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Goya's Los Caprichos: An Enlightened Bestiary
This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Date:
April 14, 2011
Creator:
Thompson, Julie & Donahue-Wallace, Kelly, 1968-
System:
The UNT Digital Library
Francisco de Goya and the Mirror's Reflection
In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work.
Date:
April 14, 2011
Creator:
Blanco, Andrea & Donahue-Wallace, Kelly, 1968-
System:
The UNT Digital Library
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere
This paper discusses research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The author's research examines the social context throughout Rome during the medieval era, the status of prostitution, spatial analysis of Trastevere, and the inevitable entrance of promiscuity through the Santa Maria Basilica in Trastevere.
Date:
April 14, 2011
Creator:
Camp, Briana & Baxter, Denise Amy
System:
The UNT Digital Library
Enlightening Industry: Goya, Allegory and Women at Work
This paper discusses research on Francisco de Goya's painting, Allegory of Industry, 1797-1802.
Date:
April 14, 2011
Creator:
DePetris, Kathrine & Donahue-Wallace, Kelly, 1968-
System:
The UNT Digital Library
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment
This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment.
Date:
April 14, 2011
Creator:
Thompson, Shana; Hopkins, Caitlin; England, Erin & Donahue-Wallace, Kelly, 1968-
System:
The UNT Digital Library
A King's Decapitation
This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.
Date:
April 14, 2011
Creator:
Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
System:
The UNT Digital Library
Goya's Fantastic Vision of Madness
This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Date:
April 14, 2011
Creator:
Prater, Paige & Abel, Mickey S.
System:
The UNT Digital Library