Photograph of the Austrian Academy of Sciences in Vienna, Austria. A doorway is visible in the foreground. A carved stone head and garland sit above the doorway. The right door is open and leads down a dark hallway with lights visible in the background. The academy was designed by the architect Jean-Nicolas Jadot de Ville Issey.

Photograph of a doorway in Vienna, Austria. In the foreground, doorway number three is visible; a figure immersed in shadow is visible through the open door. Ornate carvings frame the top of the doorway.

Photograph of St. Peter's Church in Vienna, Austria. The church is visible in the foreground. The church has a dome roof and two bell towers.

Photograph of the interior of the Jesuit Church in Vienna, Austria. An ornate window is visible in the foreground. The window is encased in green marble with gold painted highlights on a white marble wall. A pink curtain is visible through the window. The church is located on the Dr. Ignaz Seipel-Platz.

Photograph of a streetscape in Vienna, Austria. In the foreground, numerous shop signs and blue cafe umbrellas are visible; orange umbrellas are visible in the middle ground; more buildings and a sculpture in scaffolding are visible in the background.

Photograph of the Andromeda Fountain in the courtyard of the old town hall in Vienna, Austria. The fountain sits in the center foreground of the image. The fountain is inset into the building exterior. The bronze figure of Andromeda was created by the sculptor Georg Raphael Donner.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

Photograph of a Henry Moore sculpture in Rotterdam, Netherlands. In the foreground, the sculpture sits on a concrete pedestal; trees, grass, and other sculptures are visible in the background. The photograph was taken in the Het Park during the Floriade Festival.

Photograph of a Henry Moore sculpture in Rotterdam, Netherlands. In the foreground, the sculpture and a tree stand in front of a hedge; rows of tall trees are visible in the background. The photograph was taken in the Het Park during the Floriade Festival.

Photograph of a Georg Kolbe sculpture in Rotterdam, Netherlands. In the foreground, the sculpture is positioned on a grassy bank by a canal; the canal and trees are visible in the background. The photograph was taken in the Het Park during the Floriade Festival.

Video recording featuring guest panelists, Bridget R. Cooks, Ph.D., Omari Souza, and Wesley Taylor, this fourth installment of the 2044 series frames Afrofuturism and futurist thinking as a means for exploring the practices of design and museum curation as well as implications for art/design pedagogy. The panelists explore and discuss how hegemony is perpetuated, sharing the ways in which they decolonize within their curricula and pedagogy, as well as practice anti-racism in their work to reimagine risk or resist classification. While design institutions perpetuate neoliberalist ideals and language and teach under the paradigm of design for consumption, art/design education has the capacity to make a great impact by embracing the power of art and design to imagine alternative futures. The speakers also discuss important issues of cultural ethics, including copyright and appropriation, protections, and speaking up for community.

Data management plan for the grant, "UNT Texas Fashion Collection: Assessment and Preservation Training."