This article uses fieldwork and the concept of relative aging to argue that the system of canals within the Vendee region of western France were begun in the tenth and eleventh centuries in conjunction with the Maillezais Abbey relocation and rebuilding.

This article uses a mapping project to examine the relationship between a small set of chapels in close proximity to defensive fortresses along the upper Duero in the region of Soria.

This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.

This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.

This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.

This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.

This article centers two fabric assemblage pieces the author created in response to the Black Lives Matter protests of the summer 2020.

This article presents a duoethnographic, critical arts-based research project, which began as a pre-recorded, on-demand presentation for the 2021 National Art Education Association Annual Convention. This is an edited, expanded print version of the authors' conference session examining hair as text and sites of identity/respectability politics, positionality, rites of passage, liminality, and selfhood.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

This article examines the apparel and shopping preferences of mature women in America.

Article reflecting on over ten years of conducting and collecting interviews with and by women artists of African descent in a variety of formats (e.g. narrative arts writing, academic research and documentary film/video) to note the specific ways that artists’ interviews help to rewrite art-historical narratives.

This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

This article provides retrospective insight on incorporating geographic information systems into medieval studies research.

This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.

Article accompanying the Proceedings of HCI 2011 The 25th BCS Conference on Human Computer Interaction. This paper explores the World Wide Web's effect on the Google Generation/those born after 1993.

Article is an introduction to Artnodes issue No. 26, “AI, Arts & Design: Questioning Learning Machines" which addresses the question: Does generative and machine creativity in the arts and design represent an evolution of “artistic intelligence,” or is it a metamorphosis of creative practice yielding fundamentally distinct forms and modes of authorship?

Works of art on Toned cyanotype on dyed fabric, porcelain by artist Aaron Pozos (Installation view) as part of a 2022 MFA exhibition, entitled "Bellows of the Beast" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 30 to April 2, 2022.