Clipping describing the case for a relocation of the University of Texas Medical Branch from Galveston to Austin.

Clipping from The New York Times describing the life of Cordell Hull and his service as the longest Secretary of State in U.S. History.

Clipping describing a Marine Corps Corporal who lost his life on Iwo Island and Committees of the Four Commissions of the United Nations.

Clipping describing a statement from Dr. Chauncey D. Leake, dean of the medical school in Galveston, declaring that it would be a lost investment if the medical school is moved from Galveston.

Clipping describing the importance of the University of Texas Medical Branch to Galveston and the public's reaction to the proposed relocation.

Clipping describing the substantial amount of progress made by the University of Texas Medical Branch and the praise for that by Dr. Walter C. Alvarez.

Clipping describing a recent visit to the Medical Branch of the University of Texas in Galveston, and Lt. Gov Smith's proposal of a second state medical college.

Clipping from the Austin American describing the unsanitary conditions in buildings compromising the John Sealy hospital, without any future repairs being prepared for by the Board of Regents of UT.

Clipping from the Austin American describing "preceptorships", sending senior students to private hospitals to work for them.

Clipping describing the Rainey-Regents dispute and a comment by a "student committee for the defense of the University of Texas".

Clipping describing the recent budgetary proposals in the Texas Legislature, and a national proposal to cap the federal income tax.

Clipping from the Galveston News describing the recent passage of the Mauritz resolution, and the disapproval of the amendment due to its vague wording and the possibility of a statewide fight for a relocation of the University of Texas Medical Branch.

Page from Esquire magazine featuring illustrations of women and descriptive text. Two pages of 1/4 page illustrations featuring famous actresses and models from the 1940s and early 1950s done by various artists in their unique style. From left to right, Arleen Whelan [1916-1993], Carole Landis [1919-1948], Lubow Roudenko [note misspelling within the material: correct name:Lubov Roudenko] [1915-2020], Toni Seven [1922-1991], Jane Russel [1921-2011], Rita Hayworth [1918-1987], Betty Grable [1916-1973] and Mary Howard [1913-2009].

Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, an Al Moore Esquire girl admires her reflection after opening a new hat paired with a verse by Phil Stack. On the facing page is a black and white photo of an anonymous dark-haired model "Mademoiselle" photographed by Roger Coster.

Clipping from a newspaper article about Ernie Pyle, a war correspondent, following his death.

Newspaper clipping discussing Earl Yates, Jr. being awarded the Combat Infantryman Badge due to his "participation in combat against the enemy with the Fifth Army in Italy." The article goes on to describe the appearance of the award itself.

Newspaper clipping of an article entitled: "Bronze Star is Awarded to Vet for War Exploits." The article says that Hewitt C. Laird won the Bronze Star for "heroic achievement" during World War II in Germany. The photograph shows Captain John R. Beneventi attaching the medal to Laird's chest.

A page spread from True magazine featuring an illustration of a blonde Petty Girl paired with the text "Oh, General, I bet you tell that to all the spies!" followed by a page of illustrations and descriptive text on winter fashion for men by Pachner. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

A page spread from True magazine featuring a Petty Girl illustration paired with the descriptive text " My lawyer wants me to change the charge from desertion to insanity" followed by a spread featuring illustrations by Pachner and descriptive text on chromatic color in men's fashion. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring a Petty Girl illustration of a dark-haired woman in a red body suit followed by a reproduction print of an unsigned gouchae painting. The painting is a nature scene featuring a hawk, squirrel, and deer. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring a Petty Girl illustration, followed by a secondary page of a print of the famous image of Marine soldiers raising the flag at Iwo Jima. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and a woman holding a telephone.