Recording of Takehisa Kosugi's Catchwave 71.

Recording of Joaquin Orellana's Humanofonia

Recording of Alcides Lanza's Ekphonesis IV.

Recording of José Maria Neves's Un-X-2. This piece proposes formal breaks and shows rich expressive possibilities in a non-Eurocentric posture through the use of all natural sounds.

Recording of David Bates's SST

Recording of Peter Klausmeyer's Teddy's bears' picnic

Recording of José Ramon Maranzano's Mnemon II.

Recording of Otto Pircher's Maner.

Recording of Pierre Boeswillwald's Un téléphone.

Recording of Walter S. Kimmel's Switched-off Bach: Bachanalysis.

Recording of José Maranzano's Mnemon II

Recording of Dieter Kaufmann's Chanson.

Recording of Gunner Møller Pedersen's "For Marguerite, Motherhood, and Mendelssohn" for tape.

Recording of Elżbieta Sikora's La vue par la fenêtre.

Recording of Walter Kimmel's Eight minimal soundscapes

Recording of Zoltán Pongrácz's Mariphonia.

Recording of José Vicente Asuar's Buffalo 71.

Sound recording of a report on the Denton Chamber of Commerce, 1971.

Sound recording of James Garman speaking during the 6th National Colloquium in Bloomington, Indiana about black liberation as part of a panel discussion on documenting and social change.

Sound recording of a panel discussion at the 7th Annual Oral History Colloquium held at the Thompson Conference Center Auditorium, University of Texas at Austin, Austin, Texas. The panel "Oral History Defined" is presented by Lyle Brown from the Dept. of Political Science, Baylor University, Eugenia Meyer, from the Instituto Nacional de Anthropologia e Historia, Mexico City. The panel “Oral History and Black Studies” is presented by Lawrence Goodwin from the Dept. of History, Duke University, Ann Allen Shockley from the Black Oral History Program, Fisk University.

Sound recording of "Securing Sensitive Personal Information by Interviews" from the 1971 Oral History Colloquium.

Sound recording of Richard B. Allen and Jack Hurley giving talks during the 6th Annual Oral History Association Colloquium.

Recording of Sten Hanson's Dance figure. This work is for voice and electronics. The voice is put they a delay processor to continuously loop the phrase, accompanied by the electronics which allow for the repetition to evolve.

The National Museum of the Pacific War presents an interview with Allen Hugh. Hugh reads a series of letters dated 1907, when he was 21 years old, written to his mother while serving in the Navy. He speaks about schooling in the Navy and interactions with Chester Nimitz, whom he served with. He served as a deck and ordnance officer. He comments on traveling to Manila, Philippines, and his experiences hunting, swimming and touring the island. He served aboard the USS Wisconsin (BB-64), where he traveled to Nagasaki, Japan and Kuling, China. He speaks on visiting a Mr. McNally there and riding in sedan chairs with three other midshipmen. Hugh describes serving aboard the USS Decatur (DD-5) that Nimitz commanded in 1907.