The purpose of this project was to design a values package to create awareness and understanding for seventh grade students in the value system so as to achieve a more complementary classroom atmosphere. The value system is a new concept based on Clare Graves' seven levels of psychological existence: Reactive, Tribalistic, Egocentric, Conformist, Manipulative, Sociocentric, Existential. In addition, the package was designed to integrate the affective and cognitive levels of learning into an experimental learning situation. The package included written material, games, and activities which are all designed to create self-awareness and maintain relevancy for the students.

The purpose of this study was to determine the various values that influence police officers within law enforcement organizations. The value systems (Tribalistic, Egocentric, Conformist, Manipulative, Sociocentric, and Existential) were based on the "Levels of Psychological Existence" developed by Clare W. Graves. A values test instrument was administered to 297 police officers. Specific hypotheses regarding value differences in law enforcement groups were tested. The results were significant in the areas of Existentialism and higher personal education; Sociocentrism and older age, male sex, detective rank group; Manipulation and younger age, male sex, officer rank group; Conformitism and longer police service, female sex, married officers; and, Tribalism and longer police service, female sex, less personal education.

This paper reports on the comparison of the performance of fourteen normal hearing listeners and fourteen individuals with sensorineural hearing loss on the Synthetic Sentence Identification (SSI) and the Northwestern Auditory Test No. 6 (NU 6) in order to determine whether there are differences in performance of the two groups of listeners on the SSI and NU 6 and whether either test better reflects aided improvement and residual deficit. Both measures demonstrated significant aided improvement. The results of this study do not suggest a single best discrimination test which can reflect a real-life listening situation. The primary consideration in the hearing aid evaluation is flexibility in determining the appropriate level for the primary signal and the listening conditions.

The purpose of the study was to compile a catalog of two sections: (1) a comprehensive, alphabetic, annotated list of North Texas State University (NTSU) Library films (the general catalog); and (2) a classified and cross-referenced film and broadcasting filmography of NTSU Library films. The catalog represents all films available for distribution from the NTSU Library as of July, 1976. The cataloging and compilation process is described. An analysis is made of the NTSU Library film collection. The titles of 13 films are recommended for addition to the collection.

This study sets forth events surrounding a law suit filed by Red Lion Broadcasting Co. against the Federal Communications Commission and the Democratic National Committee in 1965. The study found these events were major factors in the decision by John M. Norris, president and owner of Red Lion, to pursue his objection to the FCC's Fairness Doctrine to the U.S. Supreme Court, resulting in the court's landmark decision in Red Lion vs. FCC (1969). Research methodology combined techniques of historical research and case study. On-site research of company records, personal letters and records are included as primary sources.

This study investigates how television coverage of the 1968 Democratic National Convention largely determined the negative public impression of the convention and its candidate. The coverage had a definite effect on the workings of the convention through the images and information it conveyed to the delegates. The coverage also shaped the broadcast picture of the event by linking the convention to the violence in the streets.

The purpose of this study was to determine the correlation between the Values for Working Test and the Personal Orientation Inventory. Both instruments were administered to the same group of 232 employed individuals. Stepwise multiple linear regression with analysis of variance was the statistical procedure employed. The resulting correlations were high enough to determine directionality and order of selection. The data indicates much support for Clare Graves' theory of value systems. Additional research is needed to further validate the Values for Working Test.

The study begins with an overview of the 1948 political situation, followed by the evaluation of Truman's use of ethical appeal using criteria developed by Thonssen, Baird, and Braden. Each of their three constituents of ethical appeal--character, sagacity, and good will--is applied to four speeches. Results of the analysis establish that Truman utilized a strong ethical appeal during the campaign. Conclusions are that his use of ethical appeal probably had a significant effect on the voters of America. Regardless of the quality of his use of pathos or logos, a less capable use of ethical appeal would probably have had a fatal effect on his campaign.

This oral interpretation thesis describes and analyzes Chamber Theatre as a technique for the presentation and critical understanding of narrative prose. Arthur Schnitzler and his work are analyzed, and his short story, "The Blind Geronimo and His Brother," is adapted to Chamber Theatre script form. It was discovered that Schnitzler's work is well suited to and would probably benefit from Chamber Theatre productions.

This study examined gender and self-monitoring as separate and interacting variables predicting judgmental accuracy on the part of observers of facial expressions of emotional categories. The main and interaction effects failed to reach significant levels during the preliminary analysis. However, post hoc analyses demonstrated a significant encoder sex variable. Female encoders of emotion were judged more accurately by both sexes. Additionally, when the stimulus was limited to female enactments of emotional categories, the hypothesized main and interaction effects reached significant F levels. This study utilized 100 observers and 10 encoders of seven emotional categories. Methodological considerations and alternatives are examined at length.

In 1971, radio station KGBS, Los Angeles, developed a format featuring a male host taking telephone calls from females only who discussed explicit sexual experiences over the air. Many other radio stations in the United States programmed this "sex-talk" format until 1973, when the Federal Communications Commission took steps to eliminate it. This study examines the origin, development, success, causes for eventual demise, and impact upon the broadcasting industry of the sex-talk format. The United States Congress pressured the FCC to act on the sex-talk format, and the study concludes that broadcasters would not have succumbed to government pressure if they had not feared governmental intrusion in programming and Congressional rejection of license renewal legislation.

This study investigates the use of oral interpretation in social contexts. The context chosen was a community corrections program which provides education and employment assistance to adults on probation in Denton County, Texas. A solo interpretation script was incorporated into a public awareness presentation about the Denton County Probationer Education and Employment Program. The presentation was presented to a pilot audience to test the effectiveness of combining oral interpretation with public speaking to inform audiences about and elicit support for community corrections. It was determined that integrating an interpretative performance into an informational presentation is an effective method of employing oral interpretation outside the classroom and expanding its rhetorical dimensions.

This study sought to discover how Kuan Han-Ch'ing portrayed the Yuan Dynasty (1280-1368 A.D.) and the Confucian view of women by means of the characterization in Kuan's plays. Eight female characters, three male public officials, and three male villains were selected for study. It was discovered that Kuan portrayed the ordinary people of his time with outstanding skill; that the characters selected for study provided ways of life contrary to Confucianism, the prevailing philosophy; that Kuan's characterization satirized the Mongol ruling class; and that Kuan depicted women more favorably than Confucian philosophy would have allowed.

It was the purpose of this thesis to write an original script especially designed for Readers Theatre and to direct and produce that script for public performance. The thesis consists of an introduction which includes background material, a review of the literature concerning Readers Theatre, and the problems of writing an original script. The thesis includes the script as well as an evaluation of the attendant problems concerning the direction and production.

This work is an effort to investigate the relationship between Albert Camus' philosophic concepts of the absurd presented in "The Myth of Sisyphus" and the Absurdist Theatre as defined by Martin Esslin. Included in this thesis is a discussion of each of the above concepts. Focus is placed upon the characteristics of the Absurdist Theatre which constitute the basis for the label "Absurdity." The conclusion indicates that while the playwright's personal experiences and philosophies correspond to Camus', their plays fail to communicate or express that concept of absurdity satisfactorily. The major emphasis is on the lack of concrete reality used to communicate a concept based upon concrete reality.

The purpose of this study was to determine whether the themes and values represented in lyrics of progressive country music are significantly different from those of traditional country music. Content analytical techniques were used to determine, first, themes and, second, attitudes reflected in those themes in each type of song. The chi square test of independence was u-ilized, and a difference significant to the .05 level was found between themes and attitudes of lyrics in the two song types.

The purpose of this study is to illustrate the power image of Henry James's female protagonists through a Readers Theatre adaptation of his novels, Daisy Miller, The Wings of the Dove, and The Portrait of a Lady. Chapter I includes an introduction and defines the purpose of the thesis. Chapter II briefly examines biographical information on James. Chapter III includes the analysis of the three selected novels in relation to preparation of a performance based script for Readers Theatre. In the Appendix is the Readers Theatre script with the inclusive transition and introductory material. The illustration of a typical Jamesian woman reveals a philosophic view of the human possibilities in freedom, power, and the destructive elements that limit an independent spirit.