Resource Type
Partner
Collection
Mnemothèque Internationale des Arts Electroacoustiques
83
Akha Language Resource
56
Computational Resource on South Asian Languages
56
Oral History Association
16
Lee College Oral Histories
4
Texas Oral History Collection
4
Jackson County Oral History Collection
3
Margaret Parx Hays Papers
3
John Gilliland's Pop Chronicles
2
Music Library Conover Collection
2
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Of time and nostalgia
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Use of this item is restricted to the UNT Community
Recording of Douglas Lilburn's Of time and nostalgia.
Date:
1977
Creator:
Lilburn, Douglas, 1915-2001
System:
The UNT Digital Library
Sch No. 2
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Use of this item is restricted to the UNT Community
Recording of György Kurtág's Sch No. 2. The title applies to a series of works written for the electronic guitar. Second in the series, this piece uses very simple technical means: fuzz, wah-wah, feedback on the bass guitar. Kurtag's intention is to exploit the acoustic possibilities of the bass guitar. Recording made in the electronic studios of Radio Hungarian (1977).
Date:
1977
Creator:
Kurtág, György
System:
The UNT Digital Library
Setting for spirituals
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Use of this item is restricted to the UNT Community
Recording of Joel Chadabe's Setting for spirituals.
Date:
1977
Creator:
Chadabe, Joel
System:
The UNT Digital Library
Filigran 4
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Use of this item is restricted to the UNT Community
Recording of Akil Mark Koci's Filigran 4.
Date:
1977
Creator:
Koci, Akil Mark, 1936-
System:
The UNT Digital Library
Stria
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Use of this item is restricted to the UNT Community
Recording of John Chowning's Stria. The work uses the processes of computer synthesis to precisely control the spectral components - the partials - of sound. A non-tonal division of the frequency space is based on the golden ratio which is also used to determine relationships between inharmonic spectral components. Chowning received one of the Institute for Research and Coordination in Acoustics/Music's (IRCAM) first commissions to compose a piece for the first series of concerts of the Institute (which was presented by Pierre Boulez in Paris of 1977) at the initiative of Luciano Berio. Stria was composed between the summer and autumn of 1977 at the Center for Computer Research in Music an Acoustics of Stanford University.
Date:
1977
Creator:
Chowning, John M.
System:
The UNT Digital Library
Ludus Sinteticus
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Recording of Iván Patachich's Ludus Sinteticus. This composition includes synthetic sounds and contains nine part of form that contrast in atmosphere and construction to each other. Two fundamental structures characterize the composition: a successively built block of clusters and a kind of percussion-rhythmic structure.
Date:
1977
Creator:
Patachich, Iván
System:
The UNT Digital Library
Pour bande et instruments divers
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Use of this item is restricted to the UNT Community
Recording of Bogusław Schäffer's "Pour bande et instruments divers" ("For tape and various instruments")
Date:
1977
Creator:
Schäffer, Bogusław
System:
The UNT Digital Library
Maiandros
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Use of this item is restricted to the UNT Community
Recording of Paavo Heininen's Maiandros, Op. 37, for tape. It was commissioned by Finish Radio. It was realized on 23 March 1977.
Date:
1977
Creator:
unknown
System:
The UNT Digital Library
Concertante
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Recording of Samuel Headrick's Concertante for Violoncello and Magnetic Tape. It is aggressive and decisive in nature with sections that emerge from and evolve into one another, giving the piece a feeling of inevitability. The title describes the concert-piece in which both instruments are used in virtuosic solo capacities. It was inspired by Brahms's Symphony Number One, First Movement and Alfred Lord Tennyson's "Ulysses."
Date:
1977
Creator:
Headrick, Samuel
System:
The UNT Digital Library
Merchants
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Use of this item is restricted to the UNT Community
Recording of Mark Schubert's Merchants. This piece is a progression from single isolated events to total unification of all sounds. The method of doing so involved simple mixings of the different sounds (first individually presented), extending the events with loops, rapidly splicing different timbres together, and finally using tape echo, blending all the sounds into a climactic ending.
Date:
1977
Creator:
Schubert, Mark
System:
The UNT Digital Library
Lyric Density I
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Use of this item is restricted to the UNT Community
Recording of James Needles's Lyric Density I. This piece is the first in a series of three works which explore the development of density from a steady-state sound into a more defined lyric and linear statement. In this initial movement, short and abrupt crescendos promote areas of high attack density often veiled by a continuous foreground or background sound.
Date:
1977
Creator:
Needles, James
System:
The UNT Digital Library
GAM 77
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Recording of Raoul de Smet's GAM 77. It is a work based on concrete sound material, specifically a cookware set on which the composer improvised. In the studio, the sounds were kneaded and transformed until it reached a sound comparable to gamelan. The title refers to it and when one reads the English title ("game"), it refers at the same time to the composer's activity. As soon as the material was fixed, it was organized in canon three voices. GAM 77 was realized at the Institute for Systematic Musicology (IPEM) in Ghent in 1977.
Date:
1977
Creator:
Smet, Raoul de
System:
The UNT Digital Library
Recorded
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Use of this item is restricted to the UNT Community
Recording of Vladan Radovanović's Recorded. The attention in this piece is focused on the interaction of sound and semantic aspects of the word "recorded" and the sounds that accompany it. At times reversible elements oppose the irreversibility of the flow of the word.
Date:
1977
Creator:
Radovanović, Vladan, 1932-
System:
The UNT Digital Library
Ever-Livin' Rhythm
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Use of this item is restricted to the UNT Community
Recording of Neil Rolnick's "Ever-Livin' Rhythm." All of the sound material comes from fragments of African music taken mostly from field recordings of music of the BaBenzele pygmies of Central Africa, which was then transcribed by Rolnick. The rhythmic drive of the piece is similar to the kind of infectious music which has come out of the African diaspora. The computer part was realized on a mainframe computer which would calculate the batch files, which is an aspect that endures in Rolnick's later works as well.
Date:
1977/1978
Creator:
Rolnick, Neil B.
System:
The UNT Digital Library
Windows
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Use of this item is restricted to the UNT Community
Recording of Richard Zvonar's Windows for two-channel tape. The piece is described by Zvonar as being "an animated film for the ears." The sonic images are meant to invoke glimpses of alien landscapes, unknown and yet strangely familiar. Sound materials were taken from choral sound masses, filtered and gated through a Buchla 200 Series synthesizer. No electronic sound materials were used.
Date:
1977
Creator:
Zvonar, Richard
System:
The UNT Digital Library
Unter dem Pflasterstein liegt der Strand
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Use of this item is restricted to the UNT Community
Recording of Martin Schwarzenlander's Unter dem Pflasterstein liegt der Strand. The music is interspersed with text about demonstrations in East Germany during the 1970s.
Date:
1977
Creator:
Schwarzenlander, Martin
System:
The UNT Digital Library
Late Afternoon
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Use of this item is restricted to the UNT Community
Recording of Jukka Ruohomäki's Late Afternoon
Date:
1977
Creator:
Ruohomäki, Jukka
System:
The UNT Digital Library
Liège à Paris
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Use of this item is restricted to the UNT Community
Recording of Henri Pousseur's Liège à Paris for tape. The preposition "à" refers to several possible verbs: first, Liège thinks of Paris, and his first way of expressing it is to go there in a fictitious way, to play to visit it, to be there. So one can perceive that this is not just an illusion, that Liege (just like Geneva or Montreal) is in Paris, in every sense of the word, including that of 'to belong'. All these cities are part of a vast linguistic and cultural fabric, of which Paris is undoubtedly the heart. Finally, he dreams of a Paris really deserving its title of "City-light", to which Liège would strive to answer (even if its blast furnaces are extinguished one after the other) by that of "Cité ardente". Apart from the spontaneous, daily, improvised words gleaned from here and there by more or less indiscreet tape recorders, apart from four groups of brief quotations from Arcane 17 by André Breton, and apart from a promulgation of a rather official, easy to identify (and that our author has already incorporated into one of his prose), the texts used are all extracts of works by Michel Butor ("I hate …
Date:
1977
Creator:
Pousseur, Henri
System:
The UNT Digital Library
History From the Bottom Up
Sound recording of a talk at the 1977 Oral History Association Colloquium in San Diego titled "History From the Bottom Up".
Date:
October 22, 1977
Creator:
Oral History Association
System:
The UNT Digital Library
San Diego Workshop Welcome
Sound recording of Wyatt and Schultz giving a welcome speech during an Oral History Association Workshop in San Diego, California.
Date:
October 20, 1977
Creator:
Oral History Association
System:
The UNT Digital Library
Workshop: Developing an Index System
Sound recording of a talk titled "Developing an Index System" given during an Oral History Association Workshop.
Date:
October 21, 1977
Creator:
Oral History Association
System:
The UNT Digital Library
Interviewing Techniques
Sound recording of a talk titled "Interviewing Techniques" given during the 1977 Oral History Association Colloquium in San Diego, California. The talk is specifically about techniques of mass media interviewing.
Date:
October 22, 1977
Creator:
Oral History Association
System:
The UNT Digital Library
Oral History in Hawaii
Sound recording of a talk titled "Oral History in Hawaii" given during the 1977 Oral History Association Colloquium in San Diego, California.
Date:
October 23, 1977
Creator:
Oral History Association
System:
The UNT Digital Library
The Why of Oral History
Sound recording of a talk titled "The Why of Oral History" given during an oral history workshop in San Diego, California. Research for the talk was done by Manfred Waserman, teaching by Gwendolyn Safier, and preservation by Kenneth W. Rock.
Date:
October 20, 1977
Creator:
Oral History Association
System:
The UNT Digital Library