Letter from Frank R. Aqueno to Sterling Houston, prominent San Antonio playwright. He writes to invite Houston to his provocative one-man performance piece titled Queer Pier. He encloses a xeroxed newspaper clipping from The Advocate about his play. A third clipping shows a portrait of the writer wearing sunglasses, shorts, and an American flag bandana in front of a chain-link fence.

Letter from John Glines of The Glines, a non-profit organization for gay arts, to Sterling Houston, prominent San Antonio playwright. He writes thanking him for showing an interest in The Glines, but that they are not looking for new material to produce.

Letter from Sterling Houston, prominent San Antonio playwright, to the editor of the San Antonio Light, a now closed newspaper. Houston writes to commend the quality of their work; particularly, their treatment of art and artists.

Letter from Mary Travers, vice president of Alice B. Theatre, to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him on being one of ten people chosen as a finalist for a position on the artistic staff. The rest of the letter details how the upcoming weeks will look like for the finalists, and what materials they need to send so that the theatre can make their final decision.

Letter from Nancy de Mattia to Sterling Houston, prominent San Antonio playwright. She writes from France, where business operations for Omero magazine have moved. Her position at the publication remains unclear, but it appears that an interview with Houston over one of his plays, the Modernization of Sainthood, has remained unpublished due to its controversial content. Nancy wishes to publish something less controversial.

Letter from someone at the Walt Whitman Cultural Arts Center, INC. to Sterling Houston, prominent San Antonio playwright. Though it has been signed at the bottom, it is difficult to read with certainty. The note informs Sterling that items have been enclosed regarding Essex and suggests that he send them to the appropriate people.