Becky talks about her activism, mostly outside of Texas, with SNCC & SDS; her later career; and lifelong commitment to racial justice

The second part of a two part interview focuses on the early years of his political career, his relationship with the Good Government League and some of his accomplishments as a state representative. Throughout the interview, Mr. Bernal talks about the political and economic context in San Antonio. At the end of the interview, he talks about the role of Raza Unida in his eventual electoral defeat.

Faculty recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master’s of Music degree.

A recital presented in partial fulfillment of the Master of Music (MM) degree in Performance.

Interview with Joe Schmerber, who worked for and helped establish departments in Mooney Aircraft Company and Bridgestone Tires. The interview discusses his parents, early years as one of nine children, his work experience, education, interest in aviation, and family life.

Langmei (Tiang) villagers perform a war dance 'Chari lem'. It was performed when the villager waged war against a neighboring feuding village. The warriors of the village gathered for this dance believing that it would sanctify them and make them stronger, more courageous and more effective while engaging in a fight with the enemy.

Makui (Liangchi) Villagers perform a war dance, Chariu taobo lem. It was performed in the olden days when a Liangmai village went to war. The able-bodied men of the village gather and move in two rows led by two war heads experienced in warfare using spears, shields and daos. Men will make a polyvocal sound called magubo as they move in circle. Magubo begins in slow rhythm as the men move slowly. Magubo, as well as their movement, will pick up speed and during the peak moment various war cries will be made.

Langmei (Tiang) villagers perform the dance of Phai people 'Phaimai lem'. This dance is performed by young men and women of Liangmai village during festivals and celebrations. It is a dance of expressing love, joy, and unity.

Tamei villagers perform the eagle's dance, 'Kaleng ponsi lem'. This dance is about the eagle catching its prey. The song sung during this dance talks about lost love, comparing it with the prey of an eagle. The song narrates about the village girls who were married off to rich men of another village by their parents without the consent of the girl. They are compared to the prey of an eagle.

Performance of the Chabonki lem dance by Nkou village youths. Chabonki lem means ‘the dance of the youth’, where chabon means ‘youth’, ki ‘house’ and lem ‘dance’. As the name suggests, this dance is performed mainly by youths of a village on special occasion, such as celebration of good harvest or victory in battle. In the present time, this dance is performed during cultural festivals.

Tamah (Piulekluang) villagers perform the hornbill dance. Hornbill is called chareng in Liangmai and the dance performed here is chareng lem ‘hornbill dance’. The dance is an imitation of hornbill’s movement. The hornbill (the great Indian Hornbill) has an integral role in Liangmai folklore. Its beautiful feathers are used as head-dress by both men and women. The traditional knee-length cloth wore by Liangmai men resembles the color pattern of a hornbill, (i.e., black and white).

A student recital presented at the UNT College of Music Voertman Hall.

Video recording from The Black Academy of Arts and Letters recorded during their All the Queen's Men, starring Annie Adair event in 2010. This video features a theatrical performance of "All the Queen's Men," which was written and performed by Annie Adair, directed by Akin Babatunde live on stage at Clarence Muse Café Theatre. The video cuts at 1:20:14 to a news segment.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Video footage from The Black Academy of Arts and Letters recorded during comedian AJ Jamal's live comedy performance at the Clarence Muse Café Theater over the weekend of March 5-6th, 2010. The footage shows his stand-up routine focusing on the topics of race, college, and the black male experience.

Video footage from The Black Academy of Arts and Letters recorded during comedian AJ Jamal's live comedy performance at the Clarence Muse Café Theater over the weekend of March 5-6th, 2010. The footage shows his stand-up routine focusing on the topics of race, college, and the black male experience.

Graduate artist certificate recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment for the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Video recording from The Black Academy of Arts and Letters recorded during the dress performance theatre series of "Here Comes the Payne" starring Carl Payne on February 5th, 2010 at the Clarence Muse Café Theatre. The footage shows Payne playing different versions of himself from his life and childhood from a comedic perspective.

Video recording from The Black Academy of Arts and Letters recorded during the roundtable writer's breakfast stereotypes series moderated by Dr. Alvia Wardlaw held on May 5th, 2012. The topic of the dialogue focuses on images of African American life and culture in the visual arts.

Unedited video of a questions and answers presentation by Rahsaan Patterson before his performance at "A Night that Rocks Jazz Show," hosted by The Black Academy of Arts and Letters.

A senoir recital performed at the UNT College of Music Voertman Hall.