Paper explores the imagery and text coded with implications of the United States’ social dominance over Mexico in Hubert Howe Bancroft XVI's accounts of Texas history.

Paper explores how the Texas Centennial Exposition in 1936 was used to build the mythology of a unified Texas identity and history.

Introduction to the special section on art history in the 2009 edition of The Eagle Feather.

Introduction to the special section on art history in the 2005 edition of The Eagle Feather.

Introduction to the special section on art history in the 2010 edition of The Eagle Feather.

Introduction to the special section on art history featured in the 2011 edition of The Eagle Feather.

Paper explores the relationship between artwork created during the Renaissance in Italy and in New Spain 150 years later.

Paper explores how text and diction used in eighteenth-century British print culture, specifically street ballads and court cases, acted as active agents of negative attitudes towards homosexuals, or "Mollies".

Introduction to the special section on art history featured in the 2012 edition of The Eagle Feather.

Paper discusses how Candy Jernigan Blood of a Vagrant uses the mixture of text, photography, and collage to explore remembrance of a subject that could otherwise remain anonymous.

Paper examines the evolution and transformation of Buddhism in different cultures by focusing on the example of Avalokiteśvara, a Bodhisattva traditionally depicted as a man who was eventually depicted as Kuan-yin, a woman, once fully transitioned into Chinese Mahāyāna Buddhism.

Paper examines the history of women printmakers from an interdisciplinary perspective, identifying printmaking as an area of the humanities, while arguing for the benefits of this perspective for future research on the topic.

Paper examines the meaning of Christian church bells as a symbol of power in medieval Spain.

Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.

Paper discusses the 1937 National Socialist exhibition “Entartete Kunst,” (Degenerate Art) and the ways it influenced the German public’s perceptions of the art displayed, as well as the cultural memory of modern art in general.

Paper closely examines images and text in Mexico of To-day by Solomon Bulkley Griffin and discusses how the book demonstrates the United States' attitude towards Mexico during the late nineteenth century.

Paper explores refugee representations in the 1950s of non-western/World War II in American media, specifically “smaller circulation” media - local newspapers, academic studies, and governmental documents.

Paper explores why the United States, and in particular Texas, does not begin requiring foreign language education until high school.

Paper examines the state of standards and legislation for handling restitution claims for artworks looting from victims during the Holocaust.

Paper argues the images and text in Albert S. Evans’s Our Sister Republic: A Gala Trip Through Tropical Mexico in 1869-70 misrepresented Mexico to justify American imperialism.

Paper explores the biombo as an exemplary model of hybridity that consolidated European, Asian, and Latin American histories using a late 18th century example found in the collection of the Dallas Museum of Art.

Paper argues that John Frost’s pictorial images and narratives of Mexicans were used as historical justifications for the intervention into Mexico during the Mexican-American War.

Paper examines the text and images in Bryant Tilden’s Notes on the Upper Rio Grande and analyzes how Mexicans are misrepresented in order to justify Manifest Destiny.

Paper argues that Albert C. Ramsey’s The Other Side: or Notes for the History of the War Between Mexico and the U.S., a translation of a Mexican account of the war, Apuntes para la Historia de la Guerra entre M´ exico y los Estrados-Unidos depicts the Mexican perspective on the Mexican-American war to counter misrepresentations of Mexico by his American peers.