Newspaper clipping discussing the details of a $1000 Graduate Scholarship grant for professional women to study engineering with a specialization in aeronautics.

Newspaper clipping about the University of Nevada backing out of the Salad Bowl because they didn't want to face the "unknown" team of the North Texas Eagles, 1947.

Clipping describing pecans for sale.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, No. 36, a curly auburn-haired woman ankle-deep in a lily pond is startled by a jumping frog. On the facing page, a tall slender woman fixes her hat in front of a vanity table with a slightly open drawer. She is admiring herself wearing undergarments, a summer bonnet, and red heels.

Newspaper clipping of an article advertising a homecoming celebration for all "former graduates and teachers of Haslet High School." The last sentence says that the following school year "the school will become part of a consolidated district with Justin and Rhome."

Page from Esquire magazine featuring illustrations of women and descriptive text. A single page pin-up doll of a blonde showgirl in a black and turquoise costume including gloves, bloomers, corset, and feathered train. The following page is an excerpt of text discussing the nature of jiggling.

Page from True Magazine featuring an illustration of a Petty Girl followed by a reproduction of an Audubon bird print [Osprey/ Fish Hawk, plate 81]. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring illustrations of Petty Girls followed by a wildlife painting by John Whorf of a man in a boat duck hunting. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring an illustration of a Petty Girl followed by a printed reproduction of a painting by American watercolorist, Hardie Gramatky of a group of sailboats. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Newspaper clipping of an article about Dr. May Owen's election as President of the Tarrant County Medical Society. The article discusses Dr. Owen's physical appearance, her qualifications in medicine, and the respect other physicians hold for her.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, No.39, a curvaceous blonde Christmas chorus girl poses in a peppermint stripe costume. The outfit includes a large red hat, ruffled bustle, tights, and prop umbrella. On the facing page, a petite blonde poses in a short sheer and lace black dress with pink accents and coordinating pink slippers.

Page from True magazine featuring an illustration of a Petty Girl followed by a reproduction print of a painting of the Chigaco Cubs winning a baseball game. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Newspaper clipping from the Cross Country News, a newspaper for civilian aviation, discussing flying activity in New Mexico, including Herman Fuchs and his aerial hunting. On the back is a piece discussing flying license suspensions and revocations.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, No. 47, a blonde gardener with wavy hair collects colorful daisies using her skirt and wheelbarrow. She is wearing a sun hat, a pink and blue dress, and work gloves. The image also includes a watering can and pruners in the foreground. The facing page, No. 48, shows a masked fencer in a yellow and white uniform. The model's blonde hair is tied back away from her face and she is holding a practice foil to her right side

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, No. 50, a smiling blonde woman with her hair in two braids stands next to a burning fireplace revealing her legs to warm herself. The description immediately below makes reference to the vestal virgins of Rome, the goddess Hestia, and women's connection to pagan traditions. On the facing page, a self-assured woman wearing a black evening gown and pink gloves walks upstairs side eying away from the viewer. The description wonders about the idea of calm and reserved women.

Clipping of an article from Collier's magazine discussing the lack of opportunities available to female pilots. The back of the first clipping includes ads for Burgess Batteries, Wigwam Socks, and X-Pandotite and the conclusion of an article. The back of the second clipping includes an illustration of a large 8-ball with a sign stating "Harry Doesn't Live Here Any More" and text of an article.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, a black-haired woman lays seductively on a leopard-skin wearing a matching top and bottom with red lipstick and nail polish. The description discusses the leopard in regards to women's fashion and behavior throughout history. On the facing page, a woman in a black riding habit and boots lays sprawled on the ground in shock holding her riding crop in her right hand.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, no. 52, a blonde woman sits cross-legged on the floor surrounded by tea and sewing supplies. She is following a magazine to embellish a straw garden hat with flowers, which she is holding up to examine intently. On the facing page, a dialogue between a model wearing a swimsuit and a man wearing a tan suit is taking place on a photo shoot set. The two individuals are surrounded by lights, chairs, and film cameras.

A single front and back page from the August edition of Esquire Magazine 1947. The page features theatrical and dance-themed pin-ups by Fritz Willis and Joe De, Mers followed by small paragraphs of descriptive text at the bottom of each printed illustration.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, no. 57, a blonde woman considers her knitting project, which she holds up to her waist with the excess yarn around her chest. She stands in front of a chair that has her clothes on it and next to her knitting bag. Description references Ralph Waldo Emerson and the virtue of young women doing older woman's hobbies. On the facing page, an actress prepares her makeup for a show. She is seen kneeling on a chair in front of a lit mirror and vanity in purple underwear and tights.

Page from True Magazine featuring an illustration of a Petty Girl and descriptive text reading " There's something wrong with this line... a man called and didn't try to date me!" followed by a reproductive print of a painting depicting a man fishing a mountain lake. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Newspaper clipping featuring an article wishing former Senator W. J. Bryan a happy birthday and recounting his life accomplishments. Another article is published in the clipping recounting thoughts on war and death from statistician writer Roger W. Babson. Partial ads are printed on the back.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, a blonde woman by Al Moore poses in a bikini on a pattern of purple zebra stripes. On the facing page by Fritz Willis, the blonde model is surrounded by a whirl of autumn leaves that expose her legs and underwear.

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, a barefoot woman feigns surprise in a blue and pink matching two-piece with a large straw sunhat. On the facing page, a blonde showgirl is seen studying and smoking a cigarette backstage in costume. Image No. 80 is a unique collaboration between Joe De Mers and Fritz Willis.