This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

The National Endowment for the Humanities (NEH)-funded Chronicles in Preservation project (http://metaarchive.org/neh/) completed this Comparative Analysis of three Distributed Digital Preservation systems to analyze their underlying technologies and methodologies: -Chronopolis using iRODS (http://chronopolis.sdsc.edu/). -University of North Texas using Coda (http://www.library.unt.edu/). -MetaArchive Cooperative using LOCKSS (http://metaarchive.org/). This Comparative Analysis is not intended to designate any of the Distributed Digital Preservation (DDP) systems as superior or inferior to one another in any of the areas disclosed. On the contrary, digital preservation is often best served by maintaining a variety of solutions, and each of the three DDP systems have partnered actively with one another on several digital preservation initiatives and are learning constantly from one another’s approaches. The Chronicles in Preservation project, and more specifically, this Comparative Analysis, has been undertaken by these three systems in order to test, document, and refine their processes, not in isolation, but as a collaborative effort.