Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.

Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.

Letter from Lorena Parlee to Albert C. Zapanta. "Cinewest" is printed across the top of the paper above an address. The message of the letter is printed below a person's name and address and a date. Parlee's signature sits towards the bottom of the letter, above her printed name.

Transcript and notes for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of four pages. The fifth page has handwritten text filling its front side while a printed paragraph occupies the back of the page.

Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.

Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.

Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.

Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.

Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of numerous pages. On the first page of the transcript, handwritten words have been marked near the page's top edge.

Interview with Pedro J. González and his wife. The document has the words "Interview with Don Pedro y Esposa" printed at the top of its first page, above a column of text that continues across the fronts of five additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from an interviewee.

Transcript of an interview with Pedro J. González. A column of text fills the right half of a page before continuing across the fronts of additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from the interviewee. Small handwritten annotations have been made at multiple points throughout the document.

Transcript for Pedro J. Gonzalez interview (tape I side 2). A wide column of paragraphed text is printed across the fronts of two pages. Handwritten words sit between the printed text and each page's left edge.

Letter from Pedro J. Gonzalez to his niece, Josefina O. de la Fuente. A wide column of paragraphed text is printed on the paper's front, below an address and date.

Stories of Pedro J. Gonzalez's life, "importantisimo realato." A wide column of paragraphed text is printed on the paper's front, below a handwritten title. Multiple words within the paragraphs have been marked out or underlined with blue ink. The printed text continues onto the page's back and ends above multiple lines of handwriting.

Letter from the general consulate of Mexico, Javier Escobar Córdova, to Pedro J. Gonzalez regarding an exoneration request. In the top left corners of the letter and an accompanying envelope is an icon of an eagle holding a snake surrounded by text and foliage. The contents of the letter include locations within California, a date, and two paragraphs written by the consulate. The envelope is addressed to Dr. Lorena M. Parlee in the University of California's history department at Santa Barbara, California.

Letter to Virginia Torres from Pedro J. Gonzalez. "Legion de Honor Mexicana" is printed above three short lines of text and an eagle icon, to the right of which is a small paragraph. Below the icon is a date and a column of paragraphed text printed above a signature. To the left of the paragraphs is a column of smaller printed text above a group of hand-written words and numbers. Multiple lines of texts towards the top of the page have an "X" marked on them.

Flyer for the play "A Las Ocho Me Matare." A large photograph of a woman laying down while a kneeling man holds her has the texts "teatro intimo" and "a las ocho me matare" printed at its top. Multiple names are also printed across the photo. Extending along the left, right, and bottom edges of the large photo is a continuous row of smaller photos.

Program for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.

Letter from Lorena M. Parlee to Joe Blackstock regarding the film about Pedro J. Gonzalez. "Cinewest" is printed across the top of the paper above an address, phone number, and date. Blackstock's name is printed above the text "Foster & Kleiser," followed by an address and phone number. The message of the letter involves thanking Blackstock for assistance with a film and describing advertising strategies for it. The letter ends with "Sincerely" and Parlee's signature written above her name in printed text.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a narrower text column. The wider column of text continues onto the back side of the page, ending above a signature and rows of handwritten text.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.

Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, ending above three lines of handwriting.

A letter to Rosario Montaño from Pedro J. Gonzalez. A title and a short paragraph are printed above an eagle icon that sits between two columns of text. Below the eagle is a wider text column that ends above a signature

Flyer for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.