The National Museum of the Pacific War presents an oral interview with Alan Pilot. Pilot joined the Army in January 1943 and received basic training at Camp Howze. He received further training in Louisiana for the European Theater and then in California for the Pacific Theater. In January he left for Camp Old Gold at La Havre, where he served as a combat medic, supporting Companies E, G, and H of the 343rd Infantry, 86th Division. His unit relieved the 8th Division and fought in Cologne, where he was stationed at the top of the cathedral while it was being shelled. In the Ruhr Pocket a defective shell landed 10 feet away from him. He recalls seeing 100,000 Germans surrender there. He describes the Bavarian people as friendly as he passed through Austria on VE Day. He was then sent to the Pacific as part of Operation Coronet. VJ Day came while he was still crossing the Pacific. He spent the last five months of his service in the Philippines at a quiet outpost while the rest of his unit prepared the Philippines for independence. Pilot returned home and was discharged in January 1946.

The National Museum of the Pacific War presents an oral interview with Aaron C. Kulow. Kulow grew up in Michigan and enlisted in the Navy in 1942. After training, he joined the ship USS Pollux AKS-4 at Norfolk, Virginia. Initially the ship runs trips down to the Carribbean and Brazil but in 1943 is fitted with radar and sent to the Pacific Theater. In the Pacific, the general stores issue ship visited Australia, New Guinea, the Admiralty Islands, and the New Hebrides Islands. He then returned to San Francisco in 1944 where his wife met him to get married. He left for the Pacific again and in 1945 traveled to the Philippines. In 1945 Kulow met survivors of the Bataan Death March that had been liberated. He remembers going to a friend's burial in the Philippines. On V-J Day Kulow was at Manila Harbor. He left for America in October 1945 and was discharged in New York December 12, 1945.

Memo to the youth departments regarding activities for the new year and updates on events and forms.

A document sent to D. Jack Davis containing an invitation to "Between Object and Child: History and Criticism in Schools and Museums" held by the Maryland Institute College of Art from November 15 - November 16, 1985. The invitation includes an overview of the event and a blank registration form.

Document discussing the arrest of Harry "Saint" Smith in Baltimore and the actions of the police following his arrest. The address of the Black Panther Party, Baltimore Chapter is at the top of the page.

A coupon for a teapot by McCormick and Company, including instructions for various means of redeeming the product.

Short autobiographic essay written by Eleanor McLernon on her life, family, career, and experience with the WASP program. A note paired with the paper reads, "Brief autobiographic sketch for the ALL-WASP lino graphic book Betty Turner currently working on (1999)".

Biographical sketch of Eleanor Brown including details about her service with the WASP, personal life, career, family, interests, and community involvement. In the last paragraph, Brown states that "the time has come to hire an Executive Director to assist us."

Document containing two biographical sketches of Eleanor Brown, including details about her interest in aviation, service in the WASP organization, career, and personal life.

Biographical sketch of Eleanor Brown including details about her service with the WASP, personal life, career, family, interests, and community involvement.

Interview with Gary Anderson, a veteran of the U.S. Army National Guard from Wausau, Wisconsin. The transcript includes a list of questions about Anderson's time as a medic in the late 1970s in Baltimore and Houston, where he was part of the 389th Transportation Battalion, as well as his opinions on Desert Storm and September 11th.

Text for a speech by Barbara C. Jordan at Morgan State University in Baltimore, Maryland, for the university's celebration of 125 years of service.

Text for a speech about the responsibility of democracy, given by Barbara C. Jordan as a Williams Lecturer at Johns Hopkins University.

Text for a speech given by Barbara Jordan at the Melvyn Goldman Appreciation Dinner, held by the Baltimore County General Hospital Foundation in honor of the opening of the new Baltimore County General Hospital.

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Binebrink, including a job number, brief description, monetary amount, and dates associated with each entry. Piece included: Plaque "200th Anniversary of the Maryland Court of Appeals".

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Paul G. Ballard, including a job number, brief description, monetary amount, and dates associated with each entry. This order includes a bronze cast of a "Butterfly Girl," thirty-six inches high.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Lily Berge, including a job number, brief description, monetary amount, and dates associated with each entry. This card includes multiple pieces of work done from 1973 to 1979, including a bronze cast of a few wildflowers, repairs to a sea urchin, and two duck mothers.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Edward Berge, including a job number, brief description, monetary amount, and dates associated with each entry.

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Henry Berge, including a job number, brief description, monetary amount, and dates associated with each entry. Pieces included: "Portrait Head" (2 copies; 1 bronze cast, 1 plaster cast; 12.75"), "Von Paris Plaque" (18.5" diameter), "Grave Plate" (18.5" x 8.5"), "Portrait Head with Small Shoulders" (11.25"), "Plaque with Four Rosettes" (18" x 10"), "Small Plaque" (20.25" x 7.25"), "Plaque of Dr. Blaylock" (25.5" x 20.25"), "Female Portrait Bust" (15"), "Large Sea Urchin", "Plaque" (2 copies; 18" diameter), "Male Portrait Head" (12.5" x 7.5"), "Sea Urchin on a Shell" (7'; repair), "Portrait Head" (12.75"), "Portrait Head Von Paris" (12.75"), "Large Sea Urchin", "Wild Flower" (18"), "Plaque of M.A. Offit'" (15.5" x 20.5"), "Portrait Relief" (33.5" x 38.75"), "Portrait Bust" (25.5" x 16" at shoulder), "Plaque" (15.5"), "Frederick Plaque" (21.25" x 7.25"), "Portrait Plaque of Blumenthal" (21" x 26"), "Large Sea Urchin" (6'6.75"), "Plaque" (5" x 18.5"), "Portrait Plaque of Blumenthal" (15" diameter), "Portrait Plaque of Mr. Hampshire" (21" x 26"), "Blaustein Relief" (2 copies; 30" x 40"), "Plaque of J.C. Legg", "Plaque" (15" x 10.5"), "Plaque" (30.25" x 23"), "Grave Plaque" (20.5" x 7.5"), "Plaque" (Portrait in Relief; 38" …

Client card describing work completed at the Roman Bronze Works Foundry for Miss Josephine Cary, including a job number, brief description, monetary amount, and dates associated with each entry. Piece is a bronze tablet.

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. George Boas, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes a bronze bust of a small boy.

Client card describing work completed at the Roman Bronze Works Foundry for Mr. Wilson J. Binebrink, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes two bronze cast plaques, two bronze cast "Bas Relief," and a bronze cast plaque measuring 22" x 17".

Client card describing work completed at the Roman Bronze Works Foundry for the Bendann Art Galleries (Felix Bendann), including a job number, brief description, monetary amount, and dates associated with each entry. Piece included: "Birds" (2 copies; 7" x 5").

Client card describing work completed at the Roman Bronze Works Foundry for Mrs. Allan L. Berman, including a job number, brief description, monetary amount, and dates associated with each entry. This work order includes a bronze case of a head mounted on a Belgian black base, a black Bakelite base cube for a plaster model, and a recoloring of a plaster model.