Two family names have come to be associated with the violence that plagued Colorado County, Texas, for decades after the end of the Civil War: the Townsends and the Staffords. Both prominent families amassed wealth and achieved status, but it was their resolve to hold on to both, by whatever means necessary, including extra-legal means, that sparked the feud. Elected office was one of the paths to success, but more important was control of the sheriff’s office, which gave one a decided advantage should the threat of gun violence arise. No Hope for Heaven, No Fear of Hell concentrates on those individual acts of private justice associated with the Stafford and Townsend families. It began with an 1871 shootout in Columbus, followed by the deaths of the Stafford brothers in 1890. The second phase blossomed after 1898 with the assassination of Larkin Hope, and concluded in 1911 with the violent deaths of Marion Hope, Jim Townsend, and Will Clements, all in the space of one month. The contents include: The murders of Bob and John Stafford at the hands of Larkin and Marion Hope -- The seven Townsend brothers (and one sister) of Texas -- Robert Earl Stafford -- The …

In Sutherland Springs, Texas, Richard B. McCaslin explores the rise and fall of this rural community near San Antonio primarily through the lens of its aspirations to become a resort spa town, because of its mineral water springs, around the turn of the twentieth century. Texas real estate developers, initially more interested in oil, brought Sutherland Springs to its peak as a resort in the early twentieth century, but failed to transform the farming settlement into a resort town. The decline in water tables during the late twentieth century reduced the mineral water flows, and the town faded. Sutherland Springs’s history thus provides great insights into the importance of water in shaping settlement. Beyond the story of resort spa aspirations lies a history of the community and its people itself. McCaslin provides a complete history of Sutherland Springs from early settlement through Civil War and into the twentieth century, its agricultural and oil-drilling exploits alongside its mineral water appeal, as well as a complete community history of the various settlers and owners of the springs/hotel. The contents include: Setting a pattern -- Losing a generation -- Another start uphill -- Building new Sutherland Springs -- Century of decline -- Endnotes.

Adolphe Gouhenant tells the story of artist, revolutionary, and early North Texas resident Francois Ignace (Adolphe) Gouhenant (1804-1871). Gouhenant was selected by well-known Icarian communist Etienne Cabet to lead an advance guard from France to settle a utopian colony in North Texas. The community, beset by hardships, ultimately scapegoated Gouhenant, accused him of being a French agent, and expelled him. He then journeyed first to Fort Worth to teach the federal soldiers French and art, and next to Dallas, where he founded the town’s first arts establishment in the 1850s. Gouhenant set up shop as a daguerreotypist and photographed the town’s early residents. His Arts Saloon was the scene of many exhibitions and dances but ultimately became the high stake in a nasty battle among Dallas’s leading citizens, setting legal precedent for Texas homestead law.