This is a traditional narrative about an orphan boy who finds treasure inside a gourd and becomes rich. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording.

This is a description of marriage customs. Both families send 'go-betweens' to mediate the agreement and discuss dowry. For the ceremony, the bride passes through a bundle of reeds, and a gift called "geumbang siya" is given. Sometimes, there are other gifts as well, and a feast. If someone cannot pay the dowry, elders may allow them to pay something later, at a time when they can afford it. He also describes the different practices of groups in surrounding areas, and compares traditional marriage customs to current ones affected by Christian influence. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording.

This is a narrative about how people started building houses after the world was flooded. They watched animals build their houses, like wild boars and birds, and then collected the tools and materials to build houses. Then, they blessed the house.

This is a narrative about how the Vzeu (Azeu) dance originated, recorded in Myitkyina. The Vzeu dance started when people wanted to express gratitude, so they imitated the butterflies and eagles. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording. He also briefly describes the different beliefs and dances of groups in surrounding areas.

This is a description of the rivers and streams near Dukdang, Putao, and others in surrounding areas. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety. He lists the names of different rivers, and describes where they meet, and what roads or villages are near them.

This is a description of the mountains near Dukdang, Putao, and others in surrounding areas. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety. He lists the mountains, and the groups that live in those areas. He tells which mountains have roads nearby, and how some have changed names over time.

This is a description of marriage customs. Both families send 'go-betweens' to mediate the agreement and discuss dowry. For the ceremony, the bride passes through a bundle of reeds, and a gift called "geumbang siya" is given. Sometimes, there are other gifts as well, and a feast. If someone cannot pay the dowry, elders may allow them to pay something later, at a time when they can afford it. He also describes the different practices of groups in surrounding areas, and compares traditional marriage customs to current ones affected by Christian influence. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording.

This is a narrative about how the Vzeu dance originated, recorded in Myitkyina. The Vzeu dance started when people wanted to express gratitude, so they imitated the butterflies and eagles. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording. He also briefly describes the different beliefs and dances of groups in surrounding areas.

This is a narrative about how people started building houses after the world was flooded. They watched animals build their houses, like wild boars and birds, and then collected the tools and materials to build houses. Then, they blessed the house.

This is a monologue about the teachings of elders. He warns that people need to think carefully before judging. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety.

Charangching dancers performing as the female and male are about to split into two directions. The women dance circling the male dancers in this section during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen-Khunkha 2006.

Young female dancers displaying their dresses and ornaments during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun -LKK at Charangching Khullen-Khunkha 2006.

Leipungtampak dancers dancing in the presence of the invited guests during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen-Khunkha 2006.

Leipungtampak Dancers performing during the first Seminar on Culture and Origin of the Lamkangs, organized by the Lamkang Kurchuknao Kunpun-LKK, at Charangching Khullen-khunkha Village 2006, Chandel District, Manipur, India.

A young female dancer in traditional dress and ornaments describing them by Suungnem Bunghon and Khular Tony for documenting purposes during the seminar on Culture and Origin of the Lamkangs at Charangching Khunkha 2006.

Photograph of Lamkang traditional dancers a lead dancer called lamber ksuu is leading the dancers to take the Saa K'aai steps performed during the Lamkang Kurchuknao Kunpun Conference 2006 at Charangching Khulllen.

Lamber Ksuu leading the dancers performing in the presence of the invited guests during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen-Khunkha 2006.

Charangching dancers performing during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen-Khunkha 2006.

Tony Khular, explaining about the Thlumthler, during the seminar on Culture and Origin of the Lamkangs at Charanching organized by the Lamkang Kurchuknao Kunpun in 2006.

Dancers posing for picture with the invited guest during the first Seminar on Culture and Origin of the Lamkangs, organized by the Lamkang Kurchuknao Kunpun-LKK, at Charangching Khullen-khunkha Village 2006, Chandel District, Manipur, India.

Photograph of Men's ornaments Vori -the bigger strap of cowrie shells worn in two sides; white necklace called "ardei kpol"; red necklaces known as "ardei ksen"

Expert Women joining the dance with the dancers during the first Seminar on the "Culture and Origin of the Lamkangs" organized by Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen 2006.

Dancers with guest dancing during the first Seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khunkha, Chandel district, Manipur, India.

Charangching dancers performing reel ruu kardaam during the first seminar on Culture and Origin of the Lamkangs organized by the Lamkang Kurchuknao Kunpun-LKK at Charangching Khullen-Khunkha 2006.