Three Units is a symphony in three movements: fast-slow-fast. The general shape or large form of each unit is noticeably different from its counterparts, although all three exhibit a common feature: an evolutionary process in which one or more musical genres form the basis for the entire movement.

This quartet is comprised of two wind instruments, flute and clarinet, and two stringed instruments, violin and violoncello. This unusual combination affords a wide variety of colors in both melody and chord-voicing that are impossible with an "unmixed" quartet.

The purpose of this thesis is to consider three opposing statements regarding aesthetics in our popular culture. The first statement is that the youth of this age are demolishing the old standards of aesthetic taste and are creating a nonaesthetic; the second statement is that the youth are enlarging the vision and scope of the accepted standard of aesthetic and changing its direction; the thrid statement is that the creations of the youth in our popular culture of today are neither new nor nonaesthetic, but merely a continuation of aesthetics as they are accepted. One statement will be chosen as the most valid of the three.

The use of fantasy by the artists of the period 1250-1650 A.D. will be discussed under five categories. 1. Fantasy was used by artists in religious paintings, which served as a visual book to be viewed by the people. The artist used fantasy to show or illustrate events or miracles which could not be logically explained. 2. Fantasy was used by the artists to portray Greek and Roman mythological subjects and events. 3. Fantasy was used by the artists to present allegorical figures and ideas. 4. Fantasy was used to illustrated dreams or visions. 5. Finally, fantasy was used to create and present all kinds of fantastic creatures and monsters of the subconscious or dream world.

The aim of this study is to seek to determine the philosophic grounds which prompt this painter in particular to incorporate both two- and three-dimensional space within each painting.

As its objective this study develops a modus operandi for the interior designer who must understand and work with both additively and subtractively mixed colors in constructing interior color schemes.

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The opera, The Pilgrim's Progress, was written by Ralph Vaughan Williams in 1949. "The Seven Songs" are analyzed for performance, examining the elements of music and text of the songs, including melody, harmony, form, vocal line and accompaniment, with the intent of forming conclusions in regard to their usefulness as singular selections, or as a group, for performance.