Letter from Pedro J. Gonzalez to Joaquin Aguilar Robles. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider column of text continues onto the page's back and across the front of a second page. The back of the second page is printed with the long title, small text, and bird icon that the first page's front has.

A postcard with a love message on one side and an image of a woman on the other. The woman's image is tinted pink and has been printed over with additional colors in multiple spots. "Feliz Recuardo" is written in gold above the woman. The love message on the postcard's back is printed in red and is positioned between handwritten words and numbers.

Pedro J. Gonzalez writing to the executive committee of XEAU. A date and address are printed above a wide column of paragraphed text that ends above multiple lines of handwriting. The address porton of the letters is marked over with red ink.

Letter from Pedro J. Gonzalez to Sindicato Nacional de locutores de la republica Mexicana. Multiple short lines of text are printed above a column of paragraphs, which continues onto the doument's back. A signature has been marked in red ink below the end of the text column.

Letter from Pedro J. Gonzalez to Junta Federal Permanente de Conciliacion Numero Uno. A wide column of paragraphed text is printed below two narrower paragraphs. A stamped mark and a signature sit above the bottom edge of the page.

Legal agreement document between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). The first page is titled "Agreement" and has two introductory paragraphs followed by a single wide column of text containing two paragraphs numbered "1" and "2." The paragraph labeled "2" continues onto a second page and is followed by a paragraph numbered as "3" and a finishing statement containing a date. Gonzalez's and Artenstein's signatures sit at the bottom of the page.

Legal assignment between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). At the top of the page is the title "Assignment" followed by an introductory paragraph and three paragraphs numbered "1," 2," and "3." At the bottom of the page is a closing statement containing a date, below which is Gonzalez's signature.

A Star-News article titled "San Ysidro man hears his unsung ballad." The title is printed above five columns of text that fill the space between two photographs, one depicting a man seated in front of photos while the other shows a man sitting behind a hat and holding a guitar. An ad for donuts holes and a number for Star-News Circulation are printed in the newspaper's bottom right corner.

Letter from Pedro J. Gonzalez to Joaquin Aguilar Robles. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column. The wide column of text continues onto the back of the letter and ends above a signature. A few lines of text further down the page include multiple names.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, which has a signature near its bottom edge.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A line of text is handwritten in red ink above a long, curving title printed above small lines of text and a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a line of handwriting. The wider column of text continues onto the back side of the page, ending above a signature.

Photograph of the San Francisco Square (Plaza de San Francisco) in Quito, Ecuador. A large number of people can be seen walking amongst the plaza. The Church of the Society of Jesus (Iglesia de la Compañía de Jesús) is visible in the background. A water fountain is present in the square. White buildings with brown roofing surround the plaza.

Photograph of the Independence Square (Plaza de la Independencia) in Quito, Ecuador. The plaza is also known as the "Plaza Grande." The plaza has greenery throughout, benches and the Independence Monument (Monumento a la Independencia). The Carondelet Palace (Palacio de Carondelet) can be seen in the background on the left while the Hotel Plaza Grande is on the right.

Photograph of a street in Quito, Ecuador. A row of cars are parked on the right side of the street. A large number of buildings line the street and are also present in the background. The El Panecillo hill can be seen in the distance along with the Virgin of El Panecillo monument at the top of the hill.

Photograph of the Church of San Francisco (Iglesia de San Francisco) in Quito, Ecuador. The church is also known as the Basilica and Convent of San Francisco (Iglesia y Convento de San Francisco). The church is located on the San Francisco Square (Plaza de San Francisco) in the historic center of the city. A large number of people can be seen standing near the church and amongst the plaza.

Photograph of the Round Street (Calle La Ronda) in Quito, Ecuador. The "Calle La Ronda" is a cobblestone alley with historic buildings along both sides. A small bridge can be seen at the end of the street which stretches above and across the street. People are walking down the street.

Photograph of a street and the Church of the Society of Jesus (Iglesia de la Compañía de Jesús) in Quito, Ecuador. The façade of the church can be seen on the opposite side of the street. A traffic agent is standing on the right in uniform behind a Camel cigarettes advertisement.