Postcard of the two-story Baroque architecture styled home of Mrs A. C. Jones located at 611 East Jones St. Philanthropist and supporter of local schools, Mrs. A.C. (Jane Field) Jones (1842-1918) built the house on this site after her husband Captain Jones’ death in 1906. Governors and other Texas leaders were welcomed here. Located on the hill where the college stands today, the first and much grander A.C. Jones home was sold to the John Flournoy and moved into town by mule and wagon. It stood facing Flournoy Park until it was razed in 1946.

Postcard of the historic Anson Mills Building located at 303 North Oregon Street in El Paso, Texas. Please also see duplicate postcard WH-PC-186-022.

Postcard of the Anson Mills Building. The Anson Mills Building is a historic building located at 303 North Oregon Street in El Paso, Texas. The building stands on the original site of the 1832 Ponce de León ranch. Anson Mills hired Henry C. Trost of the Trost and Trost architectural firm to design and construct the building. At the time, Henry C. Trost was the area's foremost pioneer in the use of reinforced concrete in building design. Built in 1910-1911, the building was only the second concrete-frame skyscraper in the United States, and one of the largest all-concrete buildings. At 145 feet (44 m), the 12-story Mills Building was the tallest building in El Paso when it was completed. The architectural firm of Trost and Trost moved its offices to the building upon completion, where they remained until 1920. The Mills family sold the building in 1965. The building stands on a corner site opposite San Jacinto Plaza, with a gracefully curved street façade that wraps around the south and east sides. Like many of Trost's designs, the Anson Mills Building's overall form and strong verticality, as well as details of the ornamentation and cornice, are reminiscent of the Chicago …

Postcard from Rose Chamberlin to Ora Osterhout. The photo on the card depicts a horse, a cow, and a man. The cow has a rope around one of its horns and the other end is tied to the saddle on the horse. The man is standing with one foot on the cow and both hands in the air. He is wearing a cowboy hat, a shirt over a white one, pants, and dark boots. The scene is in the middle of a prairie. On the bottom of the front and the back, Rose wrote bits of local news.

Postercard from Lillian G. to Junia Roberts Osterhout. On the back, Lillian wrote some brief news about San Antonio, TX and that she found the postcard in a Japanese store. The front of the card has gold embossed images of huts by a lake, birds, and a boat. The background consists of a mountain with a white top and clouds.

Postcard from the Virginia Center for the Creative Arts to Sterling Houston, prominent San Antonio playwright. The postcard has been sent as a formality, indicating that they have received his application material and will be notified of a decision in the month of January.

Postcard of an illustration of a man sitting next to a table with two empty mugs. Printed text on the postcard says: "Three empty mugs." Handwritten note on the front of the card adds: "You can't drink it all, so no use of making a hog of yourself." Postcard is addressed to Abner Rayburn.

Postcard of a bird body with a clown head smoking a cigar. Part of the postcard is missing, but the text that is left on the front of the card says, "If you're a bird - chirp!" Most of the handwritten note on the back of the postcard is missing as well, but it is addressed to Abner Rayburn.

Postcard of a cowboy sitting on a horse and firing a pistol. Handwritten message on the back of the postcard inquires about Abner Rayburn's well-being.

Postcard of an illustration of a man putting a letter into a mailbox. Handwritten note on the back of the postcard is addressed to Abner Rayburn.

Postcard of a cartoon of four people in an old-fashioned car. The text on the front of the postcard says: "How can you do it on 13.50 per ?" Handwritten note on the back of the postcard asks Abner Rayburn about his business.

Postcard showing the Brazos River flood on Elm Street in East Waco. Buildings and power lines can be seen above the water.

Postcard of five boats near a crowded beach. The message on the back reads, "This is where we disembarked. A regular Atlantic City. Very wonderful and lovely. I had a very serious experience finding my baggage, but that is the worst - Love Mochie." The postcard is addressed to "Mrs. Carrol E. Ward 1906 McFaddin Beaumont, Texas, U. S. A."

Postcard of a woman sketched with charcoal wearing a hat. The note below the woman's picture reads, "Mamie, Note I put another color to her hair. If I don't know who Jack is, I certainly know a rich joke on a certain somebody. Hugh. 10-07-11." The note continues on the back of the postcard with, "Who is Jack? H.H. 10-7-11." The postcard is addressed to "Miss Mamie McFaddin Washington D.C. Gunston Hall."

Postcard of a letter with a gold and turquoise "M" emblazoned near the edge. The letter is illegible. The postcard is addressed to "Miss Mamie McFaddin Washington D. C. 90 Gunston Hall."

Postcard of a two story building with six columns supporting the top balcony. The message is illegible. The postcard is addressed to "Mrs. Caroll Ward McFaddin Ave. Beaumont, Texas."

Postcard of a large red brick estate behind a wrought iron fence. The letter on the back of the postcard is illegible. The postcard is addressed to "Miss Mamie McFaddin Huntington, W. Va. 1141 3rd Ave."

Postcard of an illegible letter, addressed to "Miss Mamie McFadden Gunston Hall Washington, D. C."

Postcard of a baby chicken standing on a basket full of blue flowers tied with a light blue ribbon. "Easter Greetings" is typed in the left bottom corner. The letter on the back of the postcard is illegible. The postcard is addressed to "Miss M. McFaddin 1906 McFaddin Beaumont, Tex."

Postcard of a tall white building with an American flag on the rooftop and people walking near horse-drawn buggies on the road. The postcard is addressed to "Miss Mamie McFaddin Huntington W. Va. 1141 3rd Ave."

Postcard of a busy street surrounded by multiple storied buildings with a red tinted church at the end of the street. The letter on the back of the postcard is illegible. The postcard is addressed to "Miss M. McFaddin Huntington W. Va. 1141 3rd Ave."

Postcard of a five story complex of red brick and white and tan accents. The message on the back is illegible.

Postcard of many tall and colorful buildings with pedestrians wandering the street. The note at the side of the picture reads, "We are going down today if it doesn't rain. It is fine here lots of love." The back of the postcard continues with "Mr. Aillen has been around + his wife will come at noon. You don't - like to be bothered much callers on New York. Love, Maura." The postcard is addressed to "Miss M. McFaddin Huntington, W. Va. 1141 3rd Ave."

Postcard of the nave, the three tiered room where religious services take place. The back of the postcard reads, "This church seats 12,000 I was at it, it was beautiful. I am so tired of going home for resting all day. Am going to leave tomorrow for Quebec. Hope to hear from you there. Love for all - Ma." The postcard is addressed to "Miss M. McFaddin 1141 3rd Ave. Huntington, W. Va. U. S. A."