acceptance into the Marcus Fellow Program at the School of Visual Arts, UNT. The letter details the conditional admission based on acceptable GRE scores and includes an enclosed copy of the letter from Dr. Austin. It further outlines the necessary steps, including submission of the scorecard and additional requirements for full admission.