This study is an attempt to clarify whether Cuba and Yugoslavia adhere to the role expectations of the nonaligned movement. Chapter I introduces the criteria for nonalignment which are also considered as the role expectations for members of the nonaligned movement. Chapter II focuses on whether Cuba and Yugoslavia do fulfill the role expectations of the nonaligned movement. Chapter III discusses the voting behavior of Cuba and Yugoslavia on issues important to the nonaligned movement in the United Nations' General Assembly. Chapter IV concludes this study with the major finding that Yugoslavia adheres strictly to the role expectations of the nonaligned movement while Cuba's nonaligned status is questionable.

The purpose of this study is to demonstrate that international legal considerations played a vital role in the Cuban Missile Crisis All major areas of legal considerations are discussed, including both an American and Soviet perspective. An analysis of the American approach to the crisis exemplifies the participation of various departments of the Executive )branch, Congress, the Executive Committee of the National Security Council, and the President. The approach by the Soviet Union in justifying the deployment of offensive nuclear weapons and the Kremlin's objection to the U. S. quarantine of Cuba were influenced by legal considerations. The time period that this study encompasses is August 1962 through October 1962, a period much'longer than is usually associated with the crisis.

This thesis relates the expeditions of General Narcio Lopez in 1850-1851, and the influence he had in the southern United States.

This thesis describes the Cuban revolt of 1868-1878 and the interest it caused in the United States.

A large portion of the standard repertoire for saxophone and piano has already been recorded and performed many times and has received significant scholarly study. For a performer, remaining relevant requires learning and performing new compositions. Jorge Sosa and Andrés Alén are both accomplished composers, yet outside of the Latin-American community they remain virtually unknown to most saxophonists. This project serves as an introduction to both composers. Combined, Sosa and Alén have nine compositions for saxophone. Their works include saxophone quartets, saxophone and piano, and saxophone quartet with choir. This study focuses on three compositions: La Zacapaneca by Sosa, Tema con Variaciones and Sonata para Clarinete ó Saxofón Soprano y Piano, both by Alén. Compositional background information is given about each composition to include date of composition, premiers, important recordings, length of performance and Cuban ethnic and traditional elements used as the basis for rhythmic and thematic ideas. The Cuban and Afro-Cuban influences are explained in further detail pertaining to how they were used in the construction of the works and in their being performed stylistically correctly. Dynamics, articulations, and performance considerations are studied at length.

This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.