This is a creation narrative about a king called Bamkala (also called Bangala) who transformed himself into python and slept with his wife. The narrator is from Rienta village.

The folk tale is about a girl who married a python and became rich. Following this girl, other parents attempted to marry their daughter to a wild python, but were met with a tragedy. The narrator of the story is from Tedlong village.

This folk tale is about a girl who went to the farm and was followed by a ghost.

This folk tale is about how humans and animals talk to each other. The story is between Chibo and Chakuipiu ‘lion’ where they try to kill each other.

This Liangmai traditional folk song was composed by Wijinthuii of Maguilong and sung by Dijinbou of Maguilong. The song talks about the achievement of the composer's life.

This is a Liangmai folk song composed by Niureng and sang by Mrs. Wijotniliu of Rienta villlage, Tamenglong district, Manipur.

This Liangmai folk song was composed by Rengsunnang of Katang village and sung by Dijinbou of Maguilong village.

The song talks about bravery of Khenzinnang of Ntu village. This folk song was composed by Khenzinnang of Ntu village and sung by Dijinbou of Maguilong village.

The song talks about glory and praise for his family and village. This folk song was composed by Rengsunnang of Katang village and sung by Lungsongbibou Nkhapuinamai.

This folk song talks is about a sadness and difficulty faced by Kaihuii in his life. This Liangmai folk song was composed by Kaihuii of Niamning village and sung by Lungsongbibou of Bamreklong village.

This is a Liangmai folk song composed by Lungthonbui and sang by Lungsongbou Nkhapuinamai of Bamreklong (Ileng). The village of the composer is not clearly known. According to Lungsongbibou Nkhapuinamai, some say he belongs to Nkou village, some say Zami village, still others say Maguilong. Some said he did not have a proper village, as he kept migrating to different villages.

This folk song was composed by Niureng of Kalalong village and sung by Lungsongbibou Nkhapuinamai. The song talks about a man who failed to win his lover’s heart.

This folk song was composed by Marankhiung of Nheng village and sung by Lungsongbibou Nkhapuinamai. The song talks about love associated with the life of Marankhiung and his woman.

This folk song was composed by Baloing of Nchangram village and sung by Lungsongbibou Nkhapuinamai. The song talks about love and victory in the life of Baloing.

This folk song was composed by Hungennang of Singra village and sung by Lungsongbibou Nkhapuinamai. The song talks about love, victory, and failure in the composer's life.

This Liangmai traditional folk song was composed by Hiilung of Longdi Npa village and sung by Lungsongbibou Nkhapuinamai of Bamreklong.

This is a recording of a conversation on ladies’ clothes and design between four women, among whom one was sewing clothes.

This is a retelling of one of the stories on Nawab Wajid Ali Shah, the eleventh and last king of the Awadh Kingdom. Wajid Ali Shah was widely regarded as a debauched and detached ruler, and this story highlights the point.

This is a monologue on Mande village by Master Mohammad Khalid. The narrative is in the Northern (Mande) dialect of Azamgarhi. Frequent code-switching to Urdu can be easily heard even when pointed out to speak in the local language by the researcher in the beginning part of the recording.

This is a conversation between four-five people. Maaz — accompanied by his father — visits his (late) paternal grandmother’s ancestral home in Mande village. His father and his grandmother’s sister-in-law have a conversation which was joined by her relatives too. Maaz finds the conversation quite interesting and decides to record it. It ranges from a discussion on the modern age and its issues on family members, religion, current issues, politics, etc.

This is a personal narrative about an incident of the childhood time of Naushad Shaikh, the paternal uncle of the researcher, in Mandē village of Azamgarh.

This is a personal narrative of the life of the speaker Mohammad Khalid. The narrative is in the Northern (Mandē) dialect of Azamgarhi with some code-switching to Urdu.

This is a story of a husband and wife who once had so little flour left in their house that only three chapatis could be made. The husband says that he will eat two chapatis, and the wife too says the same. A heated exchange took place between them, but they finally agreed that whoever speaks first will eat just one chapati while the other one, two. They lie down and silently stare at each other, and three days pass like this. The villagers, thinking of them being dead, go to their house, wrap them in a shroud and take them to the crematory. At last, the husband says to the wife, okay two chapatis for you!

This is a story of a teacher who once — while teaching his students — says, “I have made you human from donkey by beating, but you don’t understand.” A washerman who had no children passes by and hears this. He then approaches the teacher and pleads with him to turn a donkey into a son for his sake. The teacher agrees to this and asked him to return after six months. The washerman returns after six months and asks for his son. The teacher replies that he taught and trained him so much that he became a judge at the Allahabad High Court. The washerman then visits the court, and the story continues.