Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

The National Museum of the Pacific War presents an interview with Bernard Kuse. Kuse joined the Army Air Forces in August of 1942. He served as a radio operator with the B-17 bombers in the 601st Bomb Squadron, 398th Bomb Group, 8th Air Force. They were assigned to Nuthampstead, England. Kuse flew 36 combat missions over occupied Europe from August through December of 1944. They traveled to Bastogne, Germany and Czechoslovakia. During his missions, he sustained one minor flak wound, and was an eyewitness to his bomber formation receiving an attack by the latest German secret weapon, the ME-262 jet fighter. Kuse shares vivid details of his flight training and combat missions. He was honorably discharged in September of 1945.

The National Museum of the Pacific War presents an interview with Ken Coonrod. Coonrod joined the Navy in the fall of 1944. He served as an Electrician’s Mate Third Class in the Asiatic-Pacific Theater. In late 1944, Coonrod was assigned to the Philippines. In mid-1945, he traveled to Okinawa, in preparation for the invasion of Japan. He was assigned to an LCVP just before the war ended. Coorod was transferred to Nagoya, Japan, and served with occupation forces aboard USS Littlehales (AGS-7). He returned to the US and received his discharge in 1946.

The National Museum of the Pacific War presents an interview with Everett Campbell. Campbell joined the Navy around 1942. By 1943 he had completed flight school and received his wings. He served in the Pacific theater as a fighter pilot aboard the USS Kadashan Bay (CVE-76). In July of 1944 they traveled to Pearl Harbor to join a carrier division. They participated in the Battle of Peleliu in September and the Battle of Leyte Gulf in October. They returned to the US in April of 1945 and Campbell was discharged in September.

The entire program for the jazz hour (second hour) of Music USA, dedicated to the memory of Duke Ellington.

Recital presented at the UNT College of Music Recital Hall.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Faculty Recital: 2011-06-10 - James Scott, flute and Christoph Hammer, harpsichord and fortepiano. A faculty recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A senior recital presented at the UNT College of Music Recital Hall

Ida Bridgewater discusses growing up in the Stop Six Neighborhood of Fort Worth, Texas, where her parents, Garfield and Dorothy Thompson were civil rights activists. Her father graduated from I.M. Terrell High School and served in the U.S. Army during World War II. He was elected state representative of District 95 and held office for 10 years until his retirement.

Ensemble performance at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

This folk song is a message to a girl who wants to marry outside her village from her lover, sung by late Namrihabou of Rienta village.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Strauss's Death and Transfiguration and Don Juan.

Lama Tshering and Chote Tshering discuss Kharam, a curse associated with gossip, and rituals performed to ward off the curse. It is considered dangerous to one's health. In Bönism, a lead master will mold a ritual cake and perform a ritual ceremony to ward off these spirits. He will slice the cake and foretell the ritual ceremonies that need to be performed.

Lama Tshering and Chote Tshering discuss how eggs are offered in the Bön ritual to symbolize the heart of a head of the family (usually the mother). In the Bön ritual, garlic, pork, and spring onion are forbidden. They say Shergain Mewang is the wrathful form, whereas Sherab Mebar is the peaceful form. If the people practicing Bön have a sudden sickness, then they offer a butter lamp and cash as an offering to him to recover instantly.

Cheten Tshering and Lama Tshering discuss how Bön considers Guru Rinpoche, using informal language when talking about him. They discuss why eggs are offered in Bön, why pork is forbidden, and the instruments used in Bön traditions. They say that, to fulfill wishes, it is best to pay homage, but for ultimate enlightenment, one must practice Buddhism.

Lama Tshering and Chote Tshering discuss the recent increase in the practice of Kha Bön, where people are appeasing the malicious spirit without formal training. They are seen offering flour mixed with meat, fermented sometimes without meat, and fermented wine to appease spirits that affect us. They say some even perform Bön Nag, where animal sacrifices are required.

Chote Tshering and Lama Tshering, two respected lay monks, discuss Kharam, a curse associated with gossip, and rituals performed to ward off the curse. They say the Kharam ritual in Bön is quite amazing. They build a Kharam Shang (a wooden target made of Rhus Chinensis). They will place that target inside the house and shoot the arrow into it.

Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.