Transmittal of copies of documents in the reform of the Fundación de la Obra Pía; efforts to save the organization from destruction; opposition of “los principales en lo científico” Juan José Espinosa de los Monteros, Juan Francisco Azcárate, and Andrés Quintana Roó, directed by Francisco Sánchez de Tagle; mercantile opposition by Lorenzo Carrera; benefits obtained by Lorenzo Zavala for editing the “Decreto sentencia expoliatoria”; financial support given group by Francisco González Agüero; opposition of deputies and senators; provisions of benefactress' will changed; appointment of Patronos; fear of ministry of Lerdo; election of president; fear of spending of all money derived from “tratado pendiente” with the United States; effort to withdraw Jesuits from supervision of the Obra pía; denuncia made by Promotor Robledo; appeal to Pedro Escudero; “El Impreso del S. Vélez”; exclusion of Jesuits from Hacienda pública confirmed by Santa Anna in 1843; limits on amortization.

Letter from Emma Davis to John C. Brewer. The first part of the letter is dated April 13, 1879, and the second part is dated April 14, 1879. The first part includes an apology from Emma and a discussion about their friendship. The second part discusses mutual acquaintances.

Ledger containing information about cattle brands, ownership, registration, and sale, as well as other documentation about the care of cattle and related business interests.

Postcard of a train station with four men in suits standing outside, behind the train track. A powerline stands by the station, on the deck. The right edge identifies the scene as "P. & L. E. Station, Monogahela, Pa." The back of the postcard addresses it to "Mamie McFaddin 1906 McFaddin Ave Beaumont Texas."

Ledger containing balance sheets by month of business accounts and cash on hand including expenses, sales, and improvements.

Postcard of a man wearing a red tunic, dark pants and hat, and white tunic standing in a field with a woman in a red dress and red hat wearing a white apron. Both of their heads are bowed in prayer, a basket sitting on the ground between them, with a laden wooden wheelbarrow set beside the woman and a pitchfork stuck in the ground beside the man. The letter written on the horizon reads as follows, "My dear Mamie, Did you get home safe? My address is 1225 E. Ave. Huntington. Good bye." The postcard is addressed to Mamie McFaddin 1316 Calder Ave. Beaumont Texas."

Postcard from P. F. to Mr. Gustav Lindner, saying they were glad to receive his letter. The front of the postcard also features a photograph of a rocky, wooded area with a large open, grassy space in the center. Within this cleared area, there is a long, one-story building and fences. The back of the postcard contains the recipient's name and address.

Postcard of a ship as seen from the side with three levels, many flags including two American flags, and a large black steam column. "With love from Leonora," is written below the picture. The postcard is addressed to "Miss Mamie McFaddin 1141 3rd Beaumont Texas."

Postcard of a partially harvested sugar cane field with a yellow building in the background. The letter reads, "Mama must send you a postal every day if you'd rather have," the rest is illegible. The postcard is addressed to "Miss M. McFaddin, Beaumont, Tex 1906 McFaddin Ave."

Postcard of multiple story brick buildings near docks where horses draw carts laden with bags of sugar. The back of the postcard has a short letter, which reads, "Just got your letter, it was so sweet of you to write. [illegible] to get a hustle on [illegible] please. Love to all Maria." The postcard is addressed to "Miss M. McFaddin Beaumont, Tex. 1906 McFaddin Ave."

Postcard of a lake behind the treeline. The scene is described as "View of Seneca Lake from Oakwood Park." The letter is illegible. The postcard is addressed to "Miss Mamie McFaddin Beaumont, Tex 1906 McFaddin Ave."

Postcard of a wood paneled room with a chandelier hanging from the ceiling over the blue seated chairs and a tiger pelt on the floor. The scene is described as " "The Lounge," 28th St. Entrance Prince George Hotel 27th - 28th Streets, between Fifth and Madison Avenue New York City." The letter is illegible. The postcard is addressed to "Miss Mamie McFaddin 1906 McFaddin Beaumont, Texas."

Postcard of a blonde boy wearing a red outfit embracing a girl with a fur coat from behind, while a brown dog sits beside them. The words "I Adore You," are typed on the card. On the back, the picture continues with the boy and dog alone, the dog saying, "Not yet, but soon." The postcard is addressed to "Miss Mamie McFaddin McFaddin Ave. City."

Postcard of three winged children with blonde curled hair and pastel robes. One angel holds a basket of red hearts and holds one aloft in their hand. Below the picture, "My offering to thee" is typed. The postcard is addressed to "Miss Mamie McFaddin McFaddin Ave. City."

Postcard of a city square with a stone column, the street and monument lit with strings of lights. The letter on the back reads, "My dear Mamie, How would you like to exchange pinnauts, is that there, how do you like school by this time? Lurll close with love, as your "Big Uncle N. S. C." The postcard is addressed to "Miss Mamie McFaddin WAshington D. C. Gunston Hall."

Postcard of a drawn puppy sitting on its hindquarters with a short message reading, "I wish I had a sweetheart." The letter on the front and back of the postcard is illegible. The postcard is addressed to "Miss Mamie McFaddin Beaumont, Texas. 1906 McFaddin Ave."

Postcard of a brown haired woman wearing a brown and cream colored dress looking inside an open locket. The scene is described as "The Old Miniature." The letter on the back of the postcard reads, "Do I know you? I think I should, judging from the number of times Jim has spoken to me of you. We spent yesterday in Calvert - am very sorry I could not make Beaumont a short visit this summer. Clem." The postcard is addressed to "Miss Mammie McFaddin, 1906 McFaddin Ave. Beaumont, Texas."

Postcard of a two story house with fenced front porch and sparse yard, described as "Street Scene, Bryan, Tex." The letter on the back is illegible. The postcard is addressed to "Miss Mamie McFaddin McFaddin Ave. Beaumont, Texas."

Postcard of a white walled room with magenta carpeting, seats, and curtains. The white table is set with pink flowers. On the back, a message reads, "I am coming to Washington + hope to see you. H. G." The postcard is addressed to "Miss Mamie McFaddin Gunston School Washington D. C."

Postcard of rose flowers drawn to frame a message that reads, "Out of a heart that's filled with..delight..In knowing the world is...treating you right. I offer you this as a Valentine...smile..With a little red...heart filled. with love.. worth while." The message on the back reads, "All well + send bushels of love. Pa and Mother Smith." The postcard is addressed to "Miss Mamie McFaddin Gunston Hall Washington D. C."

Postcard of three boats near the large steamship described as part of the "Hamburg-Amerika Linie." The letter on the postcard reads, "Beautiful scenery all the way out, "water." In sight of land now, and maybe I'm not glad to see it. Suppose I will stagger a while from the motion of the ship. People may think I drink. Sincerely, F. D. Dickman." The postcard is addressed to "Miss Mamie McFaddin McFaddin Ave. Beaumont, Texas, USA."

Postcard of a two story white house with a green roof, described as "Period Hotel and Annex, Mineral Wells, Texas." The message on the back is illegible. The postcard is addressed to "Miss Mamie L. McFaddin 1906 McFaddin Ave. Beaumont, Texas."

Wasp Creek Shooting Club shooting card for Hubert Kohls on Sunday, October 13, 1924.

Letter from (Captain?) N. W. Shaw, commander of the 45th Company, Fifth Marine Regiment, to the commander of the Second Marine Brigade. Shaw discusses the wounding of a Carlos Gutierrez, the whereabouts of a Jose Santos Rivera and his arrest warrant, a retaliatory killing for the theft of a cow, and a list of persons believed to be bandits.